black-and-white images you'll find on this site were all shot by Frank
Hurley, official photographer of the Endurance expedition. We have not
modified them in any way, except, in a few cases, cropping or shading them to
enhance navigation of the site. These stunning images come from albums of
prints held at the Scott Polar Research Institute at Cambridge University and
at the Macklin Collection.
That they exist at all is a tribute to Hurley's care, skill, and dogged
determination. First Officer Lionel Greenstreet
called Hurley a "warrior with
his camera [who] would go anywhere or do anything to get a picture." That
included lugging his heavy "cinematograph machine," or early movie camera, up
into the ship's topgallant yards to get a panorama of the ice pack (see photo above). Or
developing his pictures in the Endurance's darkroom when the temperature
outside was -55°F. Or chopping through a wood wall and diving beneath four
feet of slushy ice to retrieve his glass-plate negatives from the sinking
Early and late-model cameras: Counterclockwise from top,
a reproduction 35mm Prestwich motion picture camera (circa 1908) and a Kodak square bellow field camera for
large-format plates, both similar to cameras Frank Hurley used; a Kodak Folding Pocket Camera Model 3A and a
Vest Pocket Kodak, both the very models Hurley took to Antarctica; and a modern IMAX camera.
Initially, Hurley's photographic kit included the cinematograph machine, an
equally bulky square bellows stand plate still camera, and several smaller
Kodak cameras, along with various lenses, tripods, and developing equipment.
But when Shackleton ordered the eventually icebound crew to strip down to
essentials, Hurley had no choice but to toss away all of his gear. With
Shackleton's permission, he kept only a hand-held Vest Pocket Kodak
camera and three rolls of film.
For the rest of the expedition, he shot a total of just 38 images, including
all the pictures at Elephant Island that you see on this site.
Hurley also selected 120 glass-plate negatives to save, including both whole
(6-3/4" x 8-1/2") and half (4-3/4" x 6-1/2") plates. In an act that must have
deeply pained this consummate professional, he smashed the remainder - about
400 negatives - and left the shards on the ice. He took the 120 glass plates
and the already developed still and movie film and sealed them into a tin can,
which he soldered shut and managed to keep safe all the way back to
civilization. Some of the photographs and film footage ended up in Hurley's
1919 film South, but many of his striking stills would not be published
until 1998, when Knopf published The Endurance: Shackleton's Legendary
Antarctic Expedition, by Caroline Alexander. We have also made use of some of Hurley's film footage in Voyage of Endurance.