|
|||||||||||||||||
![]() |
Program Title
Credits Producer: Tim Whitby, Harriet Davison Director: Tim Whitby, Paul Unwim, David Tucker, Paul Murton, Kate Cheeseman Intro BRAMWELL/Episode 5/Intro by Russell Baker Our Bramwell stories are set in the 1890s -- the glorious final decade of the Victorian age. It's a time when class distinctions are almost comically important. It often seems that every proper Englishman is looking for someone to look down on. The London medical establishment won't have Doctor Marsham on a hospital staff because he's a Scot. When Dr. Finn O'Neill presents his research at scientific conferences English doctors stay away in droves. Dr. O'Neill is Irish. Even among the gentry of purest English strain, there is a pecking order. For example: The most socially correct place for a doctor to have offices is in Harley Street. Dr. Robert Bramwell, Eleanor's father, does not have offices in Harley Street. Therefore, as we'll see tonight, colleagues who do have offices in Harley Street feel entitled to treat him with contempt. Robert is at the center of tonight's story. He is about to go visiting in very elegant company -- that is to say, among people who spend the day shooting birds by the dozen and looking down on people like Robert. Episode number: 1 2 3 4 5 6 The Archive Database | Program History | Poster Gallery | Awards Home | About The Series | The American Collection | The Archive Schedule & Season | Feature Library | eNewsletter | Book Club Learning Resources | Forum | Search | Shop | Feedback © |
Masterpiece is sponsored by: