During his later years, as he introduced new subjects, Bearden continued to develop his techniques. Perhaps motivated by his initial work in watercolor, Bearden megan to experiment with monotype — a printmaking method with loose, fluid effects. Monotypes led Bearden to alter further his approach his collage, which became increasingly painterly. Among the techniques added to his repertoire was the process of using a bleaching agent to remove areas of color. Eventually Bearden shifted from making collages with touches of paint to making paintings on paper with collage additions — works that are rightfully called "collage-paintings", a term he always cited to describe his art.

Collage of various papers with paint, ink and graphite on fiberboard
Private collection, Charlotte, N.C.
© Romare Bearden Foundation/Licensed by VAGA, New York, N.Y.

Source: National Gallery of Art, exhibition wall text