In episode seven of LENNONYC: Beyond Broadcast, meet Adam Ippolito, the keyboardist for Elephant’s Memory. Elephant’s Memory was a protest band of the 1960’s and 70’s in New York City’s East Village. The group became the Plastic Ono Elephant’s Memory Band after John and Yoko arrived on the scene in 1972 and asked them to be their backing band.
In episode six of LENNONYC: Beyond Broadcast, meet Gary Van Scyoc, the bass player for Elephant’s Memory, the band backing John Lennon and Yoko Ono during 1972 and appearing as the Plastic Ono Elephant’s Memory Band.
In episode five of LENNONYC: Beyond Broadcast, meet Roy Cicala, who worked for almost 20 years as a producer and sound engineer at Record Plant Studios in New York City. Known to be one of the best in his field, Cicala worked with John and Yoko all through the 1970’s. He was there and can attest to all of the madness and all of the magic as John put his music to tape.
In episode four of LENNONYC: Beyond Broadcast: After losing a friendly bet that “Whatever Gets You Thru the Night” would never go to number one (it did), John Lennon played his last live show with his good friend Elton John. John and Yoko always claimed that this concert was the catalyst for their reconciliation. In fact, when Sean was born a year later they ask Elton to be his godfather.
Scorsese and his longtime collaborator Kent Jones discuss the creative process while creating A Letter to Elia, their a deeply personal film on Kazan, both a frank portrait and self-portrait.
In episode two of LENNONYC: Beyond Broadcast, meet Bob Gruen, who was friends with John and Yoko almost from the moment they arrived in New York City in 1971. Gruen, who has perhaps the most complete record of John’s time in New York. He took the two iconic photos of John Lennon from this period: the New York City t-shirt photo, and John in front of the Statue of Liberty.
Stephen Ujlaki, Cinema Department Chair at San Francisco State University and producer of Cachao: Uno Más for American Masters answered some questions about his interest in Afro-Cuban jazz and the making of the documentary.