Producer/director/screenwriter Stanley Nelson on public television, car trouble and why he doesn’t want to drive a cab.

What has been the most surprising reaction to your program?

That the film seems to have something to say to a wide variety of people.

What do you think someone who sees your film in 100 years will think?

Hopefully, it will be confusing to them: they won't understand the issues brought up in the film because they will all be solved.

Was there any question you wanted to ask people but was too sensitive—or a questions you did ask and people wouldn’t answer?

No.

What do you hope to achieve with this film?

I hope that it will make people think about their own lives in ways they might not have before.

The independent film business is a difficult one. What keeps you motivated?

I don't want to drive a cab. And I love what I do.

Why did you choose to present your film on public television?

Public television seemed like the only outlet for a film like mine that is not sensationalized.

What didn’t you get done when you were making your film?

I didn't change the oil in my car and I ruined the engine.

If you weren’t a filmmaker, what kind of work do you think you’d be doing?

Taxi driver.

What do you think is the most inspirational food for making independent film?

Any and all food!

What advice do you have for aspiring filmmakers?

Make the film you really want to make.

Which filmmakers have most influenced your work?

Every film I have ever seen, every thing I have ever done has influenced me.