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While movie stars are gathering on the Riviera for a splashy time at Cannes, moviegoers flocked last weekend to Charm City for the 11th annual Maryland Film Festival. Held at Baltimore's Charles Theater, one of the main attractions is always a film screening by writer-director (and native son) John Waters.
Every year, the so-called "pope of trash" chooses a film to show the world -- or at least to Baltimore. This year, he presented 'Love Songs', a French twist on the movie musical, directed by French director Christophe Honore and starring Louis Garrel. With a tangle of bisexual love triangles, it has been called the anti-"Umbrellas of Cherbourg," the classic 1964 romantic musical starring Catherine Deneuve (incidentally, her daughter, Chiara Mastroianni, appears in "Love Songs"). The film didn't get much attention in America, never playing on more than six screens at a time. Waters began presenting movies at the first festival when Dietz asked him to be involved at least once. Waters immediately proposed hosting a screening and question-and-answer session, returning every year. A veteran of Sundance and Cannes, Waters helped create a unique identity for the festival in his hometown. The Baltimore festival distinguishes itself because it has no categories and no awards, Dietz said. They champion shorts, have silent, experimental and 3-D films, and bring in special non-film guests to present a favorite movie. This year, novelist Laura Lippmann presented "Funny Bones" (1995), and Ian MacKaye, founder of post-hardcore band Fugazi, presented "Nina Simone: La Legende" (1992). Art Beat caught up with Waters at the festival, where he told us what he's up to now, how he's been affected by the economic downturn, and how he may have to resort to desperate measures ("Watch your bag," he warned us.) |
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