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from-the-collection-of-michael-feinstein
Curator's Note:

I began collecting when I was five years old.  My parents would take me to second-hand stores in Columbus, OH where I could buy old 78 records for a nickel apiece; and even though I could barely read the labels, I would take home as many as my weekly allowance could afford and savor them in my basement lair.  Admittedly at that age I was hardly a connoisseur, but even then I loved the sounds of those old songs and was captivated by the emotions and ideas and even the vibrations that emanated so magically from that plain black disk.  As I grew older and began making music myself I became increasingly curious about where it came from. Who wrote it? How was it notated and arranged and published and recorded? Who were the people who performed it, and what made them so great?

-Michael Feinstein

 

Michael Feintstein's American Songbook airs October 6, 13 and 20 on PBS.

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Exhibition Playlist

Feinstein's Collection: Bing Crosby Disk

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A recording of Bing Crosby singing "In The Land Of Beginning Again" in rehearsal during the making of the film The Bells of Saint Mary’s in 1945. It was transferred digitally from a 12" glass base lacquer disk that Michael Feinstein salvaged from the RKO Warehouse in 1978.

Listen:

Michael Feinstein writes:

In 1978 while doing research for Ira Gershwin on the RKO films for which the Gershwins had written scores, I stumbled upon a box of old lacquer disks in the RKO Warehouse. I asked the curator Jon Hall about them, and he told me that he was unaware of any such disks in the collection. It was a jumble of files and papers and not well organized. He told me that they had no interest in the recordings and had no desire to keep them. Rather than see them destroyed, I offered to make a tape transfer of the disks if he would give me the originals. Jon was happy to clear out some of the detritus in the warehouse and I departed with a hodgepodge of film-related disks from the 1940s. Some were audition records of film hopefuls, some were orchestral cues, and there were also two 12" glass base lacquer disks of Bing Crosby, one cracked beyond repair and the other not only playable but in miraculously good shape for its fragility. It had no label and simply said "Crosby- fluff" in grease pencil. Upon playing the side I was delighted by the rich sound of Crosby's voice–and also the comment he makes at the end. In The Bells Of Saint Mary's he plays a pious man of the cloth. I wonder if he was wearing a priest's collar when he made this record?

 

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