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Philip Roth: Unmasked

Film Comment: Livia Manera, Co-Writer & Co-Director

An interview with co-writer and co-director Livia Manera, an Italian literary journalist and contributing editor to the literary pages of the leading Italian daily newspaper, Corriere della Sera.

Joffrey: Mavericks of American Dance

Podcast: Joffrey Mavericks

It’s American Masters radio: the other AM, on the podcast dial.

To expand the story beyond what could be included in the film, the producers of Joffrey: Mavericks of American Dance started this audio interview series to record the many stories and perspectives from the people who were associated with the Joffrey Ballet over its 56 year history.

Listen to the interviews and go deeper into the history of the company.

Joffrey: Mavericks of American Dance

The Joffrey Ballet Photo Gallery

They call The Joffrey Ballet “America’s Company of Firsts.”

The first dance company to perform at the White House. The first to appear on television. The first American company to visit Russia. The first classical dance company to go multimedia. The first to commission a rock ‘n’ roll ballet. The first and only dance company to appear on the cover of Time. And the first company to have had a major motion picture based on it, Robert Altman’s The Company.

See The Joffrey’s moments of “firsts” through the years.

Joffrey: Mavericks of American Dance

The ‘Parade’ Revival

The Joffrey’s revival of Leonide Massine’s ‘Parade’.

Joffrey: Mavericks of American Dance

History of The Joffrey Ballet

In 1956, six young dancers made up what was then known as the Robert Joffrey Theater Dancers, an ensemble that toured around the United States in a borrowed station wagon pulling a U-Haul trailer filled with costumes and recorded music. Their mission was to spread an interest in classical ballet to areas that may not have ever seen it performed. Led by fellow dancer and budding choreographer Gerald Arpino, they danced in school gymnasiums, on university campuses and in small town theaters while their namesake stayed behind in New York City to run his studio and make money to pay the dancers’ salaries. From this meager beginning, the company rose to prominence as one of the major forces in American dance.