It’s no wonder that 82-year-old Agnès Varda calls her deeply personal film about her life and her movies, The Beaches of Agnès. The French New Wave, of which she was a pioneering member, liked to place their characters on a beach, where the enormity of existence and the profundity of life could be adequately pondered.Continue reading this entry »
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I know. You’d think I’d post something about the major doc happenings this week: POV airing Food, Inc. (Wednesday, April 21 at 9:00 pm – check local listings) and the kick-off of the Tribeca Film Fest. I might get to those later, but for now I can’t help it — I’ve got an itch andContinue reading this entry »
Hi Fisher, I want to congratulate you on your huge accomplishment in producing The Cove. It’s a fantastic film. It unspools like a great thriller and it captures a terrible wrong on tape — it does everything I think a great documentary should do. Your Oscar nomination is well deserved, and I have been watchingContinue reading this entry »
When I watched this week’s POV program, The English Surgeon, I couldn’t help thinking about Ian McEwan‘s 2005 novel, Saturday. Both are about neurosurgeons, and they’re the best portrayals (Mel Brooks‘ Young Frankenstein doesn’t count) of those elite doctors that I’ve ever read or seen. It made me consider: how does a novel representation ofContinue reading this entry »
What if Robert Flaherty had given the Inuit named Allakariallak a credit as co-director of Nanook of the North? Or if Davis Guggenheim shared the bill with Al Gore on An Inconvenient Truth? Would those films be regarded in a different light? We know that the collaboration between documentary filmmakers and their subjects is whatContinue reading this entry »