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    Seymour Card Table

    Appraised Value:

    $200,000 - $300,000

    Appraised on: September 6, 1997

    Appraised in: Dallas, Texas

    Appraised by: Leigh Keno

    Category: Furniture

    Episode Info: Greatest Finds (#814)

    Originally Aired: May 3, 2004

    slideshow IMAGE: 1 of 1  

    More Like This:

    Form: Card Table
    Material: Mahogany
    Period / Style: Federal
    Value Range: $200,000 - $300,000

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    Appraisal Video: (4:45)


    Appraised By:

    Leigh Keno
    Furniture, Folk Art

    Appraisal Transcript:
    APPRAISER 1: Can you tell me a little bit about how you came across this table?

    GUEST: I went to a garage sale.

    APPRAISER 2: How long ago was this, Claire?

    GUEST: This was about 30 years ago. As we moved into our new house, I needed a diminutive table, and I thought, "I think I know the shape and size," and when I saw this out in the yard, I thought, "This is a great thing." It was pitch black. It was a moldy mess. And the lady was asking $30, so I said, "But I only have $25." I said, "That's all I have." She said, "You can have it for $25" and I took it.

    APPRAISER 1: With most pieces from the Federal Period, we make attributions on the basis of inlay, style, secondary woods. But on your particular table, we're very fortunate-- you are, in fact-- to have the actual label--

    GUEST: Yes.

    APPRAISER 1: --of "John Seymour and Son, Creek Square"--

    GUEST: "Boston."

    APPRAISER 1: --"Boston," which is where they worked. And it's a little bit deteriorated, but you can still read it. And that's just extraordinary because it's so rare to find labeled pieces.

    GUEST: Yes.

    APPRAISER 1: What you brought in today here is a Federal inlay mahogany demilune card table, made by John and Thomas Seymour, very distinguished cabinetmakers from Britain who came to Boston in 1796, where they made some of the most distinguished and fine furniture for the very wealthiest families in Boston at the time.

    GUEST: Ah...

    APPRAISER 2: This table, everything about it, even if it didn't have the label, says "John and Thomas Seymour." The quality is incredible. It has this wonderful figured mahogany. The top has these inlaid...

    GUEST: Egg and darts.

    APPRAISER 2: Almost an egg and dart with a dot and almost a seed which actually has sand-burning. It's sand-burnt-- they used hot sand to color that inlay to give it a three-dimensional effect.

    GUEST: Oh, really!

    APPRAISER 2: If you come down to the edge, this edge has wonderful satinwood inlay, this figured satinwood. It has a typical Seymour coved edge-- this cove right here-- a veneered front, and on this veneered front, tapering bellflowers-- you see how they taper from small into large. And then the bowknot, which is so delicately done, this satinwood bowknot. All of these elements that we're seeing actually came out of English design books from the late 18th century of George Hepplewhite and Sheraton. Their design books had pieces like this or elements like this, with swags and demilune form-- this rounded form, this tapered leg and this type of spade foot. But the Seymours took it even to a higher level. We look at this edge. It's all satinwood decorated, and then, incredibly, the legs actually have this satinwood band which tapers down, and there are these bellflowers graduating down the leg, and at the very bottom, a bellflower. Now, did you try to clean it at any point?

    GUEST: Uh, linseed oil and turpentine. I didn't refinish it. I wiped it off and then I saw this, and then I kept going, and I thought, "Well, I'll just see." And I took the dirt all off.

    APPRAISER 2: Well, Claire, luckily you weren't a great refinisher...

    GUEST: I am, I am!

    APPRAISER 2: No, I'm joking. If you'd cleaned it a lot more, you would have taken a lot off the value.

    GUEST: I figured.

    APPRAISER 2: Luckily, it still has a nice old color. And even though you cleaned it... See all the dirt down at the bottom? I love that, I love that.

    GUEST: That's... that's what was up here.

    APPRAISER 2: I just want to say, when we first saw you my heart started going like this. Feel it... you can feel it right now. (mimicking thumping) That's right.

    APPRAISER 1: Mine did, too.

    APPRAISER 2: Leslie looked over and said, "Leigh, is that what I think it is?" And as we got closer, you had this upside down, and we saw that label, and Les went up to the label and said, "It isn't, is it?" And I said, "It is." So it's really one of the most exciting moments I've ever had— Les?

    APPRAISER 1: Yeah, absolutely-- one of the most exciting pieces I've ever seen.

    APPRAISER 2: Just to be here with this. Do you have an idea of what it's worth, or have you gotten some idea?

    GUEST: Oh, probably $20,000. Now, I just said that.

    APPRAISER 2: I think the estimate we're going to give you is going to top that. I think Les and I both feel that this piece in the open marketplace on a good day, would be in the range of about $200,000 to $225,000.

    GUEST: Wow! $200,000 to $225,000... Are you going to write it down?

    APPRAISER 2: On a very good day with everything in place, it has the possibility of bringing 300,000. I don't want to get your hopes up that much, but 225 isn't bad, I guess, right? This is better than hitting the lottery, because money's just money; this is a beautiful piece.

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