Director Feras Fayyad discusses why he started filming Last Men in Aleppo.
More about: Last Men in Aleppo
A rare outing for area children is disrupted when aircraft are spotted.
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We see burial preparations for a rescue worker who was killed.
The devastation of the bombing and the daily struggles of the White Helmets tocope.
Through the eyes of volunteer rescue workers called the White Helmets, Last Men in Aleppo allows viewers to experience the daily life, death, and struggle in the streets, where they are fighting for sanity in a city where war has become the norm.
The daily life, death and struggle in the streets of Aleppo after five years of war.
Mahmoud digs out three children from underneath bombed-out rubble.
The impact of bombing on the psyche of young victims as the boys rescued byMahmoud.
Director Feras Fayyad discusses the dilemma that many Syrians face in Aleppo.
Director Feras Fayyad describes the volunteers who are rescuing their neighbors and family
The filmmaker talks about making The Beaches of Agnès and what it was like to act in her own film.
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Filmmaker Natalia Almada talks about El General, her poetic meditation on history, memory and family. Premieres Tuesday, July 20, on POV!
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Filmmaker Marlon Riggs discusses his hesitancy at stepping in front of the camera for his landmark film Tongues Untied.
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Filmmaker Joshua Oppenheimer on the making of his film The Act of Killing.
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Errol Morris discusses the making of the documentary Gates of Heaven, a somewhat unusual film about pet cemeteries.
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Filmmaker Robin Hessman talks about living in Russia for most of the 1990s and how she found the characters in My Perestroika.
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Filmmaker Lara Stolman tells why she included the scene where Robbie learns he has Autism.
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Lixin Fan talks about the lives of Chinese migrant workers that he chronicled in Last Train Home.
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Director Mike Day recounts filming in harsh conditions with complicated logistics.
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Filmmaker Adam Larsen discusses his film about autism and recognizing "neurodiversity."
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