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Forum: Mark Rothko  MARK ROTHKO
Join Joseph Solman in a discussion
of Rothko and Abstract Expressionism.

August 13, 1998

Questions asked
in this forum:

What was the origin of "The New York Ten"?
Which painters influenced Mark Rothko?
How political was Rothko?
How has your style changed over time?
Who is your favorite painter?
Additional comments.

NewsHour Backgrounders
August 5, 1998
Paul Solman and his father reflect on the art of Mark Rothko.
July 17, 1997
A sweeping look at history of American Art.
May 23, 1997
The Whitney Museum's biennial exhibit.
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A new Pablo Picasso biography.
January 1, 1997
Paul asks the question: What is Modern Art?
Browse the Online NewsHour's coverage of Arts and Entertainment.

OUTSIDE LINKS:
The National Gallery's Rothko site.
Mark Rothko believed that looking at a painting should be a spiritual experience. And to many of his fans, Rothko's paintings are transcendent, disclosing the presence of a high philosophical truth through the juxtaposition of colors and textures.

Forum: Mark RothkoTo many art historians, Rothko ushered in the American abstract expressionism movement. His experiments in color, surface, proportion, and scale brought international acclaim and pushed abstractionism--a movement away from representational, recognizable images-- to the forefront of modern art in the post World War II years.

A current exhibit at the National Gallery in Washington, D.C. traces Rothko's journey from early experiments with images and symbols in the 1930s, to later ethereal studies in color. The last paintings were finished in 1970, when Rothko committed suicide at the age of 67.

Born in Russia in 1903, Rothko made his way to New York in the 1920s. He soon found himself amid a frenzied creative atmosphere and a group of dissident American modernists called "The Ten." The group exhibited together in the U.S. and abroad eight times between 1935 and 1939. It included our forum guest, Joseph Solman.

Joseph Solman is 87 years old and still painting. Even though he founded "The Ten" with Rothko, they did not always see eye-to-eye on the aims of art. Their aesthetic styles differed--Solman's work is more representational. But in a NewsHour report, Solman credits Rothko with winning the argument over the power of color.

Joseph Solman answered your questions about Rothko, "The Ten" and his own career. Click here to enter the forum.


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