|
| 'THIRTEEN DAYS' | |
February 22, 2001 |
|
|
A new movie looks behind the scenes at the 1962 Cuban Missile Crisis. FORUM: Former Secretary of Defense Robert McNamara and filmmaker Peter Almond take your questions. |
|
TERENCE
SMITH: Potential nuclear war is a familiar subject for Hollywood. But
this year the crisis portrayed is fact, not fiction. It is a dramatization
of the 1962 Cuban Missile Crisis.
ACTOR [in video clip]: We were eyeball to eyeball and I think the other fellow just blinked. (Laughs) TERENCE SMITH: "Thirteen Days," a January release from New Line Cinema, describes the moment when U.S. intelligence discovered a threat close to home. ACTOR: What is it? ACTOR: On Sunday morning, one of our U2s took these pictures. The Soviets are putting medium-range ballistic missiles into Cuba. ACTOR: Good morning, gentlemen. ACTORS: Good morning, Mr. President.
ACTOR: In those five minutes they could kill 80 million Americans. TERENCE SMITH: In the movie, as in reality, President John F. Kennedy, his brother, Robert, and their advisers, were faced with a dilemma: How to get the Soviet missiles out of Cuba without starting a nuclear war. ACTOR: No, no, no. Now there is more than one option here. And if one isn't occurring to us, it's because we haven't thought hard enough. ACTOR: Bobby, sometimes there is only one right choice and you thank God when it's so clear. TERENCE SMITH: While the filmmakers based their account on tape recordings of meetings in the Kennedy White House and other records, they took dramatic license to increase the role of Kevin Costner's character, political aide Kenneth O'Donnell.
ACTRESS: Great. And while you're under a rock somewhere with the president, what am I supposed to do with our five children, Kenny? KEVIN COSTNER: Honey, honey, we're not going to let it come to that. TERENCE SMITH: The film documents the central role played by Robert McNamara, then Secretary of Defense, to ensure civilian control over the military. He wanted to avoid starting a war by accident.
TERENCE SMITH: The film, which has grossed more than $30 million at box offices in the United States, is dramatizing the threat of nuclear war to a generation not even born at the time of the Cuban Missile Crisis. |
|||||||||||||||||||
| On the brink of nuclear war | ||||||||||||||||||||
|
TERENCE SMITH: The film has provoked considerable discussion here in
Washington on the continuing nuclear threat in the post-Cold War world.
Joining us now to discuss it are Peter Almond, the producer of "Thirteen
Days"; Robert McNamara, Defense Secretary during the Cuban Missile
Crisis; and Keith Payne, he's director of a new study on US nuclear
forces and arms control. He is president of the National Institute for
Public Policy, a research organization. Welcome to you all.
TERENCE SMITH: Were you attracted by the human crisis or by the great potential threat, as well? PETER ALMOND: Well, I think, as some of the... An exchange in the film "Thirteen Days" says, that we feel like we... It's Pearl Harbor. We almost caught them steaming towards our ships. And I think this is really one of the great international crises in world history. So both the inside White House personality dilemma, how these young, comparatively young men contend with the crisis, and the international scale of the crisis itself made it kind of... very tantalizing, as filmmakers, to tackle. |
![]() |
|||||||||||||||||||
| The other side | ||||||||||||||||||||
|
TERENCE SMITH: Mr. McNamara, you were there of course. Does this film have the ring of truth?
TERENCE SMITH: And the central thrust of the film? ROBERT McNAMARA: The central thrust of the film is we came that close to nuclear war, and the film doesn't really show how close we came. TERENCE SMITH: Keith Payne, as somebody who works in the field of arms control, studies it, what's your... what message do you take from this? KEITH PAYNE: Well, there are a couple of messages. I think one of the most important messages is that on the other side, there may be ideological zealots in control. The movie does a wonderful job of showing the US side of the situation. What's interesting is what was going on, on the other side. And we know, for example, what was going on, on the other side was that Castro and Che Guevara were recommending to Khrushchev that they actually use the weapons, use the missiles, use the nuclear weapons against the United States. So here we have a very serious crisis where at least one party, at the senior most levels of government, is advocating the use of nuclear weapons against the United States.
TERENCE SMITH: And you only just... Go ahead. ROBERT McNAMARA: Because the film shows quite correctly, on Saturday night, the 27th of August, a critical moment... TERENCE SMITH: October. ROBERT McNAMARA: The 27th of October, 1962, the majority of Kennedy's military and civilian advisors were prepared to recommend attack. At the time, the CIA said they did not believe there were any nuclear warheads there for the missiles. It wasn't until 30 years later that we learned there were 162 warheads there, 90 for tactical use against an incoming attack and 60 for the missiles that were targeted on the US that, as was properly said, would have killed 80 million Americans. TERENCE SMITH: And 30 years later, you said you discussed it with Fidel Castro. ROBERT McNAMARA: I was there when we learned this from a Russian general... TERENCE SMITH: There being Havana, during the conference.
He said, "Bob, I did know they were there. I would not have recommended, I did recommend they were to be as used, as you said. What would have happened to Cuba? It would have been totally destroyed." He said, "You and Kennedy would have done the same thing in the case of the US" TERENCE SMITH: So he saw no other way out? ROBERT McNAMARA: He would have pulled the temple down on his head. |
![]() |
|||||||||||||||||||
| Ready for martyrdom | ||||||||||||||||||||
|
TERENCE SMITH: All right.
He said, "we see your willingness to die beautifully. We don't think it's worth dying beautifully." On one hand, you have Makoyan who was very deterrable in those circumstances. On the other side, you had some ideological and political zealots who were essentially beyond deterrence in that case. ROBERT McNAMARA: But if I may... TERENCE SMITH: Right. Let me ask Peter Almond this: As you can tell, this has spawned, this film has spawned all kinds of discussion about the nuclear threat today, in light of this crisis. My question is this: Is it your sense, from the reaction from the film, that there exists a generation today that has concluded that the nuclear threat has gone away?
TERENCE SMITH: Mr. McNamara, do you think people downgrade the nuclear threat now? ROBERT McNAMARA: I do. I don't think they understand that today, we, the US, have 7,500 strategic nuclear warheads. The Russians have 6,500. About a third of ours are on 15-minute alert, and they have a destructive power equal to 50,000 Hiroshima bombs. One Hiroshima bomb killed 180,000 people. And those are still on nuclear alert.
TERENCE SMITH: Right. Let me ask you both, what... Or all of you: What then, do we conclude? What should we do now? What two or three things would you do now, as a result of the history of this incident, this crisis? PETER ALMOND: Well, I think... One of the key points that comes through just in the dramatic record of the crisis and the real historical record, and Senator Edward Kennedy made this point after looking at "Thirteen Days" with President Bush the other day, he said that "Thirteen Days" demonstrates the balance a leader has to bring between the military and diplomatic political options. And what you see in "Thirteen Days" and in the Cuban Missile Crisis, is the continual insistence on this kind of coercive diplomacy balance that brought us through the crisis, where President Kennedy seemed at each turn to be looking for a way to step back from the brink of total war and to give the other side the opportunity to reflect on the options and join with the United States in finding a way out. And I think that lesson is number one for leaders today, for young people who might see the film as a kind of cautionary tale about what it takes to lead in the kind of ultimate crisis situation.
ROBERT McNAMARA: The basic lesson is the indefinite combination of human fallibility is demonstrated in that film and nuclear weapons will lead to destruction of nations. And therefore, as first steps today, we should do what President Bush has proposed, unilateral reductions from the 7,500 that I mentioned to something on the order of maybe 1,500 and de-alerting the remaining force, to reduce the risk of accident or inadvertent launch. TERENCE SMITH: Keith Payne, do you agree with that? KEITH PAYNE: Oh, yeah. Let me add two points that that: One is that we need to understand that foreign leaders may think very differently than we do. ROBERT McNAMARA: Yes. KEITH PAYNE: We cannot assume that they are going to be reasonable, rational, as those qualities are defined in Washington. ROBERT McNAMARA: Exactly.
So I would add onto what Secretary McNamara said, that we need to move toward defensive capabilities. And I'm convinced that the Cuban Missile Crisis, as it's portrayed, is one of the strongest arguments to move forward with some sort of defensive capability for the United States, particularly ballistic missile defense. TERENCE SMITH: Well, now, that's a subject of argument. You probably disagree. ROBERT McNAMARA: Well, I'm not going to disagree until I know what... I'll call the architecture, the specifications of the ballistic missile defense that President Bush is thinking of is. At that point, I hope you'll invite us back. TERENCE SMITH: All right.
TERENCE SMITH: Your proposal on de-alerting, you would have to make that reciprocal on both sides. ROBERT McNAMARA: And it would have to be verifiable. TERENCE SMITH: Right. ROBERT McNAMARA: But that can be done. And I think the Russians are ready for it. And I am delighted the president is talking about it. TERENCE SMITH: And is the US ready for reductions, as well, and de-alerting?
TERENCE SMITH: Peter, it sounds like you've started a debate that is not over and is going to go on. Thank you all three, very much. ROBERT McNAMARA: Thank you very much. KEITH PAYNE: Thank you. PETER ALMOND: Thank you. |
![]() |
|||||||||||||||||||
| Support the kind of journalism done by the NewsHour...Become a member of your local PBS station. | ||
| PBS Online Privacy Policy Copyright ©1996- MacNeil/Lehrer Productions. All Rights Reserved. | ||