Didn’t you like the way the ants help
the peony globes open by eating the glue off?
Weren’t you cheered to see the ironworkers
sitting on an I-beam dangling from a cable,
in a row, like starlings, eating lunch, maybe
baloney on white with fluorescent mustard?
Wasn’t it a revelation to waggle
from the estuary all the way up the river,
the kill, the pirle, the run, the rent, the beck,
the sike barely trickling, to the shock of a spring?
Didn’t you almost shiver, hearing book lice
clicking their sexual dissonance inside an old Webster’s New International, perhaps having just
eaten of it izle, xyster, and thalassacon?
Forget about becoming emaciated. Think of the wren
and how little flesh is needed to make a song.
Didn’t it seem somehow familiar when the nymph
split open and the mayfly struggled free
and flew and perched and then its own back
broke open and the imago, the true adult,
somersaulted out and took flight, seeking
the swarm, mouth-parts vestigial,
alimentary canal come to a stop,
a day or hour left to find the desired one?
Or when Casanova took up the platter
of linguine in squid’s ink and slid the stuff
out the window, telling his startled companion,
“The perfected lover does not eat.”
Didn’t you glimpse in the monarchs
what seemed your own inner blazonry
flapping and gliding, in desire, in the middle air?
Weren’t you reassured to think these flimsy
hinged beings, and then their offspring,
and then their offspring’s offspring, could
navigate, working in shifts, all the way to Mexico,
to the exact plot, perhaps the very tree,
by tracing the flair of the bodies of ancestors
who fell in this same migration a year ago?
Doesn’t it outdo the pleasure of the brilliant concert
to wake in the night and find ourselves
holding hands in our sleep?
Everyone Was in Love
One day, when they were little, Maud and Fergus
appeared in the doorway naked and mirthful,
with a dozen long garter snakes draped over
each of them like brand-new clothes.
Snake tails dangled down their backs,
and snake foreparts in various lengths
fell over their fronts. With heads raised and swaying, alert as cobras, the snakes writhed their dry skins
upon each other, as snakes like doing
in lovemaking, with the added novelty
of caressing soft, smooth, moist human skin.
Maud and Fergus were deliciously pleased with themselves.
The snakes seemed to be tickled, too.
We were enchanted. Everyone was in love.
Then Maud drew down off Fergus’s shoulder,
as off a tie rack, a peculiarly
lumpy snake and told me to look inside.
Inside the double-hinged jaw, a frog’s green
webbed hind feet were being drawn,
like a diver’s, very slowly as if into deepest waters.
Perhaps thinking I might be considering rescue,
Maud said, “Don’t. Frog is already elsewhere.”
Promissory Note
If I die before you
which is all but certain
then in the moment
before you will see me
become someone dead
in a transformation
as quick as a shooting star’s
I will cross over into you
and ask you to carry
not only your own memories
but mine too until you
too lie down and erase us both together into oblivion.
Galway Kinnell was born in Providence, Rhode Island, in 1927. He graduated from Princeton University in 1948 and received a Master of Arts degree from the University of Rochester in 1949. During the 1960s, Kinnell became involved in the Civil Rights Movement and was a field worker for CORE (Congress of Racial Equity) in the South.
Kinnell has taught at several universities, and for many years he was the Erich Maria Remarque Professor of Creative Writing at New York University. He has been a MacArthur Fellow and the state poet of Vermont. Currently, he is a Chancellor of the Academy of American Poets and lives in Vermont.
In 1983, Kinnell received both the Pulitzer Prize and the National Book Award for his “Selected Poems.” His books of poetry include “What a Kingdom It Was” (1960); “Flower Herding on Mount Monadnock” (1964); “Body Rags” (1968); “The Book of Nightmares” (1971); “Mortal Acts, Mortal Words” (1980); “Selected Poems” (1982); “When One Has Lived a Long Time Alone” (1990); “Imperfect Thirst” (1994); “A New Selected Poems” (2000), a finalist for the National Book Award; and “Strong Is Your Hold” (2006).