Announcement

On Feb. 21, FRONTLINE, NPR and Retro Report Investigate the Past, Present and Future of the Prison at Guantanamo Bay

In partnership with:
February 16, 2017


Out of Gitmo/Forever Prison
Premiering on PBS and online:
Tuesday, Feb. 21, 2017, at 10 p.m. ET / 9 p.m. CT
pbs.org/frontline/out-of-gitmo
www.facebook.com/frontline | Twitter: @frontlinepbs #GitmoPBS
Instagram: @frontlinepbs  | YouTube: youtube.com/frontline
Tumblr: frontlinepbs.tumblr.com

When President Obama first took office, he signed an executive order to close the controversial military prison at Guantanamo Bay, Cuba — where the U.S. has held terror suspects for years without charges.

Though he didn’t succeed in closing Gitmo, a symbol of the post-9/11 war on terror, Obama made a final push to clear out the camp before President Trump took over. Last year, he released 52 detainees, nearly half of them men who had been held indefinitely without charges. Once deemed too dangerous to let go, the detainees were finally cleared for release and scattered around the world in secret deals with foreign governments.

On Feb. 21, in a one-hour, two-part report, FRONTLINE examines the release of these “indefinite detainees,” and the little-known history of how Gitmo became a place where the government claimed it could hold people beyond the reach of U.S. law.

In the first segment, Out of Gitmo, NPR and WGBH News correspondent Arun Rath follows the trail of one of the most recently released detainees from Gitmo to Serbia, where the government sent the former terror suspect. NPR’s All Things Considered will also air a segment previewing Out of Gitmo Feb. 21. See stations and broadcast times at NPR.org/stations.

Rath, who has been covering Gitmo for years, talks with officials inside the camp and in Washington, including former Secretary of Defense Chuck Hagel, exploring the challenges and complexities of releasing men who were never charged with a crime but were once considered too great a risk to let go.

“I wanted assurance from my security people that in fact they had seen physically where these people were going to be, who was going to monitor them,” Hagel, who personally signed off on the release of 40 detainees, tells Rath. “And on the other side, we say to the host countries that are going to accept them: we want these people to get back into society, where they are productive citizens.”

The film focuses on the case of Mansoor Al Dayfi, who was captured in his early twenties in Afghanistan and accused of being an Al Qaeda commander. His final review before being released after 15 years concluded he was at worst a low-level fighter and possibly not a member of Al Qaeda at all. Rath follows the twists and turns of Mansoor’s life outside Gitmo, as he carries out a hunger strike in protest of being transferred to Serbia, and struggles to put Gitmo behind him in a country wary of his presence there.

Rath also returns to the camp, where there are signs of a long future ahead: “President Trump has said repeatedly that there won’t be any more releases of detainees like Mansoor, and that he plans to use his powers to hold more people here indefinitely,” Rath says.

Rath’s reporting continues in a second segment, Forever Prison. In collaboration with Retro Report, the film draws on extensive and rare archival footage to tell the little known story of how the military base came to be used to hold people beyond the reach of U.S. law. It happened a decade before 9/11, when some 70,000 Haitian refugees fled their country, seeking asylum in the U.S. in the wake of a bloody coup.

U.S. officials intercepted hundreds of boats at sea — sending most of the refugees back to Haiti. Many others, though, were brought to Guantanamo, where normal U.S. asylum laws would not apply. The Haitians’ claims were processed at the camp, but without access to lawyers like they would have had if they made it to the U.S.

As Forever Prison recounts, the Haitians’ situation caught the attention of a group of Yale law students and their professor, who successfully fought the government to be able to represent the Haitians and ultimately get many of them to the U.S. for asylum hearings – drawing on some startling evidence.

“We got a series of videotapes,” Yale Law professor Harold Koh says. “And one of them showed this scene where the U.S. military came into the camp and suppressed an uprising among the Haitians by physically mauling them, dragging them around. Remember, these are not criminals, these are refugees.”

“We thought we were alone all this time,” says Marie Genard, who fled Haiti with her father and was then held at Guantanamo for more than a year. “We were not alone. We had people who wanted us here. We had people who was fighting for us.”

But the court battle over the Haitians’ rights at Gitmo would ultimately leave the camp in legal limbo, and help set the stage years later for the Bush administration to argue Guantanamo was a place where post 9/11 terror suspects could be held outside the reach of U.S. law.

Together, Out of Gitmo and Forever Prison provide essential context for the continuing debate on what to do with the people still there — and what will happen to the camp going forward.

Credits

Out of Gitmo is a collaboration with NPR and WGBH News. The writer and producer is James Jacoby. The correspondent is NPR/WGBH News reporter Arun Rath. Forever Prison is a FRONTLINE production with Retro Report. The writer and producer is Bonnie Bertram. The correspondent is NPR/WGBH News reporter Arun Rath. The senior producer of both films is Frank Koughan. The senior investigations editor for NPR is Robert Little. The executive producer for Retro Report is Kyra Darnton. Out of Gitmo is a production with Left/Right Docs. The executive producers for Left/Right Docs are Ken Druckerman and Banks Tarver. The executive producer for FRONTLINE is Raney Aronson-Rath.

About FRONTLINE
FRONTLINE, U.S. television’s longest running investigative documentary series, explores the issues of our times through powerful storytelling. FRONTLINE has won every major journalism and broadcasting award, including 82 Emmy Awards and 18 Peabody Awards. Visit pbs.org/frontline and follow us on Twitter, Facebook, Instagram, YouTube, Tumblr and Google+ to learn more. Founded by David Fanning in 1983, FRONTLINE is produced by WGBH Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by The John D. and Catherine T. MacArthur Foundation. Additional funding is provided by the Park Foundation, the John and Helen Glessner Family Trust and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.

About NPR
NPR connects to audiences on the air, on demand, online, and in person. More than 26 million radio listeners tune in to NPR stations each week and more than 36 million unique visitors access NPR.org each month making NPR one of the most trusted sources of news and insights on life and the arts. NPR is also the leading publisher of podcasts, with 36 original shows and an average of 4 million listeners per week. NPR shares compelling stories, audio and photos with millions of social media users on Facebook, Twitter, Instagram, Pinterest, YouTube and Snapchat; NPR News and NPR One apps, online streaming, podcasts, iTunes radio and connected car dashboards help meet audiences where they are. NPR’s live events bring to the stage two-way conversations between NPR hosts and the audience in collaboration with the public radio Member Station community. This robust access to public service journalism makes NPR an indispensable resource in the media landscape.

About WGBH News 
WGBH News is among the fastest growing local news providers in greater Boston and draws on the talent of a multi-platform newsroom that includes 89.7 WGBH, Boston’s Local NPR, television and digital reporting. The WGBH newsroom continues to invest in substantive local coverage and has established dedicated desks for innovation, higher education and politics as well as unique partnerships to expand on that commitment, including with WNYC’s The Takeaway, PRI’s The World, the New England Center for Investigative Reporting, and The GroundTruth Project.

About Retro Report
Retro Report is an award-winning documentary news organization dedicated to bringing context to today’s headlines by connecting the dots between yesterday and today; it is non-partisan, independent and non-profit. Visit www.RetroReport.org and follow us on TwitterFacebook and Instagram to learn more.

Press Contacts
Patrice Taddonio, Patrice_taddonio@wgbh.org, 617.300.5375
Isabel Lara, mediarelations@npr.org, 202.513.2300
Sianne Garlick, sgarlick@retroreport.com

 

In order to foster a civil and literate discussion that respects all participants, FRONTLINE has the following guidelines for commentary. By submitting comments here, you are consenting to these rules:

Readers' comments that include profanity, obscenity, personal attacks, harassment, or are defamatory, sexist, racist, violate a third party's right to privacy, or are otherwise inappropriate, will be removed. Entries that are unsigned or are "signed" by someone other than the actual author will be removed. We reserve the right to not post comments that are more than 400 words. We will take steps to block users who repeatedly violate our commenting rules, terms of use, or privacy policies. You are fully responsible for your comments.

blog comments powered by Disqus
Support Provided By