Filmmaker Marshall Curry discusses the making of the POV documentary Point and Shoot.
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ABC News reports on the Arab Spring in Libya, and Matt thinks about his role.
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Matt reflects on how many people are documenting each moment of the war to share with friends, family and Facebook.
Matt explains how he came to cover Iraq.
In 2006, Matt VanDyke left his home in search of a "crash course in manhood" and ended up amidst a revolution in the Middle East
In 2006, Matt VanDyke left his home in search of a "crash course in manhood" and ended up amidst a revolution in the Middle East.
Matt VanDyke, a young man from Baltimore with obsessive-compulsive disorder, reflects on the things in his background that ultimately led him to become a fighter in the 2011 Libyan revolution that toppled Muammar Gaddafi.
Matt demonstrates how he sets up his camera to record himself.
The filmmaker talks about making The Beaches of Agnès and what it was like to act in her own film.
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Filmmaker Natalia Almada talks about El General, her poetic meditation on history, memory and family. Premieres Tuesday, July 20, on POV!
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Filmmaker Marlon Riggs discusses his hesitancy at stepping in front of the camera for his landmark film Tongues Untied.
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Filmmaker Joshua Oppenheimer on the making of his film The Act of Killing.
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Moll talks about the shortcomings of the conventional viewpoint on the Holocaust and impact of the Holocaust on future generations.
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Michael Apted talks about the genesis of the Up series and why it has worldwide appeal.
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Michèle Stephenson and Joe Brewster discuss their film 13 years in the making: American Promise.
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Errol Morris discusses the making of the documentary Gates of Heaven, a somewhat unusual film about pet cemeteries.
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Filmmaker Robin Hessman talks about living in Russia for most of the 1990s and how she found the characters in My Perestroika.
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McElwee talks about the large amount of media surrounding the Baby Boomer Generation entering their 40s.
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Filmmaker Lara Stolman tells why she included the scene where Robbie learns he has Autism.
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The filmmakers talk about their goals to create a personal story about the nuclear age, which made their film very controversial at the time of its release.
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Lixin Fan talks about the lives of Chinese migrant workers that he chronicled in Last Train Home.
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Director Mike Day recounts filming in harsh conditions with complicated logistics.
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Filmmaker Adam Larsen discusses his film about autism and recognizing "neurodiversity."
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