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art:21
art in the twenty-first century the series the artists education events discuss

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Technology & Systems
overview

Lesson 1 | Summary

Introduction
Activities
Objectives
Critical Questions
Reflection & Evaluation
Standards
Going Further

Activity Pages
Systems & Creativity
The Presence of Time
The Power of Repetition
Bodies as Machines
Narrative Structures
Freedom & Constraint
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detail of Orozco artwork
Artwork Survey
SLIDESHOW | OROZCO
detail of Orozco artwork
“Double Tail”
ARTWORK | OROZCO
lesson 1 | systems & styles
activity | bodies as machines

Time Period: Two 45 minute sessions
Materials: Student journals or paper, pens
Art:21 Film Loss & Desire (Gabriel Orozco segment)
Web Clips: Orozco—Clay Sculptures in France
Interview: Orozco—Thinking in Clay
Slideshow: Orozco—Artwork Survey

In his clay works, artist Gabriel Orozco brings together the physical process of working with the clay—the molding and shaping—with the thinking or intellectual process that goes into each shape and each object. Orozco says, “You can have this mechanical quantity of clay and then my body can act mechanically. For me it was very important for my body to become a kind of organic machine of constant movement, doing almost a mechanical movement with the clay—that constant. It was an activity that needed some rhythm connected with the machine producing the clay, bringing it to the table, and then myself doing it as a constant. So in one day you can do a whole amount of hours, like a worker doing a mechanical thing. And for me that was important. Not so much one object, but more a kind of body machine doing this action with the clay.” In works such as “Double Tail” and “Palmplate I” students can see Orozco's artistic philosophy exemplified.

Ask students to think of writing as a physical process, one that reflects both the intellectual or thinking process, as well as the physical act of writing. What are the physical elements that go into writing and how do they contribute to the final work? Ask student to think of their bodies as creative machines and to list all of the physical elements of their writing process, i.e. what tools they need, how they establish their working space, the physical movement of their body as they write. Ask students to write a piece that emphasizes or exaggerates those physical elements and incorporates them as central aspects of the final work. Have students share their final writing with the class and have other students identify the different elements they have included.
detail of Ritchie artwork
Narrative Structures
Systems & Style | Activity
the next activity for this lesson

Narrative Structures
The artists Matthew Ritchie and Jessica Stockholder use narrative as a structure or armature for their work as well as its inspirational source. Students will explore these artists’ distinct approaches to narrative and use images, objects, and writing to create their own visual narratives.

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