Documentary Site started as an outlet for my interests in documentary 15 years ago. Since then, my presence has expanded to writing, managing Twitter fans, and connecting with makers, promoters, and fans of documentary. Probably three of the coolest things to come from this endeavor are being invited to write for POV, visiting Kartemquin studios, and leading a discussion after a screening of The Trials of Muhammad Ali. My current project involves watching and writing about 365 documentaries in 2014. Feel free to send along your suggestions via Twitter @documentarysite!

#365Docs: Gideon’s Army (64/365)

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I’m watching 365 documentaries and writing about each one in 2014. Tweet your suggestions to @documentarysite, or send an e-mail to Read more.

Note: This post may contain spoilers.

Dawn Porter’s Gideon’s Army (2013) is the best example I have seen of documentary story-telling so far with its dramatic tension that keeps you riveted until the jury’s verdict is read.

Gideon’s Army follows three public defenders in the Deep South as they work against enormous odds — professional, financial, and personal — to represent their clients in the justice system. Travis Williams, Brandy Alexander, and June Hardwick handle more than 120-plus cases at a time while trying to balance their budgets and personal lives. Supporting them is a program called the Southern Public Defender Training Center, run by Jonathan Rapping.

But there is no balance, really, as each one struggles to work within a system that sees many people quit each year. Porter’s documentary follows each public defender and a key case. Each one shares the moral complexities of the job and their attempts to make sense of it, even with the guilty and thankless clients. Alexander, for example, learns that a client has planned her murder. The represented defendents, however, are shown with sensitivity as people facing challenges both within and outside the legal system.

Alexander’s and Williams’s cases create a classic dramatic tension that weaves throughout the documentary and brings it to the high points with the trials and the verdicts. Setbacks along the way, such as with evidence and testimony, push that tension further. Their outcomes remain uncertain until the verdict is delivered in each one.

A small moment in this documentary struck me. Near the end, the man in Williams’s case goes into the courthouse to enter a plea for hopefully a lesser sentence. As he does, a person campaigning for office hands out fliers and asks for votes. The juxtaposition raises a powerful, if subtle, point in that if he receives a sentence, he loses his right to vote during incarceration.

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Heather McIntosh
Heather McIntosh
Heather McIntosh started Documentary Site as a resource for documentary media and has greatly enjoyed the connections it has fostered over the years.