Archive for Behind the Headlines
Throughout this year, our staff at AMERICAN EXPERIENCE kept seeing the subjects of our January 2012 Wild West Collection cropping up in the news. The headlines were a constant reminder that stories of characters like Billy the Kid and George Custer continue to resonate today. Check out some of the headlines below that made us look forward to programs coming up in 2012...
It seems for every generation there is one event that changes the course of history. It's the day that people begin stories about with, "I remember where I was when..."
It was a total surprise and complete pleasure to be at this year's Primetime Emmy Creative Arts Awards ceremony in Los Angeles, where Freedom Riders swept every category it was entered in and took home three Emmys.
For the 10th anniversary of the September 11 attacks on the World Trade Center, AMERICAN EXPERIENCE has been working hard to bring you content from our 2004 film "New York: The Center of the World" by updating our website. We have dozens of unique assets, including a photo gallery of the Twin Towers, a timeline of the World Trade Center, an interactive map of lower Manhattan since its first European settlers, and original construction footage of the towers.
It's not often that weather forecasters say that a hurricane would offer welcome relief to a region. But as Texas, Oklahoma and much of the South endure record-breaking drought, some weather forecasters have speculated that a hurricane is the best hope that region has for breaking the dry heat, and avoiding devastation on the level of the 1930s Dust Bowl.
How many times have you seen "based on a true story" before a feature film? The truth is often the basis for some very successful Hollywood films. Films like Milk, The Social Network, and The Queen are just a few from recent memory. Inevitably, the truth in the true story becomes something that critics and audiences debate.
This summer comes a film based on a popular novel, The Help. This film doesn't carry the "true story" mantle but the book was inspired by the white author's own upbringing in a racially divided Mississippi. The press and online debate about this film starts there. Entertainment Weekly, in a cover story, talks about the "crooked culture of storytelling when it comes to the black experience." In its review, the Boston Globe says, "The Help joins everything from To Kill a Mockingbird to The Blind Side as another Hollywood movie that sees racial progress as the province of white do-gooderism." Variety calls the film "A stirring black-empowerment tale aimed squarely at white audiences."