Topaz Adizes and Nathan Phillips, co-directors of {The And}, have succeeded where many interactive filmmakers have not: creating an online experience that is as emotionally satisfying as it is technically sophisticated.

Liz Nord reports from the Tribeca Film Institute's third annual Interactive Day.

Door Into The Dark, an immersive documentary experience presented at this year's Tribeca Film Festival Storyscapes exhibition, pushes the intersection of technology and storytelling in a surprising new direction.

Will virtual reality finally take off after decades of experimentation? Does this emerging technology have a significant place in documentary film? The creators at this year's Storyscapes seem to think so.

Clouds, originally conceived as a traditional documentary, evolved into an award-winning interactive media project where almost every aspect is created by or experienced through computer code.

Engagement, interaction, participation, messaging and the power of play: Five takeaways for filmmakers from Games for Change at Tribeca FIlm Festival's Innovation Week.

Multi-platform storytelling is giving journalists a new spectrum of creativity within which to compose and share their stories. But how does this leeway affect objectivity?

I am always appreciative of documentaries that push the boundaries of the form, but experiencing them leaves me wondering too often: Can interactive documentaries make us feel something in the same way that traditional cinema can?

Liz Nord provides five major takeaways from Tribeca Film Institute's 2013 Interactive Day, providing insights for filmmakers who are exploring the digital space for storytelling.

NFB producer Hugues Sweeney tells Liz Nord about Journal of Insomnia, an installation and web documentary featured at the 2013 Tribeca Film Festival's Storyscapes exhibit in New York City this weekend.

Liz Nord previews the 2013 Tribeca Film Festival's Storyscapes exhibit, which highlights interactive storytelling April 18-21, 2013, in New York City.

Liz Nord profiles eight of the trailblazing women she's learned from while making her own transmedia documentary.

After beginning a transmedia project for her new documentary, filmmaker Liz Nord has some short and easy tips to think about before you hire a transmedia designer for your own project.

I am reaching out to you, my fellow documentarians and multi-platform producers, to share your wisdom on finding and hiring transmedia collaborators.

Filmmaker Liz Nord (Jericho’s Echo: Punk Rock In The Holy Land) is embracing transmedia as she produces her new documentary (and web project), Battle for Jerusalem.