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    19th-Century Albert Carrier-Belleuse Sculpture

    Appraised Value:

    $6,000 - $8,000

    Appraised on: July 10, 2004

    Appraised in: Omaha, Nebraska

    Appraised by: Eric Silver

    Category: Metalwork & Sculpture

    Episode Info: Omaha, Hour 1 (#904)

    Originally Aired: January 24, 2005

    slideshow IMAGE: 1 of 1  

    More Like This:

    Form: Sculpture
    Material: Bronze
    Period / Style: Victorian
    Value Range: $6,000 - $8,000

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    Comment

    Appraisal Video: (3:35)

    appraiser

    Appraised By:

    Eric Silver
    Metalwork & Sculpture
    Director
    Lillian Nassau, LLC

    Appraisal Transcript:
    GUEST: A friend of my husband's mother was moving into an apartment and she had to downsize and get rid of a lot of her stuff, so she just gave it to us.

    APPRAISER: Well, you know, it's a great sculpture. It's by one of the leading French sculptors of the 19th century. His name is Albert Carrier-Belleuse. Earlier in his career, he just signed his name "A. Carrier," and about the middle part of his career he added the "Belleuse" part. He was born in the early part of the 19th century. He was actually born in 1824 and he started exhibiting at a rather young age. In 1851 he exhibited at the Salon, which were annual exhibitions of the leading artists of their day and Carrier-Belleuse went on to become probably the most prominent sculptor of his period.

    GUEST: Really?

    APPRAISER: He has a very varied career, because he was a teacher. His most famous student was Auguste Rodin, who at the end of the 19th century introduced Modernism into sculpture, and he was a very, very prominent sculptor. But another part of Carrier-Belleuse's career is he spent some time in England and he did designs for the Minton porcelain works. And came back to France and he eventually became the head of design for the Sevres porcelain works.

    GUEST: I see.

    APPRAISER: So he was very, very active as a sculptor and really quite good, as you can see by the quality of the casting of this piece.

    GUEST: I've always loved it.

    APPRAISER: Incredible detail, this wonderful observation of the costume. This period in the 19th century, the Victorian period, they were looking to the past. He also did Michelangelo and they did sculptures of Leonardo da Vinci, but they also did classical sculptures. They were always looking back, looking for new and interesting subject matter. And this bronze is in wonderful condition, you have a wonderful surface, very nice color. It shows some signs of wear, which is perfectly acceptable in a sculpture like this, and then in addition it has some gilding. This sculpture is actually a cast that would have been made from a model that the artist made. The artist would usually sculpt something in clay or maybe even in wax and from that they would make molds or a series of molds and then it would be cast into bronze. And the artist would make these in editions, not limited editions, per se, like we have, like this is one of ten-- that's a 20th-century concept. Earlier in the 19th century, artists would get commissioned to do it and have them made as they needed them.

    GUEST: I see.

    APPRAISER: And they were actually cast in sections, so, for a piece like this, this palette would have been done separately. This could have been cast in, like, ten or 15 different parts. You see that funny little circle there?

    GUEST: Yes.

    APPRAISER: What that is, is this arm was cast as a separate piece. And they didn't use any kind of solder or welding. This is actually a cone-shaped pin and what they did is they would drive this cone-shaped pin in and it would bring the two pieces together. And what happens is over the years the patina wears away and you see this little circle. I had never noticed that before. So it's really a great example of French 19th- century sculpture by one of the leading artists of the day. And at auction, this is a piece that would probably bring in the $6,000-to-$8,000 price range.

    GUEST: Wow! Fantastic.

    APPRAISER: In terms of taking care of this piece, I would suggest just wiping it over with a damp rag, and then a clear paste wax to give it a bit of a sheen and make it easier to dust off in the future.




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