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Filmmaker Spotlights Unsung Neighbors Lifting Up Baltimore

Marilyn Ness is a two-time Emmy, Peabody, and DuPont Award-winning filmmaker, who has produced films like the acclaimed Cameraperson (dir. Kirsten Johnson), which was released by the Criterion Collection and shortlisted for an Oscar; Trapped (dir. Dawn Porter; Independent Lens), which won a Peabody; and the Independent Lens film 1971, which was nominated for an Emmy. … READ MORE

What “The Wire” Got Right, and Wrong, About Baltimore (and How “Charm City” Fills in the Rest)

By Lee Gardner Baltimoreans who venture beyond the I-695 beltway always know it’s coming. We meet someone from another city, or another country. They find out we’re from Baltimore, and after a suitably polite length of get-to-know-you chat, they bring up the award-winning HBO series The Wire. And really, it’s okay. There are worse things than … READ MORE

Filmmaker Theo Anthony’s Ratty Exploration of Urban Segregation

In the New York Times critics’ pick review of Theo Anthony’s Rat Film, Jeannette Catsoulis wrote: “Equal parts disturbing and humorous, informative and bizarre, Rat Film is a brilliantly imaginative and formally experimental essay on how Baltimore has dealt with its rat problem and manipulated its black population.” She continues, “Anthony shines as much light on racist urban … READ MORE

10 Questions with “Rat Film” Composer Dan Deacon: On Baltimore, Rats, Player Pianos and Theremins

Baltimore-based composer/musician Dan Deacon did the music for Theo Anthony’s Rat Film. The film, which uses the urban rat as a way to explore a deeper story of urbanization and segregation, is a unique blend of history, science and sci-fi, poetry and portraiture. And Deacon’s music, also a unique blend of styles, genres and instruments … READ MORE