MOTHERLAND AFGHANISTAN


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A man in a white shirt and a woman in a white nurse’s uniform hold a baby.  Inset: Video icon link

"This is my lifetime dream coming into reality, and I always wanted to do something positive for the Afghan people in terms of health education and health care." (3:33)
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A close-up of a woman’s face as she lies on a table, in visible pain and discomfort.  Inset: Video icon link

"I began to realize that I had made really a huge mistake taking this job. I couldn't do enough to change things under these circumstances." (2:25) Watch video

A young girl smiles as a hand holds a string of colorful beads.

A man in glasses, wearing a jacket with intricately patterned collars and pockets, points off-screen as a younger woman wearing a black headscarf and an older woman in a sheer blue headscarf stand next to him and look

Most of these doctors don't have the basic knowledge to take care of their patients. They’re so thirsty for just one word of wisdom, but there's nobody to give them that, to provide them that.
—Dr. Qudrat Mojadidi

When the United States invaded Afghanistan in October of 2001, Afghan hopes were high that democracy would bring enormous progress for Afghan women in the arena of health and education. But as of 2006 one of their most fundamental rights— adequate health care—has not been met.

In MOTHERLAND AFGHANISTAN, Afghan American filmmaker Sedika Mojadidi journeys to the heart of this medical tragedy by following her father's return to Afghanistan to battle one of the highest maternal mortality rates in the world. Dr. Qudrat Mojadidi is an OB/GYN who was forced by political pressures to emigrate from Afghanistan to the U.S. in 1972. In 2003, nearly two years after the Taliban’s fall, he is invited by the U.S. government to help rehabilitate the largest women’s hospital in the country, Rabia Balkhi, now under U.S. sponsorship with a newly re-named Laura Bush Maternity Ward. He returns to his homeland with great hopes that with U.S. funding, he can help set in motion the large-scale changes necessary to stem the epidemic of maternal mortality in the country.

But when Dr. Mojadidi arrives at the Laura Bush Maternity Ward in Kabul, a city still plagued with danger and unrest, he finds deplorable conditions, with limited supplies and unsanitary facilities. As he tries to bring hope to the ward and make the best of archaic equipment and an untrained staff, the film introduces the women behind the statistics and exposes how the U.S. government's Department of Health and Human Services has impacted Afghan lives, particularly in terms of the devastating epidemic of maternal mortality.

After several months, Dr. Mojadidi leaves the hopeless conditions at Rabia Balkhi in frustration. Despite his disillusionment, he continues to search for ways to make a difference in his homeland. Two years later, he returns to Afghanistan, this time with Shuhada, an Afghan-led non-governmental organization that runs hospitals, schools and shelters in the rural Jaghori district and throughout central Afghanistan. At the Shuhada hospital, Dr. Mojadidi attempts to pass on his knowledge to the over-worked and under-trained doctors and to help the hundreds of women who have traveled days to see him. He encounters patients who will test his ability to make a difference, but also finds that despite their lack of financial and human resources, Shuhada has an encouraging vision for change based on education and prevention.

Set against the backdrop of a land in turmoil and transition, this inspiring film reveals the devastating stories behind a reproductive health crisis essentially neglected by the Western media and provides a rare glimpse into the heart of humanity through the quiet deeds of those who attempt to heal.

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