Novel to Film | "Jay and Rufus walk home from the Majestic..."
Novel | Script | Film
"Jay and Rufus walk home from the Majestic..."
From A Death in the Family by James Agee
excerpted from Chapter 1
Vintage International/A Division of Random House, Inc., NY
It was full dark now, but still early; Gay Street was full of absorbed faces; many of the store windows were still alight. Plaster people, in ennobled postures, stiffly wore untouchably new clothes; there was even a little boy, with short, straight pants, bare knees and high socks, obviously a sissy: but he wore a cap, all the same, not a hat like a baby. Rufus' whole insides lifted and sank as he looked at the cap and he looked up at his father; but his father did not notice; his face was wrapped in good humor, the memory of Charlie. Remembering his rebuff of a year ago, even though it had been his mother, Rufus was afraid to speak of it. His father wouldn't mind, but she wouldn't want him to have a cap, yet. If he asked his father now, his father would say no, Charlie Chaplin was enough. He watched the absorbed faces pushing past each other and the great bright letters of the signs: "Sterchi's." "George's." I can read them now, he reflected. I even know how to say "Sturkeys." But he thought it best not to say so; he remembered how his father had said, "Don't you brag," and he had been puzzled and rather stupid in school for several days, because of the stern tone in his voice.
What was bragging? It was bad.
They turned aside into a darker street, where the fewer faces looked more secret, and came into the odd, shaky light of Market Square It was almost empty at this hour, but here and there, along the pavement streaked with horse urine, a wagon stayed still, and low firelight shone through the white cloth shell stretched tightly on its hickory hoops. A dark-faced man leaned against the white brick wall, gnawing a turnip; he looked at them low, with sad, pale eyes. When Rufus' father raised his hand in silent greeting, he raised his hand, but less, and Rufus, turning, saw how he looked sorrowfully, somehow dangerously, after them. They passed a wagon in which a lantern burned low orange; there lay a whole family, large and small, silent, asleep. In the tail of one wagon a woman sat, her face narrow beneath her flare of sunbonnet, her dark eyes in its shade, like smudges of soot. Rufus' father averted his eyes and touched his straw hat lightly; and Rufus, looking back, saw how her dead eyes kept looking gently ahead of her.
"Well," his father said, "reckon I'll hoist me a couple."
They turned through the swinging doors into a blast of odor and sound. There was no music: only the density of bodies and of the smell of a market bar, of beer, whiskey and country bodies, salt and leather; no clamor, only the thick quietude of crumpled talk. Rufus stood looking at the light on a damp spittoon and he heard his father ask for whiskey, and knew he was looking up and down the bar for men he might know. But they seldom came from so far away as the Powell River Valley; and Rufus soon realized that his father had found, tonight, no one he knew. He looked up his father's length and watched him bend backwards tossing one off in one jolt in a lordly manner, and a moment later heard him say to the man next him, "That's my boy"; and felt a warmth of love. Next moment he felt his father's hands under his armpits, and he was lifted, high, and seated on the bar, looking into a long row of huge bristling and bearded red faces. The eyes of the men nearest him were interested, and kind; some of them smiled; further away, the eyes were impersonal and questioning, but now even some of these began to smile. Somewhat timidly, but feeling assured that his father was proud of him and that he was liked, and liked these men, he smiled back; and suddenly many of the men laughed. He was disconcerted by their laughter and lost his smile a moment; then, realizing it was friendly, smiled again; and again they laughed. His father smiled at him. "That's my boy," he said warmly. "Six years old, and he can already read like I couldn't read when I was twice his age."
Rufus felt a sudden hollowness in his voice, and all along the bar, and in his own heart. But how does he fight, he thought. You don't brag about smartness if your son is brave. He felt the anguish of shame, but his father did not seem to notice, except that as suddenly as he had lifted him up to the bar, he gently lifted him down again. "Reckon I'll have another," he said, and drank it more slowly; then, with a few good nights, they went out.
His father proffered a Life Saver, courteously, man to man; he took it with a special sense of courtesy. It sealed their contract. Only once had his father felt it necessary to say to him, "I wouldn't tell your mama, if I were you"; he had known, from then on, that he could trust Rufus; and Rufus had felt gratitude in this silent trust. They walked away from Market Square, along a dark and nearly empty street, sucking their Life Savers; and Rufus' father reflected, without particular concern, that Life Savers were not quite life saver enough; he had better play very tired tonight, and turn away the minute they got in bed.
The deaf and dumb asylum was deaf and dumb, his father observed very quietly, as if he were careful not to wake it, as he always did on these evenings; its windows showed black in its pale brick, as the nursing woman's eyes, and it stood deep and silent among the light shadows of its trees. Ahead, Asylum Avenue lay bleak beneath its lamps. Latticed in pawnshop iron, an old saber caught the glint of a street lamp, a mandolin's belly glowed. In a closed drug store stood Venus de Milo, her golden body laced in elastic straps. The stained glass of the L&N Depot smoldered like an exhausted butterfly, and at the middle of the viaduct they paused to inhale the burst of smoke from a switch engine which passed under; Rufus, lifted, the cinders stinging his face, was grateful no longer to feel fear at this suspension over the tracks and the powerful locomotives. Far down the yard, a red light flicked to green; a moment later, they heard the thrilling click. It was ten-seven by the depot clock. They went on, more idly than before.
If I could fight, thought Rufus. If I were brave; he would never brag how I could read: Brag. Of course, "Don't you brag." That was it. What it meant. Don't brag you're smart if you're not brave. You've got nothing to brag about. Don't you brag.
The young leaves of Forest Avenue wavered against street lamps and they approached their corner.
It was a vacant lot, part rubbed bare clay, part over-grown with weeds, rising a little from the sidewalk. A few feet in from the sidewalk there was a medium-sized tree and, near enough to be within its shade in daytime, an outcrop of limestone like a great bundle of dirty laundry. If you sat on a certain part of it the trunk of the tree shut off the weak street lamp a block away, and it seemed very dark. Whenever they walked downtown and walked back home, in the evenings, they always began to walk more slowly, from about the middle of the viaduct, and as they came near this corner they walked more slowly still, but with purpose; and paused a moment, at the edge of the sidewalk; then, without speaking, stepped into the dark lot and sat down on the rock, looking out over the steep face of the hill and at the lights of North Knoxville. Deep in the valley an engine coughed and browsed; couplings settled their long chains, and the empty cars sounded like broken drums. A man came up the far side of the street, walking neither slow nor fast, not turning his head, as he paused, and quite surely not noticing them; they watched him until he was out of sight, and Rufus felt, and was sure that his father felt, that though there was no harm in the man and he had as good a right as they did to be there, minding his own business, their journey was interrupted from the moment they first saw him until they saw him out of sight. Once he was out of sight they realized more pleasure in their privacy than before; they really relaxed in it. They looked across the darkness of the lights of North Knoxville. They were aware of the quiet leaves above them, and looked into them and through them. They looked between the leaves into the stars. Usually on these evening waits, or a few minutes before going on home, Rufus' father smoked a cigarette through, and when it was finished, it was time to get up and go on home. But this time he did not smoke. Up to recently he had always said something about Rufus' being tired, when they were still about a block away from the corner; but lately he had not done so, and Rufus realized that his father stopped as much because he wanted to, as on Rufus' account. He was just not in a hurry to get home, Rufus realized; and, far more important, it was clear that he liked to spend these few minutes with Rufus. Rufus had come recently to feel a quiet kind of anticipation of the corner, from the moment they finished crossing the viaduct; and, during the ten to twenty minutes they sat on the rock, a particular kind of contentment, unlike any other that he knew. He did not know what this was, in words or ideas, or what the reason was; it was simply all that he saw and felt. It was, mainly, knowing that his father, too, felt a particular kind of contentment, here, unlike any other, and that their kinds of contentment were much alike, and depended on each other. Rufus seldom had at all sharply the feeling that he and his father were estranged, yet they must have been, and he must have felt it, for always during these quiet moments on the rock a part of his sense of complete contentment lay in the feeling that they were reconciled, that there was really no division, no estrangement, or none so strong, anyhow, that it could mean much, by comparison with the unity that was so firm and assured, here. He felt that although his father loved their home and loved all of them, he was more lonely than the contentment of this family love could help; that it even increased his loneliness, or made it hard for him not to be lonely. He felt that sitting out here, he was not lonely; or if he was, that he felt on good terms with the loneliness; that he was a homesick man, and that here on the rock, though he might be more homesick than ever, he was well. He knew that a very important part of his well-being came of staying a few minutes away from home, very quietly, in the dark, listening to the leaves if they moved, and looking at the stars; and that his own, Rufus' own presence, was fully as indispensable to this well-being. He knew that each of them knew of the other's well-being, and of the reasons for it, and knew how each depended on the other, how each meant more to the other, in this most important of all ways, than anyone or anything else in the world; and that the best of this well-being lay in this mutual knowledge, which was neither concealed nor revealed. He knew these things very distinctly, but not, of course, in any such way as we have of suggesting them in words. There were no words, or even ideas, or formed emotions, of the kind that have been suggested here, no more in the man than in the boy child. These realizations moved clearly through the senses, the memory, the feelings, the mere feeling of the place they paused at, about a quarter of a mile from home, on a rock under a stray tree that had grown in the city, their feet on undomesticated clay, facing north through the night over the Southern Railway tracks and over North Knoxville, towards the deeply folded small mountains and the Powell River Valley, and above them, the trembling lanterns of the universe, seeming so near, so intimate, that when air stirred the leaves and their hair, it seemed to be the breathing, the whispering of the stars. Sometimes on these evenings his father would hum a little and the humming would break open into a word or two, but he never finished even a part of a tune, for silence was even more pleasurable, and sometimes he would say a few words, of very little consequence, but would never seek to say much, or to finish what he was saying, or to listen for a reply; for silence again was even more pleasurable. Sometimes, Rufus had noticed, he would stroke the wrinkled rock and press his hand firmly against it; and sometimes he would put out his cigarette and tear and scatter it before it was half finished. But this time he was much quieter than ordinarily. They slackened their walking a little sooner than usual and walked a little more slowly, without a word, to the corner; and hesitated, before stepping off the sidewalk into the clay, purely for the luxury of hesitation; and took their place on the rock without breaking silence. As always, Rufus' father took off his hat and put it over the front of his bent knee, and as always, Rufus imitated him, but this time his father did not roll a cigarette. They waited while the man came by, intruding on their privacy, and disappeared, as someone nearly always did, and then relaxed sharply into the pleasure of their privacy; but this time Rufus' father did not hum, nor did he say anything, nor even touch the rock with his hand, but sat with his hands hung between his knees and looked out over North Knoxville, hearing the restive assemblage of the train; and after there had been silence for a while, raised his head and looked up into the leaves and between the leaves into the broad stars, not smiling, but with his eyes more calm and grave and his mouth strong and more quiet, than Rufus had ever seen his eyes and his mouth; and as he watched his father's face, Rufus felt his father's hand settle, without groping or clumsiness, on the top of his bare head; it took his forehead and smoothed it, and pushed the hair backward from his forehead, and held the back of his head while Rufus pressed his head backward against the firm hand, and, in reply to that pressure, clasped over his right ear and cheek, over the whole side of the head, and drew Rufus' head quietly and strongly against the sharp cloth that covered his father's body, through which Rufus could feel the breathing ribs; then relinquished him, and Rufus sat upright, while the hand lay strongly on his shoulder, and he saw that his father's eyes had become still more clear and grave and that the deep lines around his mouth were satisfied; and looked up at what his father was so steadily looking at, at the leaves which silently breathed and at the stars which beat like hearts. He heard a long, deep sigh break from his father, and then his father's abrupt voice: "Well..." and the hand lifted from him and they both stood up. The rest of the way home they did not speak, or put on their hats. When he was nearly asleep Rufus heard once more the crumpling of freight cars, and deep in the night he heard the crumpling of subdued voices and words, "Naw: I'll probably be back before they're asleep"; then quick feet creaking quietly downstairs. But by the time he heard the creaking and departure of the Ford, he was already so deeply asleep that it seemed only a part of a dream, and by next morning, when his mother explained to them why his father was not at breakfast, he had so forgotten the words and the noises that years later, when he remembered them, he could never be sure that he was not making them up.
"Jay and Rufus walk home from the Majestic..."
Adapted from the novel by James Agee by Jack Rosenthal
MS boy mannequin in store window display.
Zoom out to Rufus and Jay's reflection.
Rufus pulls hat off.
Rufus looks at Jay, shrugs.
Jay: He's about your age, eh? Wouldn't you say?
Rufus: Can't tell... he's all paint.
Jay: The cap makes him look older. (beat) You think so?
Rufus: I don't know.
Jay: I think it does.
MCU Jay turns to MS Rufus beside him, high angle.
Puts hand on his shoulder, steers him away from window.
Rufus puts on hat.
Jay (cont): 'Course we both know how your mother feels about caps, I guess.
MLS they come to FG into street, tracking shot.
Jay (cont): Lot of wear left in that hat of yours, I suppose. That's her point, I think.
Rufus: She don't know I stuff it under my shirt till I get to school.
Exit left FG.
Jay: Under your shirt! That a fact?
Exterior: Market Square Bar, night.
MS parked car FG, LS Jay and Rufus walk down sidewalk, passing two musicians playing.
Jay gives him coin to toss into fiddle case.
Singer (sings OS): I got a gal and a sugarbabe too. My honey, my sweet gal. I got a gal and a sugarbabe too...
Banjo Player: Thank you.
Singer (sings OS): This mornin' this evenin', all day. I got a gal and a sugarbabe too.
Jay and Rufus pass them to left.
Stop by entrance to bar. Dolly in.
Sign on door: Market Street.
Jay turns, opens door, leads Rufus inside.
Lively crowd - (Bar Walla)
Dissolve to Exterior: Lakeside Park off Forest Ave, night.
MLS pan right to LS Jay and Rufus strolling in right BG.
Come to FG. Dolly left with them past bushes FG.
Jay takes mint box from pocket.
Opens to Rufus, who takes one and pops into mouth.
Jay: Of course, we can't expect to stop at the Market Bar every time we take a walk. (beat) Bad habits, they creep up on you. (beat) Have a mint. (beat) Wonderful what a little mint'll cover up.
Rufus (OS): Yup.
They reach park bench.
Jay: Doesn't fool your mother, though.
Jay sits on bench. Rufus does same.
Jay: We'd both do well to remember that.
MCU side front angle Jay.
Jay (cont): About that cap... I'll tell your mother. If she could've seen you tearin' along in that car like you were doin' today, just like Barney Oldfield himself.
Jay takes cap off.
MCU side front angle Rufus.
Jay's hand in FG takes his cap off.
Jay (OS cont): Can you see old Barney Oldfield wearin' this thing?
MCU Jay puts Rufus' cap on.
MCU Rufus smiles.
Jay: You hear that?
MCU Jay takes cap off.
Jay: Shh. You have to listen... and know you're listening.
MCU Rufus listens.
Jay (OS cont): You hear it? Locusts. Never just one.
Jay (cont): There's thousands of them... only two notes apart... but you can hear each one... all around... nowhere and everywhere... all at once.
MCU Jay nods. Turns, grabs cap from beside him on bench.
Jay: Summer nights.
Jay's hand puts his cap on Rufus' head.
"Jay and Rufus walk home..."
From the film as directed by Gil Cates
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