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NOVA scienceNOW: October 3, 2006

PBS Airdate: October 3, 2006
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NEIL DEGRASSE TYSON: On this episode of NOVA scienceNOW: They call it Apophis, an asteroid that could be on a collision course with Earth.

JONATHAN GIORGINI (NASA/Jet Propulsion Laboratory): If Apophis did impact, it would leave a blast area of around 60 to 100 miles across, and it would dissipate energy about equal to 100 nuclear bombs going off the same time.

NEIL DEGRASSE TYSON: It could even create a West Coast tsunami.

RUSTY SCHWEICKART (B612 Foundation): We would have three and a half hours of waves, 55 feet high and larger, crashing onto the shore.

NEIL DEGRASSE TYSON: Is there anything we can do?

RUSTY SCHWEICKART: Unlike any other natural disaster, this one, if we use our brains, we can prevent it.

NEIL DEGRASSE TYSON: And what if I told you that some scientists are convinced that our weight and eating habits are mostly predetermined?

JEFFREY FRIEDMAN (Rockefeller University): What makes some people weigh 350 pounds and other people 150 pounds? To a very large extent, those are genes.

TERESA GODFREY (Obesity Clinic Patient): There are days that I just eat and eat and eat. I mean, I don't know when I'm full, really, but I can't stop it.

NEIL DEGRASSE TYSON: Could it be that it's not a lack of willpower, but a mutation in a gene?

STEPHEN O'RAHILLY (Addenbrooke's Hospital): It'll be very difficult to try to get slimmer when your brain is screaming, "You are hungry. You must eat."

NEIL DEGRASSE TYSON: You remember this, don't you? The periodic table. Can you name all the elements?

CARLA WOHL (Correspondent): Number 44?

KEN MOODY (Lawrence Livermore National Laboratory): Ruthenium.

CARLA WOHL: Ooh, very good.

NEIL DEGRASSE TYSON: We're going to introduce you to a couple of characters...

NEUTRON ANIMATION Hello.

NEIL DEGRASSE TYSON: ...who are trying to create new elements that never existed before.

All of that and the cosmic perspective, on this episode of NOVA scienceNOW.

Google is proud to support NOVA in the search for knowledge: Google.

Major funding for NOVA scienceNOW is provided by the National Science Foundation, where discoveries begin.

And the Howard Hughes Medical Institute, serving society through biomedical research and science education: HHMI.

Additional funding is provided by the Alfred P. Sloan Foundation, to portray the lives of men and women engaged in scientific and technological pursuit.

And the George D. Smith Fund.

Major funding for NOVA is also provided by the Corporation for Public Broadcasting, and by PBS viewers like you. Thank you.

ASTEROID

NEIL DEGRASSE TYSON: Welcome to a new season of NOVA scienceNOW. I'm Neil deGrasse Tyson, astrophysicist and your host. In each show, we'll bring you several stories, breaking news from the frontiers of science. You'll meet my fellow scientists exploring the universe, from the tiniest microbes to the farthest reaches of the cosmos.

First, let's take a look at our own solar system. It can seem like an orderly place, where the planets chug along in their orbits like trains on a track. But there's no guarantee those tracks will remain clear, because in addition to the planets, there's a lot of other stuff in the solar system, and eventually their paths will cross.

Now, if you happen to live on one of those planets, that would be bad.

One night in 2004, telescopes spotted a tiny dot moving across the sky. That dot was actually an asteroid named Apophis, and it seemed to be headed towards Earth.

When seen even through our most powerful telescopes, Apophis shows up as nothing more than just a moving speck of light, but the latest data tell us that this asteroid may be as wide as a thousand feet. That's bigger than the Rose Bowl.

Now imagine that hunk of rock hurtling through space, on a collision course with Earth. It sounds like something from the movies. Remember Deep Impact? Or Armageddon?

BRUCE WILLIS (Clip from Armageddon): Rise and shine.

NEIL DEGRASSE TYSON: Where Bruce Willis saves the world? The movies were a little silly—somehow, all the flaming fragments in Armageddon had good aim and hit only famous buildings—but they were inspired by a basic and frightening truth about our solar system.

It's easy to think of the solar system as a big, wide-open playing field: the sun in the middle, and just a few planets in orbit around it. But in fact, between the planets, it's filled with debris of all sizes, some as small as a pea, others as large as cars, houses, even mountains. We've been hit before by these things. And you know something else? We're going to get hit again.

In space, they're just cold hunks of rock, but when they plunge into Earth's atmosphere, at 30- or 40,000 miles an hour, their surface glows red hot.

Small objects will burn up before hitting the ground. We call those "shooting stars." But the bigger ones will keep on coming and explode on impact. If you know where to look, you can see the damage caused by past impacts all around us. Our moon is scarred with countless craters.

Here on Earth, this mile-wide hole in the Arizona desert was blasted by an asteroid as big as an office building. And 65,000,000 years ago, a rock the size of Mount Everest slammed into the Yucatan. That's the one that triggered the demise of the dinosaurs.

Our long history of getting in the way of asteroids worries Apollo astronaut Rusty Schweickart.

RUSTY SCHWEICKART: I mean, an asteroid can literally destroy 80 or 90 percent of the species that are alive on Earth. These are big events. I mean, this is called extinction.

NEIL DEGRASSE TYSON: To guard against catastrophe, a team at NASA tracks asteroids, including that potentially lethal one, Apophis, named for an Egyptian god of darkness and evil.

PAUL CHODAS (NASA/Jet Propulsion Laboratory): It was clear that it was going to be a very close approach and fascinating object.

NEIL DEGRASSE TYSON: In late 2004, with just a few observations to go on, the team came up with a frightening prediction.

STEVE CHESLEY (NASA/Jet Propulsion Laboratory): Very often, they start at one in a million, maybe even one in a billion. In this case, the maximum probability was about 1 in 37.

NEIL DEGRASSE TYSON: One in 37 chance that in April of the year 2029, Apophis would slam into Earth on, get this, Friday the 13th.

STEVE CHESLEY: ...never seen anything like that before. That was absolutely extraordinary.

NEIL DEGRASSE TYSON: Extraordinary, indeed, but not necessarily right. The NASA team has to continually revise its predictions.

DON YEOMANS (NASA/Jet Propulsion Laboratory): It's much like predicting a hurricane: when it's first spotted, you don't know where it's going to hit. As you get more and more information on its track, you can predict where it's going to go.

NEIL DEGRASSE TYSON: It turned out that Friday the 13th, 2029, wouldn't be so unlucky after all. Apophis will not hit us that day, but the asteroid will come frighteningly close to Earth.

PAUL CHODAS: It's going to come 10 times closer to us than the Moon is. So it's actually going to pass closer to us than the ring of satellites—communications satellites—that are in synchronous altitude around the Earth.

NEIL DEGRASSE TYSON: Such a near miss means that Earth's gravity will dramatically alter the asteroid's orbit. Problem is, as its path bends, there's one small region of space we do not want Apophis to pass through. Chodas named it "the keyhole."

PAUL CHODAS: If it should pass through that little keyhole, then it would be on a collision course at a later encounter.

Now if I advance it after 2029, you can see...

NEIL DEGRASSE TYSON: If the asteroid passes through the keyhole, then seven years later, in 2036, Apophis will be headed right for us. So, what if that one possibility actually happened? What kind of damage could an asteroid the size of the Rose Bowl do?

JONATHAN GIORGINI: If Apophis did impact, it would impact at around seven and a half miles per second, and all that energy has to go somewhere. It would leave a blast area of around 60 to 100 miles across, and it would dissipate energy about equal to 100 nuclear bombs going off at the same time.

NEIL DEGRASSE TYSON: An asteroid the size of Apophis, if it hit land, could devastate several counties in, say, southern California. But if Apophis passes through the center of the keyhole, it will slam into the Pacific Ocean, nearly 1,000 miles off the California Coast, and that could be a lot worse.

RUSTY SCHWEICKART: If it hits in the ocean or in the water, it's going to create a very significant tsunami.

NEIL DEGRASSE TYSON: I met up with Rusty Schweickart to find out what that tsunami might do to Santa Monica Beach.

RUSTY SCHWEICKART: We would have three and a half hours of waves, 55 feet high and larger, crashing onto this shore.

NEIL DEGRASSE TYSON: So, not just a simple rise in the water level that we saw in the Indonesia tsunami, you're talking about a surfable wave.

RUSTY SCHWEICKART: That yellow building will be gone.

NEIL DEGRASSE TYSON: So it's basically going to chew its way into the coastline.

RUSTY SCHWEICKART: It's going to sandpaper the whole coast, all the way up and down, from the Panama Canal all the way up to Alaska.

NEIL DEGRASSE TYSON: So if this, or any other asteroid, has our name on it, do we just run for our lives? Or could we actually do something about it?

RUSTY SCHWEICKART: Unlike any other natural disaster, especially the big natural disasters that we know of, this one—if we use our brains—we can prevent. We don't just prepare for it; we can literally stop it from happening.

NEIL DEGRASSE TYSON: What you're saying is, we don't know how to turn off a volcano yet, we don't know how to undo a hurricane.

RUSTY SCHWEICKART: That's right.

NEIL DEGRASSE TYSON: This is—this is one of the great natural disasters that we have the power, the knowledge, the means of avoiding. In the big asteroid movies, the solution seems to always be the same: send up some action heroes and nuke the thing.

RUSTY SCHWEICKART: That's a very, very bad way to try and deflect an asteroid that's headed for the Earth. You're going to certainly have a lot of debris, so that stuff is going to end up hitting the Earth anyway. You don't know what's going to happen.

NEIL DEGRASSE TYSON: But if nuclear weapons aren't the best defense against asteroids, what is?

DON YEOMANS: If it's a small object, you could simply run into it, slow it down, or speed it up, so that in 20 or 30 years, when it was predicted to hit the Earth, it would be slowed down just enough that it would miss the Earth, or sped up just enough that it would miss the Earth.

NEIL DEGRASSE TYSON: Just recently, NASA slammed a spaceship into a comet. They weren't trying to deflect it, just study what it's made of. But before you could successfully deflect a hunk of rock like Apophis, you'd have to know its exact shape and structure.

Lance Benner studies asteroids with radar, by bouncing radio waves off the rocks.

LANCE BENNER (NASA/Jet Propulsion Laboratory): The radar imaging of asteroids has revealed a completely bewildering zoo of different shapes and sizes. We see objects like this one that's roughly the shape of a cucumber. We see many that look like potatoes. We're seeing a surprising number that are actually spheres.

NEIL DEGRASSE TYSON: There's even one that looks like a dog bone.

And what about Apophis?

LANCE BENNER: We know very little about Apophis, unfortunately. We have a crude estimate of its size. We don't know anything detailed about its shape. We don't know if it's a porous object.

NEIL DEGRASSE TYSON: Deflecting a weirdly shaped or porous object would be a challenge. A more flexible solution might be a "gravitational tractor." The idea is, send an unmanned spacecraft up to the asteroid, and have it fly just ahead of the rock. Then the spaceship's gravity can, over time, work to subtly change the asteroid's speed, putting it on a slightly different orbit.

RUSTY SCHWEICKART: If you use a gravitational tractor, where you're pulling it using gravity as a tow rope, you know precisely what you're doing and what's happening to the asteroid all the time.

NEIL DEGRASSE TYSON: For Rusty Schweickart, the consequences of failure are so dire, he believes NASA needs to demonstrate this technique now.

RUSTY SCHWEICKART: I think the world public is going to want to know for certain that something's going to work, when you go up and try to, you know, deflect an asteroid from wiping out life. They're not going to want to hear a bunch of scientists say, "Well, we think it'll work," or, "It's 80 percent probability," or, "95 percent probability." You know, you're going to want to know.

NEIL DEGRASSE TYSON: Not everyone thinks we should be spending a couple hundred million dollars on a deflection mission anytime soon.

DON YEOMANS: I'm of the opinion that the majority of the resources that NASA's devoting to this effort should be in searching for these objects and finding them—finding them early, finding them early, finding them early.

NEIL DEGRASSE TYSON: We know of about 4,000 near-Earth asteroids, but recent estimates tell us that estimate there's thousands more, just as deadly, that we have yet to discover.

DON YEOMANS: An object like Apophis is just the tip of the iceberg. So my concern is not with this individual object, my concern is the tens of thousands of these objects that we haven't yet discovered, and that could take us by surprise if we don't discover them.

ISLAND OF STABILITY

NEIL DEGRASSE TYSON: Okay, remember this thing? That mysterious chart of boxes from chemistry class? Of course; it's the periodic table. It lists all the known elements, like hydrogen, gold, calcium, aluminum and even, down here, Einsteinium.

What makes an element unique is the number of protons each atom contains. We call that its atomic number.

The table starts up here, at one, and keeps going and going and going. But way down here, it just stops. What's up with that? Why can't we just add more protons to an atom and build new elements?

Well, correspondent Carla Wohl has found some folks who spent their lives trying to do just that.

CARLA WOHL: Every atom in the universe was born in fire: oxygen, iron, neon, copper, carbon, the fundamental building blocks that make up all matter, all things, were created with immense heat and pressure, by the big bang, stars, or sometimes by scientists like Ken Moody.

KEN MOODY: I don't feel very stellar, I guess.

CARLA WOHL: He does, however, rise before the sun each morning and gets to work by 5:00, seven days a week.

KEN MOODY: That's the way it is.

CARLA WOHL: He's a nuclear chemist whose passion is filling in the blanks at the upper reaches of the periodic table.

Pop quiz: the chart of elements, Number 44?

KEN MOODY: Uh, Ruthenium.

CARLA WOHL: Ooh, very good. 109?

KEN MOODY: Meitnerium.

CARLA WOHL: Very good. 114?

KEN MOODY: Unnamed, at this point; you're not going to trick me.

CARLA WOHL: The trick, as Ken sees it, is to be the one to name 114, which he's been on a quest to discover for more than two decades.

KEN MOODY: We tend to call these things discovery experiments, but we're really producing them. It's a...it's an act of creation.

CARLA WOHL: Creating them with atomic colliders, quantum calculation and something passed on to him by his mentor, Dr. Glenn Seaborg.

KEN MOODY: He was a big believer in those little 35 millimeter slides, and he'd take a graduate student to run the projector for him.

CARLA WOHL: One of those students was none other than Ken Moody. That's a younger Ken, there. For 30 years, Ken has held on to this particular slide: Seaborg's map, a mythical place the elements of the periodic table inhabit. And it's here where our story begins.

KEN MOODY: Where uranium and thorium dwell, the end of the nuclei that exist in nature...

CARLA WOHL: Number 92, uranium, is the last of the naturally occurring elements. This is as far as the stars got. But Glen Seaborg thought he could pick up where the stars left off, actually creating elements. And he did, marching up the periodic table, creating elements 94, 95, 96, 97, 98, 101 and 102. He won a Nobel Prize for his pioneering work, and created more elements than any human ever had. And then he could go no further.

DAVID KAISER (Massachusetts Institute of Technology): Even Seaborg ran out. You know, the process by which he was making these—he and his whole large team by this point—that way of trying to add in more protons to a nucleus, that route finally dried up.

CARLA WOHL: David Kaiser teaches the history of science at MIT.

DAVID KAISER: What Seaborg had been able to do—and many colleagues by this point—was sort of go step by step, add in one new nucleus at a time, by just going, literally, baby steps.

CARLA WOHL: How exactly do you take baby steps? Let's start at the beginning. We'll take a trip and fly into an atom, past the electrons, into the nucleus. In a science where you never see what you're working with, a lot is left to the imagination. So first, let's meet some protons, for our purposes, represented by these guys.

KEN MOODY: ...all positively charged. And we all remember from science class in high school that two positive charges repel one another.

CARLA WOHL: With this repulsion, how do any of the elements stay together?

DAVID KAISER: The protons feel a different sort of force, as well, at the same time. It's a different origin, a different type of force between them. And that's a specifically nuclear force. It's called the strong force.

CARLA WOHL: We'll show this as a bungee cord.

DAVID KAISER: And that really is how this force behaves. If they try to pull apart, it will pull them back together. It's an attractive, coming together, sort of force. But, like a bungee cord, it only works over a certain distance. If you try to stretch it too far, that cord will break.

KEN MOODY: That repulsive force wins.

CARLA WOHL: And that's where this guy comes in.

NEUTRON ANIMATION: Hello.

CARLA WOHL: He is a neutron.

KEN MOODY: I went to school with an awful lot of neutrons.

This is a fellow who comes equipped with bungee cords, like the proton.

CARLA WOHL: But unlike the proton, he has no charge, no inclination to push anything away. He just sort of sits there, neutrally; his bungee cord does the work. So, throw him in between a pair of struggling protons, hook up his bungee to...

KEN MOODY: The neutron provides some remediation of the hostility of the protons, and they can survive.

CARLA WOHL: Up to a point. By the time he got to element 102, with 102 protons in the nucleus, Seaborg began having problems.

DAVID KAISER: Even if you add in more bungees, they might keep this cluster together here, they might keep that cluster together there. But keeping the whole big thing together, that no longer is going to work. The pushing-away force starts to win.

CARLA WOHL: And there was another problem. Seaborg found, the more protons he added, the shorter the atom survived, from billions of years down to thousands, days, hours, minutes.

DAVID KAISER: Even much less, sometimes thousandths of a second, if you're lucky. Often, it's millionths of a second. So these things will fall apart, literally, in less than a blink of an eye.

CARLA WOHL: Seaborg came to see himself surrounded by a cruel and inhospitable ocean that tore his atoms apart. He called it a "sea of instability."

DAVID KAISER: This sea, that they didn't know if they could cross or not, that's what was inspiring and really teasing or pushing Seaborg and, in fact, many of his students and colleagues, to see, "Could they go beyond this end of the known world? Could they go beyond where this peninsula seemed to stop?"

CARLA WOHL: Then, in the mid-1950s, theorists presented a radical new concept of the nucleus.

DAVID KAISER: There became lots of evidence to show there's a tremendous amount of very stringent, strict ordering that goes on inside the nucleus.

KEN MOODY: We're used to looking at diagrams where the nucleus is shown as a little ball with a plus sign in it. And the electrons travel in rings, which are well-defined orbits. The nucleus is the same way. The protons and the neutrons can be treated as forming structures. You can think of it as rings.

DAVID KAISER: And so, in fact, there are these configurations where the protons can line up in a special way, in these sort of ring structures, that will give a greater degree of stability to the nucleus as a whole, than if they had been in some other random or messed up order. And the same thing happens with the neutrons.

CARLA WOHL: Just like the electrons that orbit the nucleus, the stability of the nucleus depends on how full these rings are. When you have just the right number of protons...

KEN MOODY: That is a configuration which we consider magic.

CARLA WOHL: ...and just the right number of neutrons, as well, that's called "doubly magic."

DAVID KAISER: So what's so magical about that? These magical numbers of protons or neutrons are such that you have the maximum stability.

KEN MOODY: That is a very strong nuclear configuration.

CARLA WOHL: Theory predicts that element 114 should have this kind of doubly magic nucleus. So it should be, despite its tremendous size, incredibly stable.

Seaborg would have to change his approach.

DAVID KAISER: Don't add one particle at a time, add 20 particles at a time. Add 40. And so that's like slingshotting over that sea, instead of trying to march over across it step by step.

KEN MOODY: And Glen saw this as a giant leap across the sea of instability of things that you couldn't make, to an island sticking up out here.

CARLA WOHL: An island of stability.

DAVID KAISER: So that was what was motivating Seaborg. Could you jump this inhospitable sea to get to this, what he hoped would be, a magic island, an island of stability? Way up here, where you have all the way up to 114 protons and 184 neutrons, that was the next spot, they thought, where you'd have this sort of magic stability, both a filled ring of protons and, crucially, a filled ring of neutrons.

CARLA WOHL: Where these huge atoms might last long enough to hold in your hand, to look at...something new in the universe.

How badly did he want to get to the island of stability?

KEN MOODY: He, he wanted it bad. He really did.

CARLA WOHL: And tried for 30 years?

KEN MOODY: Yes, basically, yes. We all thought that if he could discover super heavy elements, then we could get him a second Nobel Prize.

CARLA WOHL: So how would Ken realize this dream and leap to element 114? Well, plutonium has 94 protons, calcium has 20 protons; add them together and, voila: 114. But how exactly do you add atoms together?

KEN MOODY: You have to accelerate them at one another very, very fast.

CARLA WOHL: You're throwing them at each other?

KEN MOODY: You're throwing them at each other. You can almost think of it as bowling. Each calcium ion is a bowling ball, and, as the calcium approaches the target, it sees a set of plutonium pins. And there are an awful lot of gutter balls—the calcium just misses the pins completely. We will put somewhere between 10 to the 18th and 10 to the 19th balls through a target—10 billion billion. There's that one sweet spot there. If the calcium hits the thing, you get the, you get the element 114—strike. The calcium and the plutonium fuse, and you have an element 114 that survives.

CARLA WOHL: Did they make it to the island of stability? Almost, but not quite. In 1998, Moody's team, in cooperation with Russian scientists, was able to bowl the magic number of 114 protons, but fell short of the 184 neutrons needed to achieve that double magic. In other words, while they still hadn't landed on the Island of Stability, they were this close—just at its shores, and that was no small feat.

KEN MOODY: I said to myself, "I have to call to Professor Seaborg, and I have to talk to him." One of the great disappointments in my life was we couldn't have done that experiment two months earlier. He never knew about the result. He had had his stroke, and he passed away a few weeks later.

CARLA WOHL: Never knowing his magical island had been sighted. With Seaborg gone, Moody now continues the hunt for element 114's missing neutrons.

KEN MOODY: Yeah, we're 10 neutrons short of where the maximum effect should be.

CARLA WOHL: And those neutrons mean everything.

KEN MOODY: Big difference, the difference between existing and not existing.

CARLA WOHL: Those neutrons may hold the answer to how long it might last.

KEN MOODY: Whether we're dealing with something that's very long lived, like on the order of the age of the universe, or whether we're dealing with something that's minutes or hours...

CARLA WOHL: But even minutes or hours is long enough to see, touch and study.

KEN MOODY: I mean a chemist's eyes light up, because you can start thinking about doing all the chemistry experiments in the world.

CARLA WOHL: Experiments to reveal what its properties might be, perhaps a material with uses we haven't even dreamed of.

KEN MOODY: Maybe a ball of gas. Actually, there are some predictions that think that it's actually a gas.

DAVID KAISER: It could be a really heavy metal.

CARLA WOHL: The periodic table says it should be a heavy cousin to lead and tin.

KEN MOODY: That would be very exciting, because, then, we would prove the periodicity is...the chemical properties continue to extrapolate as you expect from the periodic table.

DAVID KAISER: We would learn a tremendous amount of just basic nuclear physics. There are still these questions that we can't figure out until we can make the stuff, study it and ask these questions in the laboratory.

CARLA WOHL: One thing is certain, we will have something the stars did not leave behind, if only we can get to that magic island.

DAVID KAISER: We think that it's there. Can we get there? Can we plant our flag in the sand?

CARLA WOHL: Maybe Ken Moody can.

KEN MOODY: That's the mystery of the island of stability.

TOM LEHRER (Musician):

There's sulfur, californium and fermium, berkelium,

And also mendelevium, einsteinium and nobelium,

And argon, krypton, neon, radon, xenon, zinc and rhodium,

And chlorine, carbon, cobalt, copper,

Tungsten, tin and sodium.

These are the only ones of which the news has come to Harvard,

And there may be many others, but they haven't been discovered.

OBESITY

NEIL DEGRASSE TYSON: Okay, we talked about bungee cords, that stretchy force that binds protons and neutrons. They're kind of like springs.

Of course, what's great about springs is their flexibility. With some effort, I can stretch it, or I can make it smaller, at least for a little while. But it always bounces back to a certain predetermined size.

Well, according to some researchers, people might be like this, too. No, matter how hard we struggle to lose weight, our bodies will keep bouncing back to about the same size. And as David Duncan reports, that size might be predetermined by our genes.

DAVID DUNCAN (Correspondent): We are what we eat. And as we eat more and more, many of us gain weight we'd rather not have. But for some people, like Teresa Godfrey, the compulsion to eat is a lifelong struggle.

TERESA GODFREY: I try and control it as much as I can, but there are days that I cannot control it. And I just eat and eat and eat and eat, and I don't know when I'm full, really. And I'm aware that I'm doing it, but I can't stop it.

DAVID DUNCAN: Since childhood, Teresa has faced ridicule, embarrassment and blame for being overweight. So has her only son, Jake.

TERESA GODFREY: Parents in the playground used to look over and look at me, because I'm big, Jake's big, and just, thought that we sat there all day and ate food, basically.

ELANA (Addenbrooke's Hospital): (I was just going to ask you a few questions.

SADAF FAROOQI (Addenbrooke's Hospital): Patients like Teresa and Jake, have had, really, a very tough time, from a very young age. They have often been blamed for being overweight and obese. And it's amazing how we fail to see that, actually, being overweight and being obese can be due to a biological reason, can be due to your genes.

DAVID DUNCAN: Suppose you could prove that for certain patients, it's not lack of willpower that causes obesity, but the lack of a chemical inside the brain which tells us to stop eating? That would be no surprise to Jeffrey Friedman, an obesity researcher at Rockefeller University in New York City. Friedman believes that for each of us, eating behavior is, to a large extent, hardwired by our genes.

JEFFREY FRIEDMAN: What makes some people weigh 350 pounds and other people 150 pounds? To a very large extent, those are genes. And each of us are, to a large extent, predetermined to be at a particular weight—some people heavy, some people thin, most people in between.

DAVID DUNCAN: So we have very little control over our weight... that there's a set point.

JEFF FRIEDMAN: The set point defines a range for each person, and people can operate comfortably within that range. But the further one wants to deviate away from the set point in either direction, the more difficult it becomes. So that if you're at your stable weight and you want to lose 50 or 100 pounds, it is very, very difficult over the long term.

TERESA GODFREY: I lost 35 pound in between eight and nine months—found it very difficult, but did lose it. But it went back on. As soon as you stop dieting, it just goes straight back on.

JEFF FRIEDMAN: For obesity, the evidence for a number of sources would suggest that it's 70 to 80 percent genetic, which is the highest hereditability that's been recorded, with the possible exception of height.

DAVID DUNCAN: Twenty years ago, Friedman began experiments to uncover the genetics behind the hunger drive, trying to discover why certain lab mice are born with such a compulsion to eat that they become almost too fat to walk. Then, in 1994, Friedman and his collaborators made a groundbreaking discovery: these obese mice lacked a previously unknown hormone which signaled the brain to stop eating. Friedman named it leptin, after the Greek word for thin.

JEFF FRIEDMAN: Leptin is a hormone, made by your fat, that circulates in the blood, that then sends a message to your brain reporting how much fat you carry at a given point.

DAVID DUNCAN: The five milligrams of leptin in this bottle are 10 times the amount that can circulate in our bloodstream, where it acts like a thermostat to tell the body if it's starving or if it has enough fat to survive. How it works becomes clear when you see an animal genetically altered to produce no leptin at all.

JEFF FRIEDMAN: You'll notice a few things about these animals. One, obviously this animal is a lot larger or heavier. That animal is moving around everywhere, and this animal hardly moves at all. The only difference between these animals is a defect in a single gene, the gene that encodes for this hormone, leptin.

DAVID DUNCAN: And how does this relate to humans?

JEFF FRIEDMAN: Humans have the same hormone. And when humans are lacking this hormone, leptin, as is this animal, they, too, become massively obese and eat more. It turns out that this animal, because it lacks leptin, never gets the signal that it has sufficient fat, and thinks it's starving. Now if you were to give this animal leptin injections—replace the leptin it can't make on its own—they eat less, they lose weight, their fat content goes down.

DAVID DUNCAN: Friedman's discovery created a sensation. Was this the Holy Grail for the overweight, a possible cure for obesity?

STEPHEN O'RAHILLY: I remember, precisely, the day I read the Friedman paper. And the hairs on the back of my neck stood up, because I thought, "My word! This is a real insight into how body weight is controlled."

DAVID DUNCAN: Unfortunately, when leptin injections were given to obese human patients, most of them did not lose significant amounts of weight. Still, Stephen O'Rahilly, director of the obesity clinic in Addenbrooke's Hospital, in Cambridge, England, believed that Friedman's discovery held an important key to human appetite, if he could understand how leptin worked.

STEPHEN O'RAHILLY: Leptin does something to the brain. It suppresses appetite; it does it through a series of steps.

DAVID DUNCAN: Once leptin reaches the brain, it turns off cells that increase appetite and turns on cells that decrease appetite, in a dual action that suppresses hunger. A central switching component in the leptin process is the melanocortin 4 receptor or MC4R, which receives and passes on the message to damp down hunger. If these receptors are altered by genetic mutation, their surface becomes malformed, unable to process the message to switch off appetite.

STEPHEN O'RAHILLY: It would be very difficult to be a patient with one of these mutations, try to get slimmer when your brain is screaming, "You are hungry. You must eat."

TERESA GODFREY: You're just ravenous, and you just have to eat. And you can't stop. Some days you can't stop eating, and you're on and on and on.

JAKE GODFREY (Obesity Clinic Patient): So you just eat anything, until you're just full up. And then you just...you regret it. It's like, it just takes over you.

TERESA GODFREY: Until you actually physically begin to feel sick. And then you think, "Well, why did I eat all of that food? Why? I didn't really want that. Why did I eat it?"

DAVID DUNCAN: Eight years ago, Teresa Godfrey came to the obesity clinic in Cambridge searching for answers.

SADAF FAROOQI: They have always known that there was some reason why they were always hungry. They have always thought there was some reason why they gained weight more easily than others. And effectively, what we're able to do, is to provide for them an explanation for that.

DAVID DUNCAN: The new scientific breakthrough is understanding the gene that codes for the MC4 receptor. Teresa's gene has a mistake that causes her receptor to grow incorrectly.

SADAF FAROOQI: When we actually look at the gene in the lab, what we find is one particular one of those building blocks is actually different. And that's enough to stop this gene making a receptor that works.

DAVID DUNCAN: Sadaf Farooqi extracted Teresa's DNA from a blood sample, and then put it through a process to isolate the gene that encodes for her MC4 receptor.

SADAF FAROOQI: And I think, when the MC4 is done, we need to think about which other genes might be relevant to these patients.

DAVID DUNCAN: This gene was then amplified and inserted into a living cell in Farooqi's lab, which then grows Teresa's receptor in a flask.

SADAF FAROOQI: And when it's in those cells, those cells can actually be grown up and can actually behave in the test tube as if they were in Teresa's body. So, essentially, in this flask are some cells which grow up and express Teresa's MC4 receptor on their surface.

We add the hormone that normally activates the receptor. So, basically, the hormone should dock on the receptor and give us a readout.

DAVID DUNCAN: A normal MC4 receptor reads out 100 percent; but Teresa's malformed receptor reads out zero.

SADAF FAROOQI: So Teresa's receptor is really non-functioning.

DAVID DUNCAN: Measuring Teresa's mutation has allowed the doctors at Addenbrooke's, for the first time ever, to use genetics to accurately predict how much a patient will eat.

SADAF FAROOQI: Basically what we can show is that the defect in a single gene, in a single molecule, and how it behaves in the lab determines the amount of food people will eat at a single meal.

ELANA (Addenbrooke's Hospital): Hi. I've got your lunch here, and you can have whatever you like.

SADAF FAROOQI: We find that a person who is of normal weight, and whose MC4 gene is working normally, might eat somewhere in the realm of about 4- to 500 calories, when allowed to eat freely. Teresa, and with Jake, in fact, they would eat probably two and a half or three times as much.

TERESA GODFREY: Dr. Farooqi phoned me and told me the results, and I cried on the phone, because I was just so relieved. I cried for Jake, not for me, more so than anything else.

STEPHEN O'RAHILLY: Jeff Friedman's discovery of leptin, in 1994, was a phenomenal catalyst to, not only my work, but the whole of the field. This was the first time that a real molecule truly was regulating body weight in mammals, and we went on, then, to show that obviously it was relevant for humans, too.

DAVID DUNCAN: How many people have this MC4 receptor problem, and how does it compare to other genetic disorders?

STEPHEN O'RAHILLY: Our best estimate so far is that around one in 1,000 people carry a mutation in MC4 and are obese. That means that, worldwide there'll be tens if not hundreds of thousands of people with this, with this disorder, so it's not, not by any means, rare, and it's certainly commoner than some well-known genetic disorders such as muscular dystrophy or cystic fibrosis.

DAVID DUNCAN: Do you worry, that people will look at this and say, "Aha, it's not the, you know, the Big Macs®; it's, it's genetic."

SADAF FAROOQI: Clearly, if you eat fast food all the time, and are very sedentary, whatever your genetic makeup, you are going to gain weight. Clearly, if you have genes that predispose you to gaining weight, you'll gain even more. So it's always a balance of the two. I think even people who are overweight or obese and don't have an MC4 gene problem, they will have other genes that are contributing to them gaining weight very readily.

DAVID DUNCAN: Scientists are already identifying other genes that contribute to obesity. The hope is to create medications that can help people who have these genes maintain healthier weight. But until then, overweight people should try to maintain the lowest weight their biology will allow.

JEFF FRIEDMAN: People should do what they can to improve their health, and that would include being at the lower end of their range, exercising, eating a heart-healthy diet. So I think we need to focus on what we can do and improve health to the extent of our ability, but not criticize people because they can't lose hundreds of pounds. It's their biology that makes it difficult to lose those hundreds of pounds, not some personal failing.

TERESA GODFREY: When I found about the MC4R, it was a relief, a relief and a release, to know that actually, yes, it's not all my fault, and there's a reason for this happening to me. I'd just like to be as I am now. I've accepted who I am. If you would say to me would you rather win the lottery, or would you rather find out about MC4R, I would say MC4R any day. You can keep your money.

PROFILE: KARL IAGNEMMA

NEIL DEGRASSE TYSON: We all know the popular image of artists: painters, writers, performers, they're creative but undisciplined; and then there's the scientist: analytical, methodical, obsessed with accuracy. But whether these clichés are right or wrong, sometimes the artist and the scientist are more alike than you think. Check out this guy.

KARL IAGNEMMA (Artist/Scientist): "At the sound of Marya's name, a shiver began in Henderson's chest that scurried over every inch of his skin. He felt as though he had been heated over glowing coals, then dunked into an ocean-sized bath of ice water."

NEIL DEGRASSE TYSON: Meet Karl...

KARL IAGNEMMA: Karl Iagnemma.

NEIL deGRASSE TYSON: Iagnemma?

KARL IAGNEMMA: Iagnemma, yup. It's Italian.

NEIL DEGRASSE TYSON: He's a successful writer of fiction, but he's also the same person who's been called one of the top 10 innovative scientists of America. How can he be both?

His father was Emidio Iagnemma. Born in Italy, he came to Detroit, and he raised his son to be just like him, an engineer.

KARL IAGNEMMA: I ended up following pretty closely in his footsteps. We shared, definitely, an interest and a love for physics and math.

CATHERINE IAGNEMMA (Karl's Sister): I always knew he had a mind like my, like my father. They used to go to computer clubs together, you know, exchange software, and he took drafting classes.

NEIL DEGRASSE TYSON: And Karl did some experimenting when his father wasn't looking.

KARL IAGNEMMA: Friends and I would do various experiments with combustion, but nothing too serious, no felonies.

KATHERINE IAGNEMMA: He would, like, light tennis balls on fire and throw them down the driveway.

KARL IAGNEMMA: Uh oh. I knew I shouldn't have given you her name.

NEIL DEGRASSE TYSON: But all those experiments clearly paid off because Karl went to MIT, where he stayed on to earn his PhD in mechanical engineering and is now a principal research scientist. And today, he's a top member of a team of researchers who are designing robots smart enough to understand their environment. Their algorithms will make it easier for robots to navigate through truly difficult terrain, and enable NASA to explore parts of Mars scientists can only dream of reaching today.

KARL IAGNEMMA: Robots right now are pretty dumb. They have a hard time understanding if something is a bush compared to a stone. For wheeled robots, the danger is always that you're going to drive somewhere, think it's a safe place to drive, and you end up getting stuck. And on Mars, you know, you can't call AAA to tow you out.

PAUL SCHENKER (NASA/Jet Propulsion Laboratory): As a researcher, I think Karl brings some of the best qualities you look for.

NEIL DEGRASSE TYSON: Paul Schenker manages the Robotics Space Exploration Technology Program, for NASA, at the Jet Propulsion Labs, in Pasadena. NASA awarded Team MIT more than a million dollars for research overseen, day to day, by Karl.

PAUL SCHENKER: He's very objective, patient, thoughtful in framing his problems. He also brings passion to his work.

NEIL DEGRASSE TYSON: But which work? Let's go back.

Meet the other Karl.

KATHERINE IAGNEMMA: Iagnemma; it rhymes with dilemma.

NEIL DEGRASSE TYSON: His mother, Patricia Iagnemma, was an English major.

KATHERINE IAGNEMMA: My mother loved literature, so we had books in every room—in the laundry room, in the family room. Karl would lock himself in his room and just read and read and read.

NEIL DEGRASSE TYSON: Karl could also write. In fact, his minor at MIT was in writing, fiction writing, which confused one of his advisors.

KARL IAGNEMMA: He said, "Oh, I thought you were studying friction."

NEIL DEGRASSE TYSON: Hard to believe, but true. Also true is that Karl's short story won a contest for fiction writing—not friction writing—held by Playboy magazine, in 1998. And while he was writing his PhD thesis, he started to write his first book.

KARL IAGNEMMA: And I finished it the week after I finished my PhD thesis.

NEIL DEGRASSE TYSON: On the Nature of Human Romantic Interaction is meant to sound like a thesis, but don't be fooled. It's an award winning collection of short stories about characters—many of them scientists, by the way—who fall in and out of love. Karl proves wrong the old assumption that science guys can only write science fiction.

KATHERINE IAGNEMMA: I always refer to him as being whole-brained, using the totality of his brain. I see the dedication that he uses in science applied to his writing.

STEVE ALMOND (Author, My Life in Heavy Metal, Candyfreak): I just...I don't think I know anybody who's, certainly, at that high a level in both those areas. It's rare.

NEIL DEGRASSE TYSON: Now, it would be easy to congratulate Karl for using more of his brain than most of us, which he clearly does. And it would be a little too easy to marvel at how Karl has managed to succeed at two professions that would seem to be complete opposites: science and fiction writing. But, as it turns out, some of the very same skills Karl uses in scientific exploration come to his aid in, well, making stuff up.

KARL IAGNEMMA: In each discipline, you start with a blank page. You start with an idea. There are so many parallels between writing and research. I mean, I view each process as one of increasingly structured creativity.

NEIL DEGRASSE TYSON: Okay, so both a writer and a researcher have to be creative, but just ask any writer or any scientist, and they'll tell you creativity is meaningless without discipline. Before you can stare at a blank page or screen, you must get your butt to the chair, and Karl does it day in, day out.

KARL IAGNEMMA: A lot of writing is just passing the time until something good comes along, and you don't know when that'll be. So, to be safe, you should be in that chair as much as you can, on the off chance that, you know, a miracle will happen and the story will be born.

ANKI IAGNEMMA (Karl's Wife): For Karl, it's a lot about patience and discipline. That's an important part of his process, I think. He does his hours whether he gets 10 pages or one paragraph.

KARL IAGNEMMA: A lot of times, I'm in the chair, in the evening or in the early morning, with my earplugs in, so that I can hear all the characters' voices, and just typing either nonsense, or typing an outline of a story, or typing dialogue that may be good, may be not any good. But when the story comes along, and when you get that germ, that little spark, and you feel it, and you know it, that's when the actual story writing process truly starts.

STEVE ALMOND: He's really efficient. He believes he's inefficient. "Oh, it's takes me so long to write." You write so quickly. And I'm like, "Dude, I'm not going to a lab trying to figure out how to get the machine to go over the big rock on mars, okay? I'm not even...I'm having difficulty unloading the dishwasher, okay?"

ALAN LIGHTMAN (Author, Einstein's Dreams, Good Benito and Physicist): Both writing fiction and doing scientific research are pretty much fulltime jobs. They're jobs that occupy you 24 hours a day. You're not a very good friend, lover, husband, wife during this period of months that you're consumed by a scientific problem. You're not very much fun to be around.

ANKI IAGNEMMA: I definitely feel that Karl is with me when he's with me, but I do think that he thinks about his work all the time. Since we moved in together, and definitely since Sofia came, he has to be more structured in his work, and he has to set aside hours more. And I think he does that really well, and that's...and he does that in a very focused way.

NEIL DEGRASSE TYSON: But that structure, those hours, that's a lot of time spent alone.

KARL IAGNEMMA: Solitude is something, as a writer and a researcher, you have to be comfortable with. Writing is, you know, really solitary, and research is, kind of, its little brother.

ALAN LIGHTMAN: When you're solving the equations, you're usually alone weeks and months. I mean, you will, you'll stop to eat meals.

STEVE ALMOND: The great untold secret about writing is that it's incredibly lonely. You cannot do it—I can't do it, anyway—with other people around.

KARL IAGNEMMA: And you have to be okay with that. Some people could never be okay with that. They just wouldn't enjoy the work, because they would miss the human contact, or they would miss various aspects of being out in the world.

STEVE ALMOND: If I show up at my poker game, and I've spent the day writing, or trying to write, immediately my poker buddies are like...'cause I'm like, "Hey, how are you doing, guys? All right, what are we...?" And they're like, "Have you spoken to anyone today? You know, have you talked with anybody?" They know that like, "Uh oh, crazy, lonely guy...here he is."

NEIL DEGRASSE TYSON: It's hardly a rational way to live.

ALAN LIGHTMAN: Scientists are passionate about their work. They do it because they cannot not do it.

KARL IAGNEMMA: You get this little rush. You enter into this state where the time just seems to pass. It's just the best feeling. And that's why you want to go back the next day and do it again, because of that feeling.

NEIL DEGRASSE TYSON: But can that feeling carry Karl through two intense careers? Alan Lightman chose to give up his research career in physics to become a successful novelist.

ALAN LIGHTMAN: Both the science and the fiction writing are addictions. At some point, if he wants to be a scientist and he wants to be a novelist, one of those powerful forces is going to conquer the other one.

KARL IAGNEMMA: "They met as first year graduate students at the Michigan Engineering Institute, two aggressive young theorists who disagreed about Marx and Irish beer, but agreed that mathematics was a game, the most elaborate, wonderful game, like puzzling out riddles posed by God."

Right now, I'm happy doing both. It's, it's tiring. It's fairly exhausting, but it's satisfying. It's kind of the feeling after, I imagine, after a runner has completed a long run. It's that pleasant satisfied exhaustion. That's kind of my constant state.

Thank you very much.

NEIL DEGRASSE TYSON: Exhausted and passionate, disciplined and humble, Karl Iagnemma will continue to write and calculate using his entire brain. But to his friends, he's just plain old Karl, the walking algorithm for success.

STEVE ALMOND: If it were me, if I was doing this stuff, I would be like, "Dude, I've got a robot going to mars. What did you do yesterday? And that was before lunch. Then I wrote a great short story in the afternoon. Then I hung out with my beautiful Swedish wife. What'd you do?"

NEIL DEGRASSE TYSON: If that's not enough: the movie rights to one of Karl's short stories have been optioned by Hollywood to be produced by Brad Pitt.

And now, back to that asteroid for some final thoughts. It's a curious fact of nature that severe asteroid impacts on Earth can devastate the ecosystem, leaving most life extinct. Countless tons of Earth's crust get cast high into the atmosphere, while soot from widespread fires cloaks the planet, knocking out the base of the food chain and sending a wave of extinction across the tree of life. Sounds bad? It is. But the loss of so much life also pries open fresh niches that allow new forms of life to thrive.

For the famous KT impact, 65,000,000 years ago, the one that ended the reign of the dinosaurs, as much as two thirds of all species were wiped out. But among those creatures that did survive, we find our mammal ancestors, a mere twig in the tree of life. But without dinosaurs to dine upon them, these early mammals could evolve into something more ambitious, like modern day primates, like people.

Asteroids: you can't live with 'em and you can't live without 'em. And that is the cosmic perspective.

We'd like to hear your perspective on this episode of NOVA scienceNOW. Logon to our Website and tell us what you think. You can watch any of these stories again, listen to podcasts, hear experts and much more. Find us at pbs.org.

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PRODUCTION CREDITS

NOVA scienceNOW: October 3, 2006


Asteroid

Edited by
Dick Bartlett

Written, Produced and Directed by
Julia Cort


Island of Stability

Produced and Edited by
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Obesity

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Karl Iagnemma Profile

Edited by
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NOVA scienceNOW

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