Italian DOC (denominazione di origine controllata)

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Andrew CatauroPOV associate producer Andrew Catauro reports back from Italy, where he attended the 2009 Italian Doc Screenings event.

Last week I attended an event for Italian documentary filmmakers called Italian Doc Screenings (IDS). IDS is a presentation of Doc/it (the Italian Documentary Filmmakers Association), and this year marks the first time POV has taken part. As a representative of our series, I attended alongside delegates from 24 other countries, including foreign broadcasters, commissioning editors, producers, distributors and festival programmers. The panels and pitch sessions offered some guidance through the waters of the international documentary market — which has more outlets than an Italian filmmaker may be able to find domestically.

Meeting with filmmakers at Italian docs

Meeting with filmmakers at Italian Doc Screenings 2009

For a variety of reasons, Italy is lacking in opportunities for television pre-sales and funding for documentary film (unlike in many other European countries), and theatrical opportunities can also be limited. Notably, IDS convened on the heels of a very controversial moment in Italian filmmaking this past month: after a documentary critical of Italian Prime Minister Silvio Berlusconi premiered at the Venice Film Festival to wide acclaim, the trailer of the film was subsequently barred from Italian television.


The film is Erik Gandini‘s Videocracy, and in addition to a successful run in Venice, it recently topped an indieWire critics’ list of top documentaries at the Toronto International Film Festival. New York doc fans should jump at the chance to see the film on October 13th as a part of the Stranger Than Fiction series in New York City. (Be sure to check back at the POV blog later this week for an exclusive video interview with series host Thom Powers).

A still from the film Videocracy

A still from Erik Gandini’s Videocracy.

Videocracy isn’t the first time an Italian documentary has made a big splash stateside, and after a week of meetings with many other promising projects, I’m sure that it won’t be the last.

Andrew Catauro
Andrew Catauro
Andrew Catauro is a former Series Producer at POV. While at POV, he served on editorial panels and presented at festivals and conferences including the Sundance Film Festival, Doc/It in Trento, Italy, and the Asian Documentary Forum in Kolkata, India; as well as juries for the Brooklyn Film Festival, Big Sky Documentary Film Festival, and East Silver Market in Jihlava, Czech Republic. His studies in Italian Cinema earned him the Immersion Award from the Milan International Film Festival. Andrew previously worked for the New York AIDS Film Festival and assisted Alexandra Kerry on documentary films in development. He holds a dual bachelor's degree from the Newhouse School of Public Communications and the College of Arts and Sciences at Syracuse University. Andrew's favorite documentaries are: Dark Days - Marc Singer The Gleaners & I - Agnès Varda Silverlake Life: The View from Here - Peter Friedman & Tom Joslin Manufacturing Consent - Mark Achbar & Peter Wintonick Tongues Untied - Marlon Riggs American Dream - Barbara Kopple Family Portrait Sittings - Alfred Guzzetti In Search of Our Fathers - Marco Williams The Education of Shelby Knox - Marion Lipschutz & Rose Rosenblatt Nobody's Business - Alan Berliner