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John Ashbery   John Ashbery
TRANSCRIPT
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A Perfect Hat
by John Ashbery
audioRealAudioDownload

I forget what it is I would rather be doing.
Floral and verbal, I am in the thick
of what I would rather be doing, jumping off a cliff,
rousing subordinates. There are just so many things
one would rather be caught out doing, like measuring the tree,
the swift shadow of which menaces us and bluebirds.
Oh the mill sang of many things but its wheel
was always rolling whether you noticed it or not.
The wheel that is still today but much larger.

It cautioned us to leave but we slept
the exact duration of the idea that never leaves us now.

 
Composition audioRealAudioDownload

We used to call it the boob tube,
but I guess they don’t use tubes anymore.
Whatever, it serves a small purpose after waking
and before falling asleep. Today’s news—
but is there such a thing as news,
or even oral history? Yes, when you want to go back
after a while and appraise the accumulation
of leaves, say in a sandbox.
The rest is rented depression,
available only in season
and the season is always next month,
a pure but troubled time.

That’s why I don’t go out much, though
staying at home never seemed much of an option.
And speaking of nutty concepts, surely "home"
is way up there on the list. I feel more certain about "now"
and "then," because they are close to me,
like lovers, though apparently not in love with me,
as I am with them. I like to call to them,
and sometimes they reply, out of the deep business of some dream.

A Worldly Country audioRealAudioDownload

Not the smoothness, not the insane clocks on the square,
the scent of manure in the municipal parterre,
not the fabrics, the sullen mockery of Tweety Bird,
not the fresh troops that needed freshening up. If it occurred
in real time, it was OK, and if it was time in a novel
that was OK too. From palace and hovel
the great parade flooded avenue and byway
and turnip fields became just another highway.
Leftover bonbons were thrown to the chickens
and geese, who squawked like the very dickens.
There was no peace in the bathroom, none in the china closet
or the banks, where no one came to make a deposit.
In short all hell broke loose that wide afternoon.
By evening all was calm again. A crescent moon
hung in the sky like a parrot on its perch.
Departing guests smiled and called, "See you in church!"
For night, as usual, knew what it was doing,
providing sleep to offset the great ungluing
that tomorrow again would surely bring.
As I gazed at the quiet rubble, one thing
puzzled me: What had happened, and why?
One minute we were up to our necks in rebelliousness,
and the next, peace had subdued the ranks of hellishness.

So often it happens that the time we turn around in
soon becomes the shoal our pathetic skiff will run aground in.
And just as waves are anchored to the bottom of the sea
we must reach the shallows before God cuts us free.

Ignorance of the Law
Is No Excuse
audioRealAudioDownload

We were warned about spiders, and the occasional famine.
We drove downtown to see our neighbors. None of them were home.
We nestled in yards the municipality had created,
reminisced about other, different places—
but were they? Hadn’t we known it all before?

In vineyards where the bee's hymn drowns the monotony,
we slept for peace, joining in the great run.
He came up to me.
It was all as it had been,
except for the weight of the present,
that scuttled the pact we made with heaven.
In truth there was no cause for rejoicing,
nor need to turn around, either.
We were lost just by standing,
listening to the hum of wires overhead.

We mourned that meritocracy which, wildly vibrant,
had kept food on the table and milk in the glass.
In skid-row, slapdash style
we walked back to the original rock crystal he had become,
all concern, all fears for us.
We went down gently
to the bottom-most step. There you can grieve and breathe,
rinse your possessions in the chilly spring.
Only beware the bears and wolves that frequent it
and the shadow that comes when you expect dawn.

Copyright by John Ashbery. Reprinted with permission. All rights reserved.

POET BIO

John Ashbery is the author of more than 30 volumes of poetry, criticism and essays, including most recently, "A Worldly Country" and "Selected Later Poems." He has won nearly every major American award for poetry, and his body of work has led many to consider him one of the nation's most important writers of the last half century.

Ashbery was born in 1927 in Rochester, N.Y. He received a B.A. from Harvard in 1949 and an MA in 1951 from Columbia. As a young man in the 1950s, Ashbery along with friends like Frank O'Hara and Kenneth Koch formed what came to be known as the "New York School" of poetry.

Ashbery's first book, "Some Trees" (1956), was selected by W. H. Auden for the Yale Younger Poets Series; "Self-Portrait in a Convex Mirror" (1975) received the Pulitzer Prize for Poetry, the National Book Critics Circle Award and the National Book Award; and "A Wave" (1984) won the Lenore Marshall Poetry Prize. His work has been translated into more than 20 languages.

Since 1990, Ashbery has been Charles P. Stevenson Jr. Professor of Literature and Languages at Bard College in Annandale-on-Hudson, N.Y. Ashbery also has taught at Brooklyn College-CUNY, was art critic for New York Magazine and Newsweek, and was executive editor of Art News.

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