In episode two of LENNONYC: Beyond Broadcast, meet Bob Gruen, who was friends with John and Yoko almost from the moment they arrived in New York City in 1971. Gruen, who has perhaps the most complete record of John’s time in New York. He took the two iconic photos of John Lennon from this period: the New York City t-shirt photo, and John in front of the Statue of Liberty.
En la herencia formidable de la música cubana, nadie es más importante que el bajista por excelencia, Israel ‘Cachao’ López. Nació en 1918 en una familia de respetados músicos y maestros entrenados de forma clásica, y se convirtió en su más célebre exponente. Criado en La Habana en la misma casa donde nació el legendario patriota, poeta y revolucionario José Martí, Cachao revolucionaría la esencia de la música cubana.
Stephen Ujlaki, Cinema Department Chair at San Francisco State University and producer of Cachao: Uno Más for American Masters answered some questions about his interest in Afro-Cuban jazz and the making of the documentary.
The first podcast for American Masters: LENNONYC features Jack Douglas talking about his long relationship with John Lennon including his time producing Double Fantasy. A highlight of the interview is Douglas’ account about a probable Beatles reunion for a Ringo album slated to be recorded in early 1981. According to Douglas, Lennon had told him both he and Paul McCartney had signed on to the album and each had written original songs for Ringo. Lennon’s songs, “Stepping Out” and “Nobody Told Me” instead appeared on Lennon’s posthumous album, Milk and Honey.
Read an essay by John Santos, Historian/Percussionist, on the life and formidable legacy of Cuban musician, Israel ‘Cachao’ López, and his unforgettable contributions to jazz.
In these outtakes from the film, Gloria Estefen, Andy Garcia, and John Santos tell their favorite stories and recall memories of Cachao. They describe the ways his music influenced their lives and tell anecdotes from his life, including one of Cachao’s favorite jokes about how to kill a cat.
Read an excerpt from the essay “Branded Man”, originally published in 2003 by No Depression Magazine, about Merle Haggards music and the meaning we read into his songwriting.