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POET PROFILE
Mary Jo Salter, photo by Michael Malyszko   Mary Jo Salter
TRANSCRIPT
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Aubade for Brad
by Mary Jo Salter
audioRealAudioDownload

At six o'clock begins the ritual dance
of bumping into bureaus in the dark;
            it's time you went to work.
Holding one shoe at arm's length like a candle,
you grope for its mate, but stumbling on a sandal
            of mine, abandon hope
and ask for guidance in the softest voice;
I whisper too, as if there's still a chance
            we might not wake me up.

Once shod, you pull the creaking blinds whose slats
narrow their sleepy eyelids into slits,
            and I'm to take the cue
more sloth is my reward for finding you
the means by which you'll disappear till dinner.
            Condemned to write
from dawn until you drop in bed at night,
you'll spend a happy, virtuous day convinced
            you are a miserable sinner.

No doubt it is the hard fate of the Writer
to suffer like the rest, but not know better
            than to call it a job. What's worse
than feeling so deeply one must doubly force
oneself to show it in both prose and verse?
            I sympathize, of course;
so much, in fact, I'd joyfully disprove
that formula by which all Energy
            converts to (Printed) Matter
and devote, this morning, some of it to Love.
            Darling, if you'll untie
            your shoes again and lie
for a moment here, while the sun turns all to gold,
I may grow very bold.

Erasers audioRealAudioDownload

As punishment, my father said, the nuns
    would send him and the others
out to the schoolyard with the day's erasers.

Punishment? The pounding symphony
    of padded cymbals clapped
together at arm's length overhead

(a snow of vanished alphabets and numbers
    powdering their noses
until they sneezed and laughed out loud at last)

was more than remedy, it was reward
    for all the hours they'd sat
without a word (except for passing notes)

and straight (or near enough) in front of starched
    black-and-white Sister Martha,
like a conductor raising high her chalk

baton, the only one who got to talk.
    Whatever did she teach them?
And what became of all those other boys,

poor sinners, who had made a joyful noise?
    My father likes to think,
at seventy-five, not of the white-on-black

chalkboard from whose crumbled negative
    those days were never printed,
but of word-clouds where unrecorded voices

gladly forgot themselves. And that he still
    can say so, though all the lessons,
most of the names, and (he doesn't spell

this out) it must be half the boys themselves,
    who grew up and dispersed
as soldiers, husbands, fathers, now are dust.

A Morris Dance audioRealAudioDownload

Across the Common, on a lovely May
day in New England, I see and hear
the Middle Ages drawing near,
bells tinkling, pennants bright and gay—
    a parade of Morris dancers.

One plucks a lute. One twirls a cape.
Up close, a lifted pinafore
exposes cellulite, and more.
O why aren't they in better shape,
    the middle-aged Morris dancers?

Already it's not hard to guess
their treasure—her; their president—him;
the Wednesday night meetings at the gym.
They ought to practice more, or less,
    the middle-aged Morris dancers.

Short-winded troubadours and pages,
milkmaids with osteoporosis—
what really makes me so morose is
how they can't admit their ages,
    the middle-aged Morris dancers.

Watching them gamboling and tripping
on Maypole ribbons like leashed dogs,
then landing, thunderously, on clogs,
I have to say I feel like skipping
    the middle-aged Morris dancers.

Yet bunions and receding gums
have humbled me; I know my station
as a member of their generation.
Maybe they'd let me play the drums,
    the middle-aged Morris dancers.

Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

POET BIO

Mary Jo Salter is the author of five books of poetry: "Henry Purcell in Japan" (1985); "Unfinished Painting" (1989); "Sunday Skaters" (1994, nominated for the National Book Critics Circle Award); "A Kiss in Space" (1999); and "Open Shutters" (2003, a New York Times Notable Book of the Year). She has written a children's book, "The Moon Comes Home" (1989) and a play, "Falling Bodies," which premiered at Mount Holyoke College in 2004. Salter is also coeditor of "The Norton Anthology of Poetry."

Recognized as a leading figure of New Formalism, Salter teaches at Mount Holyoke College, where she is Emily Dickinson Senior Lecturer in the Humanities, a position she shares with her husband, writer Brad Leithauser. "Every poem is different, and I try to teach students to veer away from easy, monotonous self-imitation," says Salter.

Salter was born in 1954 in Grand Rapids, Mich., and grew up in Baltimore, Md. She graduated from Harvard University and received a Master of Arts degree from Cambridge University.

 

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