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art:21
art in the twenty-first century the series the artists education events discuss

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Labor & Craftsmanship

overview

Lesson 3 | Summary

Introduction
Activities
Objectives
Critical Questions
Reflection & Evaluation
Standards
Going Further

Activity Pages
Art Phyla
Biodiversity
Cross Fertilization
Recombinants
Natural Selection
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detail of Applebroog artwork
Artwork Survey
SLIDESHOW | APPLEBROOG
detail of Murray artwork
Artwork Survey
SLIDESHOW | MURRAY
lesson 3 | converging media
activity | recombinants

Time Period: Four 45 minute sessions, plus studio time
Materials: Journal/sketchbook, pencil, a variety of art making materials to be chosen by students
Art:21 Films: Humor (Elizabeth Murray segment)
Power (Ida Applebroog segment)
Web Clips: Murray—Drawings & Sketches
Applebroog—Digital Photography
Interviews: Murray—“Bop” & the Painting Process
Applebroog—Process & Technology
Slideshows: Applebroog—Artwork Survey
Murray—Artwork Survey

Is the diversity of the art world finite or infinite? Has everything already been done? How can artists create new “species” from the existing phyla of the art world?

For artists Elizabeth Murray and Ida Applebroog, the answers to these questions often come in the form of visual recombinants, whether fusing 2D with 3D or marrying contemporary and traditional media. Elizabeth Murray blurs the line between painting and sculpture, creating three-dimensional canvases that bring the painted surface off the wall and into real space in works such as “Empire,”“Inner Life,” and “Worm’s Eye.” Ida Applebroog photographs figures made from modeling clay and gives them unique personalities through the use of digital imaging, large format printing, and painting. In her series of Digital Outtakes from Work in Progress, you can see the way that Applebroog changes the scale of her three-dimensional forms into monumental figures.

Introduce the work of these two artists to your students using Murray’s and Applebroog’s video segments and interviews (see links above). Discuss each artist’s purpose in creating hybrid art forms. How does the combination of forms communicate something different than one media alone? How do the resulting art objects relate to and break with the traditions associated with their “parent” media? How did Murray and Applebroog come to their present process? Why do you think each artist decided to branch out from a single medium to multiple?

After looking at slideshows of Applebroog's and Murray's work (see links above), ask your students to experiment with bringing together two types of media to create a new hybrid art form such as sculpture and painting, drawing and video, performance and installation, or textiles and printmaking. Assign a journal entry in which students reflect on their process. What challenges did they face? What new possibilities for art-making did they discover?

After completing their individual experiments, tell your students to partner with another student. Each pair should select two divergent media with each student assuming responsibility for one of the two media. Have students work together to combine the two different media in a single work of art. How does collaboration augment the hybridization process?
detail of Wodiczko artwork
Natural Selection
Converging Media | Activity
the next activity for this lesson

Natural Selection
Students consider the works of socially engaged artists Krzysztof Wodiczko and Mel Chin, both of whom mix media to communicate their messages in public spaces, and propose a public art project and consider the logistics of bringing it to life.

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