Maurice Utrillo Lithograph, ca. 1920
Appraised Value: $1,500
IMAGE: 1 of 2
Appraisal Video: (3:26)
Prints & Posters
Director, Works of Art on Paper
Swann Auction Galleries
GUEST: It's been in the family since my grandparents... My mother's family lived on Fishers Island, which is an island off the coast of Connecticut.
GUEST: And my grandfather was a sea captain, and he captained a ship for someone who came during the summers. And I think it was given to him as a gift. So, it has been wrapped in newspaper and underneath beds in our family for many, many years and actually never even put on a wall.
APPRAISER: And you do know who the artist is.
GUEST: I do. It's Utrillo.
APPRAISER: Right, it's signed down here in pencil in the lower right-- Maurice Utrillo. And Utrillo was a Parisian artist first half of the 20th century, actually born into a family of artists. His mother was Suzanne Valadon, and she was friendly with such artists as Renoir, and actually he posed for Renoir. And it dates from around the 1920s. Most of his prints are from that period. Now, you were wondering about the technique.
GUEST: We noticed that the writing was backwards.
GUEST: We wondered if perhaps it was original to print from.
APPRAISER: It's actually a lithograph, printed from a stone. And you were mentioning the writing backwards, such as this here on the building and this here on the building. When you draw on the stone, it prints in reverse of what you've drawn. So Utrillo actually just drew straight out the names of the restaurants or the cafés or the hotels. And when it was printed as a lithograph, it printed in reverse. Now, he wasn't really much of a printmaker. He was a famous artist, but he was more of a painter. So my suspicion is that he really considered lithography as a means of drawing, so he just drew straightaway onto the stone, not thinking about drawing the text in reverse, so I think that's why the text is on there backward. Now, in the lower part of the print here on the left, you see his initials, and those initials are actually printed. And as you can see, they're printed in the right direction, so it's the one case where he took care to write them backwards in the stone so that they would print the right way in the... in the lithograph. And then very faintly down here, you can see pencil numbering.
APPRAISER: It's an edition of 100, this print, and the artist would've penciled that on. Now, you notice that the print is somewhat dark. It's a tan color, the paper. In actuality, the paper should be more of a lightish tone, and over time, this must have been exposed to light, and probably on the back is some sort of an acidic board. Over time, that exposure to light and the contact with the acidic board browned the sheet. Now, that's something that definitely affects the value of a print or any work on paper. In this condition, with the sheet browned as it is, it's worth about $1,500. That's at auction. Now, if you were to take it to a paper conservator to wash away that tone, that staining, which is a fairly easy process, it would increase the value to about $2,000, and it's maybe a $150 or $200 process, so it's definitely worth doing, and it preserves the paper. And it will bring out the contrast in the print that the artist intended-- the lightish cream color of the paper and the dark color of the ink-- and you'll have a better-looking print.
This website is produced for PBS Online by WGBH Boston. ©1997-2014 WGBH Educational Foundation.
ANTIQUES ROADSHOW is a trademark of the BBC and is produced for PBS by WGBH under license from BBC Worldwide.
WGBH and PBS are not responsible for the content of websites linked to or from ANTIQUES ROADSHOW Online.
PBS is a 501(c)(3) not-for-profit organization.