Conference on Hernandez v. Texas at Fifty. Sponsored by University of Houston Law Center and Arte Publico Press
Provides a wealth of articles and primary material about the case.
Mungia, Ruben (ed). A Cotton Picker Finds Justice: The Saga of the Hernandez Case (1954)
A pamphlet spearheaded by Gus Garc
Carroll, Patrick J. Felix Longoria’s Wake: Bereavement, Racism, and the Rise of Mexican American Activism. Austin: University of Texas Press, 2003.
Foley, Neil. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture. Berkeley: University of California Press, 1997.
Garcia, Mario T. Mexican Americans: Leadership, Ideology and Identity, 1930-1960. Yale Western Americana Series; 36. New Haven: Yale University Press, 1989.
Gómez, Laura E. Manifest Destinies: The Making of the Mexican American Race. New York: New York University Press, 2007.
Haney López, Ian. White by Law: The Legal Construction of Race. New York: New York University Press, 1996.
Garcia, Ignacio M. White But Not Equal: Mexican Americans, Jury Discrimination, and the Supreme Court. The University of Arizona Press,
Meier, Matt S. & Gutiérrez, Margo. Encyclopedia of The Mexican American Civil Rights Movement. Westport: Greenwood Press, 2000.
Montejano, David. Anglos and Mexicans in the Making of Texas, 1836-1986. Austin: University of Texas Press, 1987.
Pycior, Julie Leinnger. LBJ & Mexican Americans: The Paradox of Power. Austin: University of Texas Press, 1977.
Olivas, Michael A. “Colored Men And Hombres Aquí”: Hernandez v. Texas and the Emergence of Mexican-American Lawyering. Houston: Arte Público Press, 2006.
Rivas-Rodriguez, Maggie, Ed. Mexican Americans & World War II. Austin: University of Texas Press, 2005.
Rodriguez, Victor. The Bell Ringer. San Antonio: The Watercress Press, 2005.
Rosales, Arturo F. Chicano! : The History of the Mexican American Civil Rights Movement. Houston: Arte Püblico Press, 2nd revised edition, 1997.
Rosales, Arturo F., Ed. Testimonio: A Documentary History of the Mexican American Struggle for Civil Rights. Houston: Arte Publico Press, 2000.
Suarez-Orozco, Marcelo and Paez, M. Latinos Remaking America. Los Angeles: University of California Press, 2002.
Russell Lee Photographs: Images from The Russell Lee Photograph Collection at the Center for American History. Austin: University of Texas Press, 2007.
Tevis, Martha. “Hernandez v. Texas: Mexican American Rights Defined.” Paper presented at the International Society for Educational Biography. Chicago. April 1992.
Tevis, Martha. “George I. Sanchez: The Pioneer in Mexican American Rights.” Journal of the Philosophy and History of Education, 57 (September 2007): 191-206 and the William E. Drake Lecture for The Educational Foundations Society and the Society of Philosophy and History of Education, 2006.
“Border Bandits.” Directed by Kirby Warnock. Dallas: Trans-Pecos Productions.
“Mendez vs. Westminster: For All the Children/Para Todos Los Niños.” KOCE-TV, PBS.
“Justice for my People: The Hector P. García Story.” Corpus Christi: KEDT, South Texas Public Broadcasting System. 2002.
“Salt of the Earth.” Directed by Herbert J. Biberman. Independent Productions/International Union of Mine, Mill & Smelter Workers. 1954.
This film follows the 65 "British soldiers" and 67 "American rebels" who reenact the 1775 Battle of Lexington and Concord.
In 1969, homosexuality was illegal in almost every state... but that was about to change. The Stonewall riots marked a major turning point in the modern gay civil rights movement.
A historic effort to shatter the foundations of white supremacy in what was one of the nation’s most viciously racist, segregated states.
The evolution of rhythm and blues through the careers of singers Ruth Brown and Charles Brown, with contemporary performances by both.
America came apart in 1964 and has since been reborn.
The most daring and innovative accomplishment at the turn of the 20th century.
Head of the most powerful family in America, billionaire John D. Rockefeller's vast philanthropy changed his family's reputation.
From Joseph Smith's discovery of gold tablets to persecution, migration, and settlement in Utah, the film explores the history of the most American of religions.