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| THE 2000 AD WATCH: DEMOCRATS | |
| December 7, 1999 |
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The NewsHour Media Unit is funded by a grant from
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| A candidates first step | ||||||||
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TERENCE SMITH: Of course, they're laying the first positions, as they do it. Kathleen, you've seen a lot of these ads and studied them. What do you think?
TERENCE SMITH: So you think that's an essential first step for a candidate? KATHLEEN HALL JAMIESON: It's an essential first step, and it is substantively valuable to the electorate, because part of the way we judge the credibility of a message is by the ethos of the source, and that means the credibility of that biography. The second thing that's important about these ads is the candidates have each now spoken to us directly on camera. That gives them a chance to try on the role of President. You know, Presidents don't usually speak to us in the format of presidential debates once they become President, or the ads. The genre of discourse that is the keystone of the presidency is the sit-down in front of you in the Oval Office and talking to you about a moment of crisis or something significant. They both have given you a chance to experience your sense of them in that kind of a role in advertising. That's important, to give to you kind of the first feel for whether you'd be comfortable with either one of them in the Oval Office, or with both. TERENCE SMITH: And a chance to determine if they're credible, I suppose.
TERENCE SMITH: David Gergen, what caught your eye from these? DAVID GERGEN: Well, two things. One, you made mention in the beginning of the fact that these are so gentlemanly. After so many years when negative advertising has apparently worked in politics, but people are so sick of it as voters, it's striking how much more positive these are in de-emphasizing the negative in favor of the positive. I think that's a welcome development. TERENCE SMITH: And that might suit the mood, I suppose. DAVID GERGEN: I think it does suit the mood. I find the other thing, Terry, that surprised me about the vice president's ads is that you would never know from that ad that he had been vice president, and you particularly would never know from that ad that he had worked for Bill Clinton. TERENCE SMITH: Didn't hear that name, did you? |
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| Appealing to New Hampshire voters | ||||||||
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DAVID GERGEN: You didn't hear the name, and you didn't hear anything about the economy. I find it mystifying that the vice president is early advertising. He's not talking about the strength of the economy, especially in a state like New Hampshire, which was on its back when Bill Clinton was elected. TERENCE SMITH: John Carroll, I'm curious if you heard or saw anything that you think would resonate particularly in New Hampshire, that being so important?
TERENCE SMITH: Kathleen, there is also some cosmetic things in these ads that are interesting. In Al Gore's ads, for example, there's a sort of upscale casual look, sort of L.L. Bean, I'd say. Is there a motive here? What do you think it is? KATHLEEN HALL JAMIESON: The President has to simultaneously... a presidential candidate needs to simultaneously suggest that he has the gravity to be the President, the stature of the office, but also identifies with us enough that we would trust him with that serious responsibility. And part of the way that the consultants telegraph that through their candidates is to make sure that you see them in a range of dress, all of them appropriate, none of them goofy, but also in environments that let you envision, for example, the person in your living room talking comfortably to you, as well as the person in the Oval Office talking comfortably to you. I think that's what's going on here. |
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| Truth in advertising | ||||||||
| TERENCE SMITH: David Gergen, as you look at these, can you
discern any distinct ideological difference? Is one staking out a more
liberal or more centrist position?
TERENCE SMITH: Is that the alpha male at work? Is that more forceful? Is that what you mean? DAVID GERGEN: Well, I think it's somewhere between alpha and beta. It's got a nice mixture of, you know, living room style that Kathleen was talking about that makes you feel a little more comfortable. You're not on edge when you hear him speak. He seems to be comfortable in himself. TERENCE SMITH: Right. John Carroll, anything in this that you found misleading or incorrect?
TERENCE SMITH: Right. JOHN CARROLL: But he's building his campaign on that sense that he's the genuine article, and I think if he walks that line too much that people will eventually catch on, and that could damage the foundation of his campaign. |
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| Ads make the difference? | ||||||||
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KATHLEEN HALL JAMIESON: One of the things that is important to note about the ads is that Bradley is promising us a different kind of campaign in the ad that suggests that we're going to have more detailed plans. At least you're going to know where he stands. The positive side of that is, it is a promise for a different kind of campaign. But the negative side from Bradley's standpoint is that any lapse, such as a lapse in factual accuracy of an ad, or something that looks like politics as usual, or that looks like a cheap shot or doesn't actually show how you would pay for something, is going to look as if he didn't keep the promise made explicitly in that ad. And so it suggests the higher road and a different kind of campaign, but that holds him to a higher threshold test. TERENCE SMITH: David Gergen, is there anything that Senator Bradley can do with these ads or future ads in your view, if you were advising him, to close the gap with Al Gore, who leads in all the polls?
TERENCE SMITH: Okay. We'll be back on this subject again. David Gergen, John Carroll, Kathleen Hall Jamieson, thank you all very much. JIM LEHRER: Yes, indeed. Terry and his crew will look at republican campaign commercials next week, and will, as a regular NewsHour feature, continue to monitor and report on all such advertising for the duration of the election campaign. |
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