Lots of people responded positively to my recent post about favorite fictional towns from children's literature. A number of people commented and Twittered to share their favorites. Carol Rasco (from RIF) mentioned Misselthwaite Manor from The Secret Garden. And I thought "great suggestion, that's one of my favorite houses from children's literature." And that, naturally enough, led me to thinking about my other favorite fictional houses. In the interest of fairness (or at least of not being overly repetitive), I've excluded any authors who I previous mentioned in my favorite fictional towns or favorite fictional rooms posts. And yes, that excludes Hogwarts, because I've already mentioned Hogsmeade, and Green Gables, because I've already mentioned Avonlea, and the many great houses created by Elizabeth Enright and Zilpha Keatley Snyder. There are still lots of wonderful houses to choose from. In each case, I've decided to let the author describe the house in question. After all, they can do this far better than I could.
1. Misselthwaite Manor from The Secret Garden (with thanks to Carol Rasco) by Frances Hodgson Burnett.
"Not but that it's a grand big place in a gloomy way, and Mr. Craven's proud of it in his way--and that gloomy enough, too. The house is six hundred years old and it's on the edge of the moor, and there's near a hundred rooms in it, though most of them's shut up and locked. And there's pictures and fine old furniture and things that's been there for ages, and there's a big park round it and gardens and tree with branches trailing to the ground--some of them." (Chapter 2, Mistress Mary Quite Contrary, description by Mrs. Medlock)
"All of the other houses on the street were neat square white buildings with dark shutters and simple pitched roofs. Out from among them mushroomed the Halls' house like an exotic tropical plant in a field of New England daisies. It was a great wooden Gothic Byzantine structure, truly in need of painting. Big as it was, it looked airy and light, as though the wind might pick it up and carry it away. Screened porches ballooned and billowed out of it all around, and domes and towers puffer up at the top as though they were filled with air." (Chapter Two, The Hidden Chamber)
"It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats -- the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill -- The Hill, as all the people for many miles round called it -- and many little round doors opened out of it, first on one side and then on another." (Chapter 1: An Unexpected Party, The Hobbit)
4. The Professor's house from The Lion, the Witch, and the Wardrobe by C. S. Lewis.
"It was the sort of house that you never seem to come to the end of, and it was full of unexpected places. The first few doors they tried led only into spare bedrooms, as everyone had expected that they would; but soon they came to a very long room full of pictures and there they found a suit of armor; and after that was a room all hung with green, with a harp in one corner; and then came three steps down and five steps up, and then a kind of little upstairs hall and a door that led out onto a balcony, and then a whole series of rooms that led into each other and were lined with books--most of them very old books and some bigger than a Bible in a church." (Chapter One, Lucy Looks Into a Wardrobe)
5. Laura Ingalls Wilder's Little House in the Big Woods. (This house is technically not fictional, but since the series is generally shelved as fiction, I'm going to allow it.)
"Once upon a time, sixty years ago, a little girl lived in the Big Woods of Wisconsin, in a little gray house made of logs.
The great, dark trees of the Big Woods stood all around the house, and beyond them were other trees and beyond them were more trees. As far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses. There were no roads. There were no people. There were only trees and the wild animals who had their homes among them." (Page 1-2)
I think it's telling that all five of the passages quoted above are from the first chapter or two. These houses play a central part in the books in question. In thinking about these houses (and the ones from my other posts), it's clear that my favorite fictional houses fall into two basic categories: big houses with lots of corridors and cupolas and hidden surprises, and homes that evoke a cozy, safe feeling. How about you? What do you look for in a favorite fictional house? Do you crave turrets and long passageways to explore? Or do you care more about finding a cozy nest?