In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities. Watch a 2010 interview with the filmmaker »
In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive.
In this archived interview concerning the making of First Person Plural, Liem discusses the need to have conversations between adoptees and their adoptive parents, and why these discussions sometimes never happen.
For the last 20 years, civil war has raged in Sudan, killing and displacing millions. Two young refugees, Peter and Santino, lost their families and set out to make new lives for themselves in America.
Through the eyes of volunteer rescue workers called the White Helmets, Last Men in Aleppo allows viewers to experience the daily life, death, and struggle in the streets, where they are fighting for sanity in a city where war has become the norm.
Two Native American judges reach back to traditional concepts of justice in order to reduce incarceration rates, foster greater safety for their communities and create a more positive future for youth.
A vital and influential exploration of the rapid militarization of the police in the United States. Do Not Resist puts viewers in the center of the action — from inside a police training seminar that teaches the importance of "righteous violence" to the floor of a congressional hearing on the proliferation of military equipment in small-town police departments. Winner, Best Documentary Feature Award, 2016 Tribeca Film Festival.
On the isolated North Atlantic archipelago of the Faroe Islands, the longtime hunting practices of the Faroese are threatened by dangerously high mercury levels in the whales, decimated seabird populations, and anti-whaling activists. The Faroe islanders consider themselves a canary in the mine, their tale a warning to the rest of the world. Winner, 2016 DOC NYC Grand Jury Prize.