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| THE FUTURE OF LOCAL NEWS | |
| February 2001 |
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Paul
Schnebelen of Oxnard, California asks: I can't begin to count the number of times I've seen a car chase treated as a major news story just because a news helicopter can show pictures of the chase live, or the number of times I've seen a "live remote" from a place where the newsworthy action ended hours before. What is the reason for TV news broadcasts' fascination with remote broadcast technology? Carl
Gottlieb responds: In the early days of live technology it was exciting for viewers to be "eyewitnesses" to history. That novelty is, well ... history. In the case of late-breaking news it's faster to go to the scene of a story, feed back your video and wrap a live stand-up around a taped package. Sometimes events are unfolding as a broadcast is on air and live is necessary. In the absence of the above there are two main reasons stations go live. Consultants tell them viewers like the immediacy -- our focus groups disagree and feel the way you do, especially about live shots where the story has long ended. Justification of expense is the other reason. The people in charge of money at TV stations want to see all of the technology they paid for in use.
Marty
Haag responds: Is there a fascination with remote broadcast technology? Of course. One of the definitions of news, of course, concerns immediacy. Those stories that are most immediate and closer to you are more interesting. Just because we can go live doesn’t mean we should. I once read a remark from a Los Angeles broadcaster saying, in effect, that viewers understand in breaking news situations that stations often get information wrong but as more facts are available the story is cleaned up. What happened to get it first, but first get it right?
Carol
Marin responds: The helicopter crash or the warehouse fire that was extinguished 12 hours earlier are easy to cover, offer some sense of action but often not much more. Stories about government, politics, education, the price-fixing of milk or gasoline ... all of these require crews to do more than one interview at more than one location and thus require the spending of both time and money. That's why simple action stories, contained at one location, are cheaper and easier, if not more satisfying. |
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