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TOPIC: Politics & Government

Filmmaker Follows Incarcerated Native Hawaiians Discovering Their Indigenous Traditions

Native Hawaiian filmmaker Ciara Lacy has had her work aired on PBS, ABC, TLC, Discovery, Bravo and A&E, and was an inaugural Sundance Institute Merata Mita Fellow for Indigenous Artists. A graduate of Yale and Hawai’i’s Kamehameha Schools, Lacy’s first documentary short, shot for the Guardian Online, chronicled a unique homeless encampment in Hawai’i and yielded over … READ MORE

Filmmaker Spotlights Unsung Neighbors Lifting Up Baltimore

Marilyn Ness is a two-time Emmy, Peabody, and DuPont Award-winning filmmaker, who has produced films like the acclaimed Cameraperson (dir. Kirsten Johnson), which was released by the Criterion Collection and shortlisted for an Oscar; Trapped (dir. Dawn Porter; Independent Lens), which won a Peabody; and the Independent Lens film 1971, which was nominated for an Emmy. … READ MORE

Independent Lens Wins Two 2018 Peabody Awards

Independent Lens is proud to announce that two of the series’ films —Dolores and The Judge — have won 2018 Peabody Awards in the Documentary category. The oldest and most prestigious award for electronic media, honoring the “most powerful, enlightening and invigorating stories in television, radio and digital media,” the Peabody Awards ceremony will be held on Saturday, … READ MORE

What “The Wire” Got Right, and Wrong, About Baltimore (and How “Charm City” Fills in the Rest)

By Lee Gardner Baltimoreans who venture beyond the I-695 beltway always know it’s coming. We meet someone from another city, or another country. They find out we’re from Baltimore, and after a suitably polite length of get-to-know-you chat, they bring up the award-winning HBO series The Wire. And really, it’s okay. There are worse things than … READ MORE

Acclaimed Filmmaker David Sutherland Tells the Story of a Family Torn Apart by Deportation

David Sutherland takes his time to tell a story, both in the years he spends with his subject, the amount of footage he shoots, and the ultimate running time — which always feels earned.  His film Country Boys took seven years to bring to fruition as Sutherland returned again and again to the hills of Appalachian … READ MORE

An Update from Elizabeth Perez

Note: Elizabeth Perez, star of David Sutherland’s film Marcos Doesn’t Live Here Anymore (a co-presentation of Independent Lens, FRONTLINE, and Voces), wrote us a heartfelt update about how she, her husband Marcos, and their family are doing. Here’s Elizabeth with more: I guess it’s kind of like a journal. I hope it’s not too long. … READ MORE

New Efforts to Improve Rural Healthcare Crisis

By Suzanne Gordon The three caregivers we meet in The Providers face daunting challenges as they try to deliver medical and mental healthcare to patients in rural New Mexico. Sadly, their struggles are reproduced all over America because for decades the nation has failed to address the problem of delivering healthcare outside of urban and … READ MORE

Three Things About “The King,” with Eugene Jarecki and Steven Soderbergh

Documentary filmmaker Eugene Jarecki’s pedigree is impressive. He has twice won the Sundance Film Festival Grand Jury Prize and the Peabody Award for: The House I Live In, his 2013 film about America’s War on Drugs (which had its broadcast premiere on Independent Lens); and for his 2005 film about American foreign policy, Why We Fight. … READ MORE

11 Questions for 3 Filmmakers About a Million Swamp Rats

The trio of filmmakers behind the Independent Lens film Rodents of Unusual Size — Jeff Springer, Chris Metzler and Quinn Costello — have previously captured unique environmental stories with a very human element to them, as Jeff and Chris made the award-winning cult favorite Plagues and Pleasures of the Salton Sea (since Jeff was born in … READ MORE

Director Duo Show No Easy Answers in Fight Over Land

The team behind the new Independent Lens film My Country No More, Rita Baghdadi and Jeremiah Hammerling, told us they were drawn to Hammerling’s native North Dakota to make this film “because his hometown, as well as much of rural America, was changing rapidly and we wanted to document those changes. And we also wanted to explore the importance … READ MORE