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by Bruce Graham, Michael Hollinger and Sonia Sanchez
A director starts the journey of filmmaking with a script as his roadmap, but like every interesting journey, filmmaking has its share of roadblocks -- and unexpected pleasures.
The traffic jam, the wildflowers by the side of the road, the friendly (or not-so-friendly) waitress in the roadside dinerŠthese are the details of a trip, the stuff that a simple statement like "I took I95 from Florida to Maine" never captures.
We wanted to share with you the traffic jams and wildflowers (and pigeons and heat waves and macaroni) we encountered during the making of "Philadelphia Diary."
We also wanted to share with you stories about the people, places, sounds and sights of the city that inspired us to make this film -- to start this journey -- in the first place.
So we decided to combine the text of the "Philadelphia Diary" script with interviews, music clips, stories, and more. The result is this Interactive Script.
We hope you enjoy the journey as much as we did.
We are introduced to a character by name (in caps), and we learn what they are doing at this moment via stage directions ...
Since no new characters have been introduced since SUZE's last line, these stage directions need no character header...
Now that you know how to interpret the parts of a script, you're ready to dive right in to SCENE 1 ...
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Artist Biographies | Director's Diary | |||||||||||||||||||