Skip to content

   

Production Journal

Marlo Poras spent careful hours preparing to shoot footage for Mai's America. She talks about the challenges of planning a film that is based around one character and the events in that character's life.

POV: When in your shooting did you realize you would have enough of a story for a good feature-length film? You had so much footage--how did you decide what to cut out?

Poras: I know some documentary filmmakers who go out and shoot everything they can, and then come back to the editing room and make their film from that footage — and this works quite well for them. But I was fortunate to have David Sutherland as my Executive Producer. I loved the storytelling and the intimate portrait feel of "The Farmer's Wife" and I went to him for advice when I began "Mai's America."

David encouraged me to try to make my film in the field, to think carefully about what I needed to tell Mai's story, to plan my shoots around events in her life, to get releases signed before I shot a frame, and most importantly — to go with my instincts and not be afraid to change my plans if it felt right to me.

As a first time filmmaker, this really helped. He also encouraged me to bring Mai into the process so she understood what I was going after. And because I wasn't using any outside narration, David pushed me to do my interviews as close as possible to the time that Mai was dealing with the issues she was commenting on. He encouraged me to not only think about the look I wanted the film to have, but to imagine and plan how the film would sound as well.

David never tried to tell me how to tell Mai's story, but his belief that I could make this film was a touchstone for me. Concentrating on making the film in the field made the editing so much easier — I already had the story and was able to devote my time to making the film as seamless as possible.





Talk About This

Share This

The exchange program that placed Mai brings over 500 kids annually from around the world. Their diverse introductions to the States made me think a great deal about how we define America. ”

— Marlo Poras, Filmmaker