Back in the blue chair in front of the green studio
another year has passed, or so they say, but calendars lie.
They're a kind of cosmic business machine like
their cousin clocks but break down at inopportune times.
Fifty years ago I learned to jump off the calendar
but I kept getting drawn back on for reasons
of greed and my imperishable stupidity.
Of late I've escaped those fatal squares
with their razor-sharp numbers for longer and longer.
I had to become the moving water I already am,
falling back into the human shape in order
not to frighten my children, grandchildren, dogs and friends.
Out old cat doesn't care. He laps the water where my face used to be.
Hard Times
The other boot doesn't drop from heaven.
I've made this path and nobody else
leading crookedly up through the pasture
where I'll never reach the top of Antelope Butte.
It is where my mind begins to learn
my heart's language on this endless
wobbly path, veering south and north
informed by my all-too-vivid dreams
which are a compass without a needle.
Today the gods speak in drunk talk
pulling at a heart too old for this walk,
a cold windy day kneeling at the mouth
of the snake den where they killed 800 rattlers.
Moving higher my thumping chest recites the names
of a dozen friends who have died in recent years,
names now incomprehensible as the mountains
across the river far behind me.
I'll always be walking up toward Antelope Butte.
Perhaps when we die our names are taken
from us by a divine magnet and are free
to flutter here and there within the bodies
of birds. I'll be a simple crow
who can reach the top of Antelope Butte.
Barking
The moon comes up.
The moon goes down.
This is to inform you
that I didn't die young.
Age swept past me
but I caught up.
Spring has begun here and each day
brings new birds up from Mexico.
Yesterday I got a call from the outside
world but I said no in thunder.
I was a dog on a short chain
and now there's no chain.
from The Golden Window
I hope to define my life, whatever is left,
by migrations, south and north with the birds
and far from the metallic fever of clocks,
the self staring at the clock saying, "I must do this."
I can't tell the time on the tongue of the river
in the cool morning air, the smell of the ferment
of greenery, the dust off the canyon's rock walls,
the swallows swooping above the scent of raw water.
Copyright by Jim Harrison. Reprinted with the permission. All rights reserved.
Jim Harrison has published more than 30 collections of poetry and prose. "In Search of Small Gods" is his twelfth book of poems. His connection to rural landscapes is evident in his free-verse, imagistic poetry, which often explores human and animal drives set against an unforgiving natural world.
His work has been translated into two dozen languages and produced as four feature-length films. He has been poetry editor of "The Nation" has also served as the food columnist for the magazines Smart and Esquire.