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Credits Executive Producer: Tim Vaughan, Michele Buck Producer: Martin Pope Director: Ben Bolt Intro THE TURN OF THE SCREW/Intro by Russell Baker When he was fifty years old, Henry James suffered one of the worst humiliations a writer can endure. He was booed off stage on opening night of the only play he ever wrote. He already had a well-established literary reputation, but this mid-life failure as a playwright was psychologically devastating. His biographer, Leon Edel, believes it explains the spate of stories about children that James wrote over the next five years. …That he was struggling to understand his own childhood. A few days after his nightmare evening in the theater, James took tea with the Archbishop of Canterbury, who told him of a ghost story he'd heard long ago. It involved two small children who had been visited by the ghosts of two dead servants with horrible intentions. James recorded this in his notebook. It was the tiny seed that was to grow three years later into one of his most popular tales. "The Turn of the Screw" begins as a ghost story, but its enduring grip on the mind comes from something more substantial than ectoplasm. Certain modern critics believe it is actually about a very real case of sexual hysteria. Perhaps -- but there are other possibilities. Maybe it's about the corruption of innocent children. After all, James was exploring his own childhood at this stage of his life. In any case, here he follows the novelist's classic rule: Show, don't tell. Now, we'll do the same. The Turn of the Screw, by Henry James. The Archive Database | Program History | Poster Gallery | Awards Home | About The Series | The American Collection | The Archive Schedule & Season | Feature Library | eNewsletter | Book Club Learning Resources | Forum | Search | Shop | Feedback © |