- The Inaugural New York WILD Film Festival Showcases Documentaries About Adventure and Exploration
In January, the Explorer's Club opened its wrought-iron doors to crowds of freezing New Yorkers, who trekked through snowy sidewalks and single-digit temperatures to attend the opening night of the New York WILD Film Festival.
- The Nipple Artist: Watch the Documentary and Go Behind the Scenes
How do breast cancer survivors recapture their sense of self after surgeries, chemotherapy and reconstruction? "The Nipple Artist" by The New York Times tells the story of one woman's journey for closure... and nipples.
- Filmmaker Joanna Rudnick on Life with the “Breast Cancer Gene” and Human Gene Patenting
In the Family filmmaker Joanna Rudnick gives POV an update on her health and personal life.
- How To Survive As An Assistant Editor
"Staying organized as an assistant editor is probably more like keeping a clean and organized room, apartment or house than anyone realizes." Editor Colin Nusbaum shares everything you need to know to get started as a film editor.
- How the POV Hackathon Prototype “Aerial Viewing” Was Made
"We wanted to make the technology fade into the background, not be obvious -- truly content over chrome. We also wanted to experiment with breaking the rules of traditional video playback that is seen commonly on the web and in apps."
- 10 Secrets for Making the Most of Your Film's Broadcast Premiere
Picture Motion's Alexandra Pearson and Megan Ryan take us behind the scenes of the social impact campaigns of five remarkable films that aired on CNN, HBO, OWN and POV.
- International Students at The New School Screen and Discuss 'Last Train Home'
In celebration of Asian American and Pacific Islander Heritage Month, POV intern Tomas Uribe and the International Student Society and Advisory board screened Last Train Home at The New School. Tomas reports back on the screening and discussion on migration and human rights.
- And the POV Hackathon 5 Participants' Choice Winner Is…
Congrats to Noriginals, POV Hackathon 5 Participants' Choice Award Winners!
- Parenting from Both Sides of the Camera
On a motherless, motherful Mother's Day, filmmaker Judith Helfand reflects on what she has learned on both sides of the camera from her mother Florence (of Healthy Baby Girl fame), who died this past September.
- POV Hackathon: Last Call for Volunteers!
Want a behind-the-scenes look into the creation of interactive documentaries? Volunteer for POV Hackathon 5 or 6 in New York or Los Angeles!
- Top 5 Films from Hot Docs 2014
Hot Docs Film Festival 2014 concluded this weekend in Toronto, Canada. Doc Soup Man Tom Roston shares his favorite films from the fest.
- “Poverty Porn” and a Proposal That Could End It Once And For All
There’s potential for exploitation whenever a documentary is made. Doc Soup Man Tom Roston proposes a new way to support the communities depicted by the filmmaker-without-a-cause.
- #docchat: Documentary Engagement Strategy: Creating a Lasting Impact on Google+ (May 6, 2014)
Ask your questions about documentary engagement strategies for last impact on Google+! Tuesday, May 6, 12:30-1:15 PM ET / 9:30-10:15 AM PT.
- Hot Docs: Discovering 'Pine Ridge'
Allow Doc Soup Man Tom Roston to introduce you to Pine Ridge, a documentary that made an impression at Hot Docs in Toronto by first-time Swedish filmmaker Anna Eborn.
- 5 Questions for Jonathan Minard and James George, Creators of the Tribeca Storyscapes Award-Winning 'Clouds'
Clouds, originally conceived as a traditional documentary, evolved into an award-winning interactive media project where almost every aspect is created by or experienced through computer code.
- 5 Things Documentary Filmmakers Can Learn from Game Designers
Engagement, interaction, participation, messaging and the power of play: Five takeaways for filmmakers from Games for Change at Tribeca FIlm Festival's Innovation Week.
- Use of Force's Nonny de la Peña on Pushing Journalism into the Interactive Realm
Multi-platform storytelling is giving journalists a new spectrum of creativity within which to compose and share their stories. But how does this leeway affect objectivity?
- Can Interactive Films Hit the Emotional Mark? A First Look at the Projects at Tribeca Storyscapes 2014
I am always appreciative of documentaries that push the boundaries of the form, but experiencing them leaves me wondering too often: Can interactive documentaries make us feel something in the same way that traditional cinema can?