April 30, 2010
Finally and that's for real this time, the Journal comes to an end with this broadcast. Thanks to those of you who have been with us all the way. I am grateful for your loyalty, and for all your letters and postings. I've tried to read every one of them.
To our critics, I'm glad you paid attention; the second most important thing to journalists is to know we're not being ignored.
The most important thing is the independence that enables us to do our job without fear or favor. In this I have been unbelievably blessed. When, for the last time, you read the credits at the conclusion of this broadcast, consider that every funder, or underwriter as we say, came to our support asking only that we enrich the public conversation by adding more and different voices to it.
I could not have had more generous or brave partners.
Not one of them has ever tried to influence the content; none has asked for a favor; or made a single demand.
Likewise, Mutual of America Life Insurance Company, my sole corporate sponsor for 23 years. Bill Flynn, the CEO when our relationship began, and his successor, Tom Moran are among the best; they've never once mentioned the complaints I know came their way over the controversies ignited here. In my experience, no corporation has been a better friend of democracy.
Time now to let you in on the big secret of broadcast journalism. There's more to it than meets the eye, and in a just world, the credit would not accrue to those of us on camera but to the team you never see.
Pull back the camera and you see the shoulders upon which I stand.
Producers and associate producers. Production coordinators and production assistants. Video editors, sound engineers, make up artist, and control room team. Camera operators and floor crew. Directors, art directors, our world class communications and web team.
This is an amazingly complex and creative process.
And our senior writer, Michael Winship, a longtime colleague who came to PBS about the time I did, almost 40 years ago.
Karen Kimball, my personal majordomo.
Our Executive Producer, Sally Roy, master of myriad details who leads us through each week with a sure hand from beginning to end. And three kindred spirits who have been my companions and compatriots ever since we launched our independent production company in 1986:
Diana Warner, our Comptroller, the still, calm center of the storm.
Judy Doctoroff, who began on the bottom rung soon out of college, became our President and COO, our Executive Producer, the conductor of this journalistic symphony and our friend.
And Judith Davidson Moyers, our CEO and Executive Editor, my long-time Executive Producer and creative partner, our maximum leader and my wife of 56 years.
It's been a productive partnership professionally and personally. To quote, once again, what Charlotte Bronte wrote of her Alfred, "We intended to be married in this way almost from the first. We never meant to be spliced in the humdrum way of other people."
And that's the Journal.
Thank you for watching. I'm Bill Moyers. See you around.