The Making of
To gain access to the inside of a bees nest and film the behaviors within, Thaler's crew constructed a special outdoor artificial hive.
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We prepared everything, including lighting the 16-square-inch set and fixing it so that the
lens formed one of the hexagonal cell walls. Then Peter Hopfgartner, our star beekeeper
in the film, thought of a trick. He prevented a fully developed queen from laying eggs
by isolating her in a small cage. That way, her urge to lay eggs became so strong that
the queen forgot all about light, camera, and people. All she had to do was find a
cell and lay the egg, and the shot was done.
This scene took probably two hours. The hardest and longest task was building the
sets and setting up the lighting. The filming itself had to be done very fast,
because the bees were patient with us for no more than two minutes. Either they
buzzed away or fled into a corner, or everything dissolved into chaos.
To get all these shots inside the hive, I had to know bee behavior very well.
Without my friend Peter, who has studied and observed bees since he was five
years old, this film could not have been realized.
NOVA: How long was the film in the making?
Thaler: The preparations and test took ten weeks, spread out over
a year. The shooting took ten weeks.
Thaler (right) and beekeeper Peter Hopfgartner wait
for a swarm to move on.
NOVA: How did you get interested in beekeeping?
Thaler: My grandfather had a little bee hut, and he harvested excellent forest
honey. When he died, my father took over that hut. Unfortunately, he didn't have my
grandfather's talent, and soon the bees weren't doing too well. The honey harvests
were poor, and I decided to take over the bee hut. By the time I was 19, I had 30
bee populations. Most of it I learned from my friend Peter.
NOVA: Did you wear complete beekeeping gear while you were filming?
Thaler: No, I didn't wear a protection suit for the shoots, because the outfit
hindered me too much in my work. Of course, I got stung, but a beekeeper is used to
that anyway. Sometimes it happened that we had to stop the shoot because the bees
became too aggressive. The aggressiveness of bees depends. If there is enough nectar
and they have plenty to eat, they are relatively peaceful and don't sting. But
when the weather turns bad or when an unpleasant wind blows, they sting more.
The first command when dealing with bees is: move slowly. It's harder for the bees
to see you. The faster you move, the better they see you and the more likely they are to sting.
"If you smell like alcohol, sweat, or bad aftershave, they sting immediately!"
Bees are very sensitive to smell. If you smell like alcohol, sweat, or bad aftershave,
they sting immediately! When we did the scene with the dandelion, I got stung very often,
and a few times I had to flee. I was puzzled. Then I noticed that co-director Herbert
Habersack was particularly smoothly shaved that morning. I went over to him and sniffed
his skin, and the scent of strong, manly, musky aftershave greeted me. Habersack spent
the rest of the day 500 feet away from me under an apple tree, and the bees were
Once I shot a film in India on the great honeybee. It was called The Magic Trees of Assam,
and for that I often wore a protection suit, because those bees are real killers. As
soon as one of them stings you, hundreds more lured by the scent of the bee poison follow
them and sting, too. Your only chance is to hide in the thick smoke of a fire, which is
the only thing they respect. The poisonous stinger of the great honeybee is much longer
and will poke right through a leather protection glove. There were days in India when I
was stung by 30 to 40 bees. That hurt.
Thaler flees as a swarm suddenly alights on his movie camera.
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