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Program Title
Five Red Herrings

Based On
The novel by Dorothy L. Sayers

Adapted By
Anthony Steven

Number of Episodes:
4

Description
Lord Peter Wimsey and his man Bunter arrive in the Galloway Hills of Scotland for a peaceful holiday; Wimsey intends to fish, Bunter to paint. Indeed the area is a Mecca for professional artists. But on their first day out, they stumble across the corpse of Sandy Campbell and they have a murder on their hands...


Original broadcast date
1976-12-19

Cast Characters
Ian Carmichael Lord Peter Wimsey
Glyn Houston Bunter
Russell Hunter Matthew Gowan
Ian Ireland Sandy Campbell
John Junkin Mr. Alcock
David McKail John Ferguson
David Rintoul Jock Graham
Donald Douglas Hugh Farren
Julie Peasgood Penella Strachan
Roy Boutcher Henry Strachan
Clive Graham Michael Waters

Credits

Producer: Bill Sellars
Director: Robert Tronson

Intro
FIVE RED HERRINGS/Episode 1/Intro by Alistair Cooke

Good evening, I'm Alistair Cooke.

Tonight we begin a new Dorothy Sayers mystery. New, that is, to television. This is the fifth of her novels to be televised, and we've been lucky to have them all: Clouds of Witness, The Unpleasantness at the Bellona Club, Murder Must Advertise, The Nine Tailors, and now, Five Red Herrings.

Dorothy Sayers fans don't need to be told anything new about her. Her literary fate has been very much that of P. G. Wodehouse about whom somebody said: This writer divides the world into two classes--those who cannot read his books and those who can read no others.

In looking around for something new to say about this remarkable woman, I went through several histories and scrapbooks of English literature in the twentieth century. She is not there. She is not in the encyclopedias. Everybody else who sat down and said, in effect, I am going to write literature is there. But Dorothy Sayers was only writing whodunits. And among literary historians, it is still a low form. But, I did come on a book–a series of almost reverent tributes from absolutely top literary men–the present Poet Laureate, and Evelyn Waugh, Lord David Cecil and such —called Homage to P. G. Wodehouse. So maybe one day soon, some double-dome critic will tumble to the extraordinary gifts of this extraordinary woman. For those of you not already hooked, may I just remind you that for Dorothy Sayers, writing mysteries was a late–and as it turned out an immensely profitable--hobby. She was the first woman to take a first—class degree at Oxford in medieval history. Then, surprisingly, she went into the new institution of an advertising agency and came out after two years with a bilious view of it. She became an expert on early manuscripts, on church history, on wine, on archeology, and architecture. She married a soldier, turned in the 1920s to writing mysteries, and was an instant success. In her later years, she became a devout and scholarly churchwoman and wrote religious verse and plays. In the play we are going to see, it's fairly obvious she knew, also, a good deal about painting and painters.

It begins in the late autumn of 1931. Lord Peter Wimsey and his faithful man Bunter are off on a train for a holiday in Scotland and they have rented a cottage in a village that's a favorite among Scottish artists. And we begin Five Red Herrings with two artist neighbors named Campbell and Ferguson.



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