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    1920s Edward Berge Bronze Sculptures

    Appraised Value:

    $5,000 - $7,000 (2007)

    Appraised on: June 16, 2007

    Appraised in: Baltimore, Maryland

    Appraised by: Eric Silver

    Category: Metalwork & Sculpture

    Episode Info: Baltimore (#1201)

    Originally Aired: January 7, 2008

    slideshow IMAGE: 1 of 3 Next 

    More Like This:

    Form: Sculpture
    Material: Bronze
    Period / Style: 20th Century
    Value Range: $5,000 - $7,000 (2007)

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    Appraisal Video: (3:09)


    Appraised By:

    Eric Silver
    Metalwork & Sculpture
    Lillian Nassau, LLC

    Appraisal Transcript:
    GUEST: My mother gave them to my husband, who admired them for many years. But my mother grew up on a beautiful farm in Greenville, Maine, a beautiful mountain lake region, and in the summer, they boarded travelers and one of the boarders that came very often was a Baltimore socialite. Her name was Eleanor Duvall. A lot of these things we have that belonged to her came through my mother and then she gave these to us last summer. When we brought them back home to Baltimore, we learned that they were Berge. He was a popular sculptor, turn of the century, and other than that, I don't know a whole lot more. Okay.

    APPRAISER: Actually, we think his name was pronounced "Ber-gee."

    GUEST: Berge, okay.

    APPRAISER: Right, Edward Berge. And he was born in Baltimore and he studied here at the Reinhart School and he later became a teacher at the Maryland Institute. These pieces, I would probably date from the 1920s or so.

    GUEST: Mm-hmm.

    APPRAISER: He was trained in a more classical tradition. You know, the beginning of the 20th century, there was a lot of avant-garde work going on, but he chose this traditional path. And that's exemplified in this wonderful nude that's beautifully observed and beautifully modeled. What he's really known for are his fountains. This is actually his most famous piece. It's called "Wildflower," and he did a whole series of these pieces based on different flowers. I once had one that was called "Poppies." There's another one with "Iris."

    GUEST: Oh.

    APPRAISER: And they're really quite wonderful. And I said it was a fountain, and you know, this wouldn't be a fountain. This is a reduction.

    GUEST: Right.

    APPRAISER: He did these in a few different sizes. This was the smallest size. He did one about 12 inches high and then there's another one that's about 40 inches high. The foundry that made this one in particular is called the Roman Bronze Works. They were in New York. And this one, not only is it signed by Berge himself, but in addition, it's signed here with "RBW," RBW. which is the Roman Bronze Works.

    GUEST: Okay.

    APRAISER: The Roman Bronze had the models for these and they were cast for a very long time by the family. And I think some of them were cast well into the 1950s if not the 1960s. It's really beautifully done, very nicely detailed with a beautiful patina. This one also is wonderful because it has a great patina on it. It's nicely modeled. This one has a different foundry on it. The foundry here is the Zappo Foundry in New York. And it was very common for artists to have their things cast at different foundries.

    GUEST: I see.

    APPRAISER: In terms of the value, this reduction of his piece called "Wildflower" at auction would probably bring between $2,000 and $3,000.

    GUEST: No kidding. Oh, no.

    APPRAISER: And this young lady here, again, beautifully cast bronze, I would think at auction would probably bring $3,000, $4,000.

    GUEST: Oh, no.

    APPRAISER: Well, thanks for bringing it in.

    GUEST: Well, thank you so much.

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