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POET PROFILE
Charles Simic   Charles Simic
TRANSCRIPT
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December 21
by Charles Simic
audioRealAudioDownload

These wars that end
Only to start up again
Somewhere else
Like barber's clippers,
Or like these winters
With their bleak days
One can trace back to Cain.

All I've ever done --
It seems -- is go poking
In the ruins with a stick
Until I was covered
With soot and ashes
I couldn't wash off,
Even if I wanted to.

The Absentee Landlord audioRealAudioDownload

Surely, he could make it easier
When it comes to inquiries
As to his whereabouts.
Rein in our foolish speculations,
Silence our voices raised in anger,

And not leave us alone
With that curious feeling
We sometimes have
Of there being a higher purpose
To our residing here
Where nothing works
And everything needs fixing.

The least he could do is put up a sign:
AWAY ON BUSINESS
So we could see it,
In the graveyard where he collects the rent
Or in the night sky
Where we address our complaints to him.

My Turn to Confess audioRealAudioDownload

A dog trying to write a poem on why he barks,
That's me, dear reader!
They were about to kick me out of the library
But I warned them,
My master is invisible and all-powerful.
Still, they kept dragging me out by the tail.

In the park the birds spoke freely of their own vexations.
On a bench, I saw an old woman
Cutting her white curly hair with imaginary scissors
While staring into a small pocket mirror.

I didn't say anything then,
But that night I lay slumped on the floor,
Chewing on a pencil,
Sighing from time to time,
Growling, too, at something out there
I could not bring myself to name.

Sunday Papers audioRealAudioDownload

The butchery of the innocent
Never stops. That's about all
We can be ever sure of, love,
Even more sure than the roast
You are bringing out the oven.

It's Sunday. The congregation
Files slowly out of the church
Across the street. A good many
Carry Bibles in their hands.
It's the vague desire for truth
And the mighty fear of it
That makes them turn up
Despite the glorious spring weather.

In the hallway, the old mutt
Just now had the honesty
To growl at his own image in the mirror,
Before lumbering off to the kitchen
Where the lamb roast sat
In your outstretched hands
Smelling of garlic and rosemary.

Evening Walk audioRealAudioDownload

You give the appearance of listening
To my thoughts, O trees,
Bent over the road I am walking
On a late summer evening
When every one of you is a steep staircase
The night is slowly descending.

The high leaves like my mother's lips
Forever trembling, unable to decide,
For there's a bit of wind,
And it's like hearing voices,
Or a mouth full of muffled laughter,
A huge dark mouth we can all fit in
Suddenly covered by a hand.

Everything quiet. Light
Of some other evening strolling ahead,
Long-ago evening of silk dresses,
Bare feet, hair unpinned and falling.
Happy heart, what heavy steps you take
As you follow after them in the shadows.

The sky at the road's end cloudless and blue.
The night birds like children
Who won't come to dinner.
Lost children in the darkening woods.

Copyright by Charles Simic. Reprinted with permission. All rights reserved.

POET BIO

In August 2007, Charles Simic was named Poet Laureate Consultant in Poetry to the Library of Congress. Simic, whose work is known for its surrealism, dark humor and irony, is the author of 18 books of poetry. His most recent volume, "My Noiseless Entourage," was published in 2005. A new collection, "That Little Something," is set for a February 2008 release.

In 1990, Simic won the Pulitzer Prize for a book of prose poems, "The World Doesn't End." His collection "Walking the Black Cat" was a finalist for the National Book Award in 1996, and in 2005 he won the Griffin Prize for "Selected Poems: 1963-2003." On the same day he was announced as poet laureate, Simic received the Wallace Stevens Award, a $100,000 prize given by the Academy of American Poets for "mastery in the art of poetry."

Simic was born in Belgrade, Yugoslavia, in 1938 and moved to the United States in 1954. He is a retired professor of creative writing and literature at the University of New Hampshire, where he taught for 34 years. He writes for the New York Review of Books and is poetry editor of the Paris Review.

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