'THE PASSION OF THE CHRIST'

February 2004
		Mel Gibson's controversial movie, "The Passion of the Christ," opened Ash Wednesday to mixed reviews. Two theology professors take your questions on the religious and philosophical questions surrounding the film.

Forum Introduction What viewpoint does the Vatican have on Sister Anne Catherine Emmerich? Why would her book on the Passion be or why should it not be a source for depicting the story on film? I am confused about the movie's depiction of the central idea of Christianity as the crucifixion of Jesus. Do you recognize modern-day movies as the new art form in the 21st century in communicating religious messages/themes and specifically the Christian message? If Mel Gibson is in a conservative movement within Catholism that rejects the reforms of Vatican II, wouldn't it follow that he would reject the declaration of that body that Jews were not responsible for Jesus' death? What evidence would you give that Protestant theology has minimized the crucifixion; and would it therefore follow that Catholic theology has minimized the resurrection? Mel Gibson claims the movie is historically accurate but in actuality, isn't the story of Jesus' crucifixion portrayed in the Gospels? So aren't there 6 or so different versions of the story? Where is he getting his historical evidence? Do you feel comfortable with the artistic license Mel Gibson exercised in the dialogue, and a number of events, not found in the Gospels, both personally and theologically?	Mel Gibson's film "The Passion" is stirring controversy for its graphic depiction of the final hours of Jesus' life that some say is anti-Semitic and places blame for Jesus' crucifixion on Jews. Other critics are hailing the film as a deeply moving account of Christ's final hours that makes for extremely powerful viewing. Is the movie likely to plant seeds of divisiveness and anti-Semitism? Or is it vital viewing for those who believe Jesus sacrificed his life for others? Robert Johnston of Fuller Theological Seminary and Philip Cunningham of the Boston College Center for Christian-Jewish Learning answer your questions on the film's religious, philosophical and artistic implications.