Planet Forward is a collaboration between PBS and George Washington University that asks community members to submit videos offering their ideas for the best way to reduce our carbon footprint. The best videos on PlanetForward.org will be featured in an hour-long Planet Forward broadcast for PBS stations nationwide later this year. In addition to user-submitted
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How Did “The Way We Get By” End Up on POV?
The Way We Get By premieres on PBS next Wednesday, November 11 at 9 pm on most PBS stations. (Check local listings.) In this video clip from the film’s world premiere screening at the SXSW Film Festival, a member of the audience asked how the film got chosen to be on POV. Here’s what filmmaker
Continue reading this entry »The Fire Next Time: Look Closely and You Might See Your Town, Too
Over a stormy two-year period, The Fire Next Time (POV 2005) follows a deeply divided group of Montana citizens caught in a web of conflicts intensified by rapid growth and the power of talk radio. Many residents were losing their jobs in timber and mining, and blamed environmentalists. Throw into this stressful situation two disturbing
Continue reading this entry »Last Day to Watch “Beyond Hatred” Online
Beyond Hatred, which aired on June 30, is streaming online in its entirety until midnight tonight! Don’t miss this amazing film, which follows a family in France as they struggle to deal with the aftermath of their son’s murder by three skinheads. With remarkable dignity, the Chenu family fights to transcend hatred and the inevitable
Continue reading this entry »Yo!TV Interviews Hamza PĂ©rez
POV’s premiere film of our 2009 season is New Muslim Cool, the story of a young Muslim hip-hop artist confronting the realities of the post-9/11 world — and himself. New Muslim Cool had its world-premiere screening last month at the San Francisco Film Festival. Director Jennifer Maytorena Taylor, Hamza PĂ©rez and others associated with the
Continue reading this entry »Outside the Frame: OnBeing – A Multimedia Documentary Case Study
Freelance writer Amanda Hirsch, former editorial director of PBS Interactive, blogs about documentaries and the Web in her weekly column, Outside the Frame. After reading my previous column, someone asked me why OnBeing, the washingtpost.com interactive project, meets my criteria for being more than “video plopped on a webpage.” It’s a fair question: after all,
Continue reading this entry »Outside the Frame: Remixing at SXSW
Freelance writer Amanda Hirsch, former editorial director of PBS Interactive, blogs about documentaries and the Web in her weekly column, Outside the Frame. Amanda is attending South by Southwest this week. In Monday’s Austin American Statesman, columnist Michael Barnes asks if SXSW’s Interactive and Film tracks ought to be combined next year. Interestingly, Barnes’ argument
Continue reading this entry »Outside the Frame: First Impressions of SXSW 2009
Freelance writer Amanda Hirsch, former editorial director of PBS Interactive, blogs about documentaries and the Web in her weekly column, Outside the Frame. Amanda is attending South by Southwest this week. It’s cold here in Austin — unseasonably cold. They’ve got heat lamps at the outdoor parties and people are carrying coats and scarves with
Continue reading this entry »Remembering Howard “Louie Bluie” Armstrong, Part II
Acclaimed musician Howard “Louie Bluie” Armstrong is renowned for a lifetime of jazz, blues, folk and country music. Armstrong was the subject of not one, but two POV films over the years, Louie Bluie (1988) by Terry Zwigoff and Sweet Old Song (2002) by Leah Mahan. Armstrong’s roots in America’s musical past, his accomplished musicianship
Continue reading this entry »Remembering Howard “Louie Bluie” Armstrong, Part I
Acclaimed musician Howard “Louie Bluie” Armstrong is renowned for a lifetime of jazz, blues, folk and country music. Armstrong was the subject of not one, but two POV films over the years, Louie Bluie (1988) by Terry Zwigoff and Sweet Old Song (2002) by Leah Mahan. Armstrong’s roots in America’s musical past, his accomplished musicianship
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