Downloads: Encore Press Release
Emmy-Nominated Film Is an Intimate Portrait of the Effect One National Guard Unit’s Deployment Has on a Group Of Longtime Friends and the Small Town They Leave Behind
A Co-production of ITVS
“A quietly devastating documentary about growing up all too quickly. . . . In its compassionate, modest gaze, the real cost of distant political decisions is softly illuminated . . .”— Jeannette Catsoulis, The New York Times
It wasn’t long after Dominic Fredianelli, a sensitive, artistic high school graduate in a remote town in northern Michigan, signed up for the National Guard that his buddies started following his lead. In exchange for just one weekend of training a month, they would earn a $20,000 signing bonus and much-needed college tuition support. Before he knew it, 10 friends were in the group. They knew there was a chance that they’d be sent to war sometime during their six-year stint, but, as Cole Smith, Dominic’s best friend said, “I wasn’t really doing anything; my buddies had already joined. . . . I figured, ‘Twenty Gs, one weekend a month, let’s do it!'”
Thus begins director Heather Courtney’s film Where Soldiers Come From, which paints an intimate portrait of these friends’ four-year journey from teenagers stuck in Michigan’s Upper Peninsula to soldiers in Afghanistan and back. The documentary, which premiered on PBS’ POV (Point of View) in 2011, will have an encore broadcast on Thursday, Sept. 6, 2012 at 10 p.m. (Check local listings.) It will then stream in its entirety from Sept. 7-Sept. 20 on the POV website, www.pbs.org/pov.
American television’s longest-running independent documentary series, POV is the winner of a Special Emmy Award for Excellence in Television Documentary Filmmaking, two International Documentary Association Awards for Best Continuing Series and the National Association of Latino Independent Producers’ 2011 Award for Corporate Commitment to Diversity.
Where Soldiers Come From is nominated for a 2012 News & Documentary Emmy Award for Outstanding Continuing Coverage of a News Story: Long Form. Shooting in vérité style, Courtney focuses on three of the friends — Dominic, who takes art classes and paints large murals in the abandoned buildings that belonged to a once-thriving copper mining industry; Cole, the comedian in the group; and Matt Beaudoin (“Bodi”), who has a history of military service in his family and is proud to serve his country. They change from carefree teenagers who spend their days swimming in Lake Superior and drinking at bonfires to soldiers getting hit by homemade bombs in Afghanistan and combat veterans dealing with traumatic brain injury (TBI) and post-traumatic stress disorder (PTSD).
Where Soldiers Come From starts in Hancock, the friends’ and Courtney’s hometown. The director films the guys and their families in their everyday lives, revealing the economic realities that contribute to their decision to enlist and creating poignant portraits of a community and its people. In December 2008, the unit leaves for Afghanistan, where the men spend most of their days sweeping the countryside in tanks and on foot looking for improvised explosive devices (IEDs). Armored vehicles shield the soldiers from the brunt of the damage, but the men are still shaken each time they uncover a new bomb and receive concussions and other injuries that seem mild at first, but have a cumulative effect. While the soldiers look for bombs, their families and loved ones back home try to get through their daily routines.
The friends are often perplexed about their reason for being in Afghanistan, and they grow increasingly disillusioned with their mission. What they find is not the glory of battle as depicted in war movies and on television, but rather work that likely wouldn’t exist if they weren’t there. The IEDs have been planted to kill U.S. soldiers. So, one of the guys asks, if the soldiers weren’t there, would there be any need for them?
Although members of the group all suffer physical distress, their emotional reactions vary. Bodi starts out loving his job, which he calls “the most exciting” because he gets blown up the most; he later admits that the war has turned him into “a racist American” who hates everything about Afghanistan. Cole provides comic relief with good-natured wisecracks, but internalizes his stress and develops an ulcer and adult asthma. Dominic discovers empathy for the Afghanis, particularly the children, that he believes have been forced into bad situations by economic necessity. “Before I came to Afghanistan, I knew about compassion, but never really felt it.”
Where Soldiers Come From continues to follow the young men back in their hometown after deployment, where new problems begin to surface. Dominic starts to pick up the pieces through his art and starts a giant graffiti-style wall mural with the support of a caring professor. However, he describes himself as “an antisocial nutcase,” and his girlfriend, Ashley Baker, must now cope with an intense anger she had never seen in him before. Cole enrolls in a local college, but struggles with breathing problems and obstacles to receiving the tuition reimbursement he was promised. Bodi, who experiences insomnia and headaches, says, “Coming home is harder than going over there. I’d rather be back in Afghanistan. Life is easier. All you have to worry about is getting blown up.”
Bodi and Dominic both suffer from what has been called the new signature wound of Iraq and Afghanistan, TBI, the long-term effects of which can range from headaches, dizziness and vertigo to problems with memory and reasoning. In 2010, the military estimated that 115,000 troops have suffered mild traumatic brain injury since the wars began, though some studies put the number at several times that, and tens of thousands are estimated to suffer from ongoing symptoms.
Some soldiers are rendered unable to drive a car, read a newspaper article or help their children with their homework, and according to a study in June 2010 by NPR and ProPublica, many of those troops who suffer from TBI receive little or no treatment for lingering problems. For National Guard soldiers, it can be even harder — although they are eligible for Veterans Administration benefits, it is more difficult to find support since they are not on a military base like active-duty soldiers and are often in rural areas like northern Michigan.
“Where Soldiers Come From is an American story about growing up and trying to change your situation without privilege or resources,” says Courtney. “It’s about the people who fight our wars and the communities and families they come from.
“I felt it was important to follow these guys for a long time before they ever became soldiers so that the viewer would really know them and their families,” she continues. “For these young men and their loved ones, the war doesn’t end when they come home. I hope my film can help people better understand the war at home — the one that affects the parents, girlfriends and loved ones left behind when soldiers are deployed and the one that continues when they come back and try to start their lives again.”
Where Soldiers Comes From is a production of Quincy Hill Films and ITVS.
About the Filmmaker:
Heather Courtney, Director/Producer
Heather Courtney is an award-winning documentary filmmaker based in Austin, Texas and Washington, D.C. Where Soldiers Come From has won multiple awards and was a pick on several “Top 10 Films of 2011” lists, including Salon.com, which ranked it No. 3 for best nonfiction television.
Previously, Courtney directed and produced “Letters from the Other Side,” broadcast on more than 60 PBS stations; and “Los Trabajadores,” broadcast on PBS’ Independent Lens and winner of the IDA Award for Best Student Documentary and the Audience Award at SWSX. In addition, she was a co-director on Roger Weisberg’s 2006 POV documentary, Critical Condition.
Courtney spent eight years as a photographer and writer for the United Nations and refugee and immigrant-rights organizations, working in such places as Rwanda after the 1994 genocide. She holds a master’s degree in film production from The University of Texas at Austin and is a recipient of the prestigious United States Artists fellowship along with grants from ITVS and the Sundance Documentary Fund, among others. Like her subjects in Where Soldiers Come From, Courtney hails from the Upper Peninsula of Michigan and is proud to call herself a Yooper.
Cinematographers:Heather Courtney, Justin Hennard
Editors:Kyle Henry, Heather Courtney
POV Series Credits:
Executive Producer:Simon Kilmurry
Co-Executive Producer:Cynthia López
Vice President, Production & Programming:Chris White
Series Producer:Yance Ford
Awards and Festivals:
- Nokia Truer Than Fiction Award, Film Independent Spirit Awards, 2012
- Best Documentary, Philadelphia Film Festival, 2011
- Best Documentary Feature Editing Award, South by Southwest (SXSW) Film Conference and Festival, 2011
- Founders Prize, Best U.S. Documentary Film, Traverse City Film Festival, 2011
- Silverdocs Documentary Film Festival, 2011
- Sarasota Film Festival, 2011
- Full Frame Documentary Film Festival, 2011
- Los Angeles Film Festival, 2011
- BAM Cinemafest, 2011
- Twin Cities Film Festival, 2011
Independent Television Service (ITVS) funds and presents award-winning documentaries and dramas on public television, innovative new media projects on the Web and the Emmy Award-winning weekly series Independent Lens on PBS. ITVS was created by media activists, citizens and politicians seeking to foster plurality and diversity in public television. ITVS was established by a historic mandate of Congress to champion independently produced programs that take creative risks, spark public dialogue and provide for underserved audiences. Since its inception in 1991, ITVS programs have revitalized the relationship between the public and public television. ITVS is funded by the Corporation for Public Broadcasting, a private corporation funded by the American people. Visit www.itvs.org.
Produced by American Documentary, Inc. and now in its 25th season on PBS, the award-winning POV series is the longest-running showcase on American television to feature the work of today’s best independent documentary filmmakers. Airing June through September, with primetime specials during the year, POV has brought more than 300 acclaimed documentaries to millions nationwide and has a Webby Award-winning online series, POV’s Borders. Since 1988, POV has pioneered the art of presentation and outreach using independent nonfiction media to build new communities in conversation about today’s most pressing social issues. Visit www.pbs.org/pov.
POV Digital (www.pbs.org/pov)
POV’s award-winning website extends the life of our films online with interactive features, interviews, updates, video and educational content, as well as listings for television broadcasts, community screenings and films available online. The POV Blog is a gathering place for documentary fans and filmmakers to discuss their favorite films and get the latest news.
POV Community Engagement and Education
POV films can be seen at more than 450 events across the country every year. Together with schools, organizations and local PBS stations, POV facilitates free community screenings and produces free resources to accompany our films, including discussion guides and curriculum-based lesson plans. With our community partners, we inspire dialogue around the most important social issues of our time.
Major funding for POV is provided by PBS, The John D. and Catherine T. MacArthur Foundation, National Endowment for the Arts, New York State Council on the Arts, New York City Department of Cultural Affairs, the desJardins/Blachman Fund and public television viewers. Funding for POV’s Diverse Voices Project is provided by the Corporation for Public Broadcasting. Special support provided by the Academy of Motion Picture Arts and Sciences. POV is presented by a consortium of public television stations, including KQED San Francisco, WGBH Boston and THIRTEEN in association with WNET.ORG.
American Documentary, Inc. (www.amdoc.org)
American Documentary, Inc. (AmDoc) is a multimedia company dedicated to creating, identifying and presenting contemporary stories that express opinions and perspectives rarely featured in mainstream media outlets. AmDoc develops collaborative strategic-engagement activities around socially relevant content on television, online and in community settings. These activities are designed to trigger action, from dialogue and feedback to educational opportunities and community participation.
POV Communications: 212-989-7425. Emergency contact: 646-729-4748
Cathy Fisher, email@example.com
POV online pressroom: www.pbs.org/pov/pressroom